La mère d'un jeune homme est mordue par un singe-rat de Sumatra. Elle tombe malade et meurt, puis elle revient à la vie, tue et mange des chiens, des infirmières, des amis et des voisins.La mère d'un jeune homme est mordue par un singe-rat de Sumatra. Elle tombe malade et meurt, puis elle revient à la vie, tue et mange des chiens, des infirmières, des amis et des voisins.La mère d'un jeune homme est mordue par un singe-rat de Sumatra. Elle tombe malade et meurt, puis elle revient à la vie, tue et mange des chiens, des infirmières, des amis et des voisins.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 14 victoires et 7 nominations au total
Avis à la une
Dead Alive (1992)
**** (out of 4)
Terrific horror/comedy about a mama's boy (Timothy Balme) who finally gets a shot with a beautiful young lady (Diana Penalver) but his mommy ends up getting bitten by a Sumatran rat-monkey, which turns her into a blood-thirsty zombie.
I remember first seeing this thing in its cut, R-rated version but catching it again, this time uncut at a theater that specialized in midnight movies. I caught a lot of cult films at this theater but I think this one here went over best with the large crowd and the film ended up playing at least once a month with people lining up each time. Jackson has certainly gone on to do bigger pictures but in my opinion this one here contains more originality, imagination and heart than any of the three LORD OF THE RINGS films.
I think the overwhelming majority of this picture is a bizarre love story mixed in with outrageous gore that leads to some incredibly funny sequences. The over-the-top humor starts early on when, after already being bitten, the mother has some society people over but soon starts to fall apart in her food with the poor man sitting next to her ending up drinking down some of her fluids in his pudding. We even get more crazy stuff in terms of a mutant baby that our lead must take for a walk in the park only to have to end up beating in front of other outraged parents.
The gore level in this film was incredibly high for 1992 standards and it's still pretty out there. I'm not sure how many gallons of blood was used for this film but the red stuff is constantly flowing and pouring all over the place. We've got countless body parts being ripped, torn and shredded but we also have an uncountable amount of ooze constantly going all over the place. Horror fans who love gore will certainly find plenty here as this film contains enough for pretty much the entire genre that was out there during this era. Not only do we get some disgusting goo but we also get some pretty big laughs with the various situations that we find out hero in.
Jackson even throws us a decent little love story between the two leads and how on Earth doesn't want to see Lionel finally destroy his mother and get with the girl? The one negative thing is that the film runs a tad bit too long but there's no denying that this thing is a pure masterpiece in terms of midnight movies and gore flicks. The thing has some nice performances, an insane atmosphere and it's just an all around great little gem from someone who really does love the genre. Not only do we get all of this but there are some nice homages to films like KING KONG and THE WOLF MAN.
**** (out of 4)
Terrific horror/comedy about a mama's boy (Timothy Balme) who finally gets a shot with a beautiful young lady (Diana Penalver) but his mommy ends up getting bitten by a Sumatran rat-monkey, which turns her into a blood-thirsty zombie.
I remember first seeing this thing in its cut, R-rated version but catching it again, this time uncut at a theater that specialized in midnight movies. I caught a lot of cult films at this theater but I think this one here went over best with the large crowd and the film ended up playing at least once a month with people lining up each time. Jackson has certainly gone on to do bigger pictures but in my opinion this one here contains more originality, imagination and heart than any of the three LORD OF THE RINGS films.
I think the overwhelming majority of this picture is a bizarre love story mixed in with outrageous gore that leads to some incredibly funny sequences. The over-the-top humor starts early on when, after already being bitten, the mother has some society people over but soon starts to fall apart in her food with the poor man sitting next to her ending up drinking down some of her fluids in his pudding. We even get more crazy stuff in terms of a mutant baby that our lead must take for a walk in the park only to have to end up beating in front of other outraged parents.
The gore level in this film was incredibly high for 1992 standards and it's still pretty out there. I'm not sure how many gallons of blood was used for this film but the red stuff is constantly flowing and pouring all over the place. We've got countless body parts being ripped, torn and shredded but we also have an uncountable amount of ooze constantly going all over the place. Horror fans who love gore will certainly find plenty here as this film contains enough for pretty much the entire genre that was out there during this era. Not only do we get some disgusting goo but we also get some pretty big laughs with the various situations that we find out hero in.
Jackson even throws us a decent little love story between the two leads and how on Earth doesn't want to see Lionel finally destroy his mother and get with the girl? The one negative thing is that the film runs a tad bit too long but there's no denying that this thing is a pure masterpiece in terms of midnight movies and gore flicks. The thing has some nice performances, an insane atmosphere and it's just an all around great little gem from someone who really does love the genre. Not only do we get all of this but there are some nice homages to films like KING KONG and THE WOLF MAN.
10CTS-1
This film is truly the finest hour of the young, aggressive, full-speed-ahead Peter Jackson. Check your squeamishness at the door and get ready for proof that splatter can be played for laughs.
Not all the laughs are splatter-based. The opening scene shows a zookeeper waving a permit to a tribe of hostile natives about to kill him, shouting out "per-mit! Per-mit!" From there, the film descends into the inspired, amused lunacy of the splatstick. Look for the cameo of a young, thin Peter Jackson as a mortician's assistant. Also look for the minor hilarious characters- the Nazi vet, the idiot football player, and most famous of all, Father MacGruder, he of the film's best one-liner.
