Cinq amis voyagent jusqu'à une cabne dans les bois, où inconsciemment ils relâchent des démons possédant la chair.Cinq amis voyagent jusqu'à une cabne dans les bois, où inconsciemment ils relâchent des démons possédant la chair.Cinq amis voyagent jusqu'à une cabne dans les bois, où inconsciemment ils relâchent des démons possédant la chair.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 1 nomination au total
Richard DeManincor
- Scott
- (as Hal Delrich)
Theresa Tilly
- Shelly
- (as Sarah York)
Philip A. Gillis
- Fake Shemp
- (as Phil Gillis)
Avis à la une
SPOILER(S) POSSIBLE
The first ever full-on film project by budding filmmakers Sam Raimi and Rob Tapert(then called Bobby Tapert)would prove to be a work of endurance and love and also one of the more entertaining horror films made in the eighties.
The plot is painfully simple: Five young adults from Michigan drive off into the woods for a camping vacation,using a seldom-used cabin as their haunt. They uncover a tape recorder and a crusty,dusty and blood-and-flesh-coated "Book of the Dead" or "Necromonicon",inadvertently incant the chant that awakes a limitless supply of malevolent spirits in the woods,and then one by one get picked off until a lone survivor is left to fight to escape. The story isn't much of an accomplishment:it's the whole physical undertaking that's the real accomplishment.
On a small budget that was probably getting smaller as the shoot continued(I don't know the exact amount of time of filming,but it probably lasted at least a year),the filmmakers and stars(all of 'em,most famously budding star Bruce Campbell as the conflicted but can-do Ash)had to make the most of a limited set,claustrophobic settings,gallons of viscous fluids,endless supplies of cakey make-up,a limited amount of lighting(probably NOT an accident,there) and probably a mass-produced amount of fog to create something that has both the feel of a creepily eerie film about the undead and yet had the effects to back up the type of slasher horror pic that the producers were aiming for.
The first of an intriguing trio of horror/comedy films that Raimi,Tapert,Campbell and