Timothy Balme is excellent as the nebbishy mama's boy who ends up taking on the whole undead world by himself, with a couple of mechanical aids. He out-Ashes Ash! Like any good zombie film, the end features waves of zombies, but many with unique and twisted personalities of their own. The best is, of course, zombie baby. It is shocking and yet hilarious to see what zombie baby endures, and yet survives (perhaps to live on in the long awaited sequel?) Ten stars, and five out of five blood splats thrown up against the wall (during the last half hour).
Not all the laughs are splatter-based. The opening scene shows a zookeeper waving a permit to a tribe of hostile natives about to kill him, shouting out "per-mit! Per-mit!" From there, the film descends into the inspired, amused lunacy of the splatstick. Look for the cameo of a young, thin Peter Jackson as a mortician's assistant. Also look for the minor hilarious characters- the Nazi vet, the idiot football player, and most famous of all, Father MacGruder, he of the film's best one-liner.
Timothy Balme is excellent as the nebbishy mama's boy who ends up taking on the whole undead world by himself, with a couple of mechanical aids. He out-Ashes Ash! Like any good zombie film, the end features waves of zombies, but many with unique and twisted personalities of their own. The best is, of course, zombie baby. It is shocking and yet hilarious to see what zombie baby endures, and yet survives (perhaps to live on in the long awaited sequel?) Ten stars, and five out of five blood splats thrown up against the wall (during the last half hour).
This is by far the best horror film I have ever seen in my life. This movie has everything - a horrifying rat monkey, a baby zombie, zombies having sex, gratuitous violence, extreme gore, a super fighting ninja priest, an evil annoying mom that turns into a zombie, a womanizing relative that is a pathetic loser, an old psychic that predicts the future, and lastly someone who takes care of them all. Oh, I can't forget to mention an inspirational scene with a lawnmower too. Overall I give this cinematic masterpiece the highest review, me throwing up in the bathroom afterwards from absolute disgust.
Wellington, New Zealand, 1957. Lionel and Paquita are at the zoo on date when Lionel's domineering, oppressive mother, Vera, appears, trying to prevent Lionel from seeing Paquita. Vera is bitten by a Sumatran rat-monkey and overnight becomes a zombie. Soon she infects others and Lionel is struggling to contain the zombie outbreak.
Written and directed by Peter Jackson who later went on to direct Heavenly Creatures, The Lord of the Rings and The Hobbit, Braindead, his third film, is nothing like those movies. If, however, you've seen his first film Bad Taste, Braindead will be no surprise.
Bad Taste relied heavily on a silly plot and gross-out special effects but was quite funny and generally quite fun. Braindead is similar but has a more solid plot, including a set up - Bad Taste just launched straight into the humans-vs-zombies/aliens action. There is still a lot of gross-out visual effects, many of which are silly and gratuitous, but some of them are really clever and funny. Some great laugh-out-loud moments.
On that note, in Bad Taste the silliness pipped the funniness but here the laughs win out. Not by a huge margin but enough to make the movie watchable and fun.
Written and directed by Peter Jackson who later went on to direct Heavenly Creatures, The Lord of the Rings and The Hobbit, Braindead, his third film, is nothing like those movies. If, however, you've seen his first film Bad Taste, Braindead will be no surprise.
Bad Taste relied heavily on a silly plot and gross-out special effects but was quite funny and generally quite fun. Braindead is similar but has a more solid plot, including a set up - Bad Taste just launched straight into the humans-vs-zombies/aliens action. There is still a lot of gross-out visual effects, many of which are silly and gratuitous, but some of them are really clever and funny. Some great laugh-out-loud moments.
On that note, in Bad Taste the silliness pipped the funniness but here the laughs win out. Not by a huge margin but enough to make the movie watchable and fun.
I think it's called the sweet spot, that place when everything comes together at the right moment: the build up has been great, the levels on all the gauges are optimised, you have all the ingredients, the recipe for success has been perfected and then you unleash the beast, and what a butcher of a beast you unleash!
If you dig too deep for the secrets or contrast it with today you'll end up burying yourself however, do be mindful and in awe of the immense crafts these artisans had developed in the early 90s and, above all, revel in the way those talents were recombined to produce a true work of ground breaking genius that will keep those fascinated by such majesty capitated, bowled and limbed for as long as is inhumanly possible.
If you dig too deep for the secrets or contrast it with today you'll end up burying yourself however, do be mindful and in awe of the immense crafts these artisans had developed in the early 90s and, above all, revel in the way those talents were recombined to produce a true work of ground breaking genius that will keep those fascinated by such majesty capitated, bowled and limbed for as long as is inhumanly possible.
Le saviez-vous
- AnecdotesOn its initial release in its home turf of New Zealand, this movie earned more per screen than Batman : Le Défi (1992).
- GaffesDespite being absolutely drenched with blood during the zombie massacre, Lionel's sweater and pants are completely dry in all the following scenes. His pants are amazingly clean, too.
- Citations
Father McGruder: I kick arse for the Lord!
- Versions alternativesIn Hungary the complete, original uncut version was released both at cinemas and on vhs. As of 2022, the film has not been released on dvd nor blu-ray.
- ConnexionsEdited into Heads Blow Up! (2011)
- Bandes originalesThe Stars and Moon
Composed by Peter Dasent and Jane Lindsay
Performed by Kate Swadling
Published by Mana Music/Central
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Muertos vivos
- Lieux de tournage
- 12 Hinau Road, Hataitai, Wellington, Nouvelle-Zélande(Lionel's house)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 242 623 $US
- Week-end de sortie aux États-Unis et au Canada
- 23 765 $US
- 15 févr. 1993
- Montant brut mondial
- 242 623 $US
- Durée
- 1h 44min(104 min)
- Couleur
- Rapport de forme
- 1.66 : 1
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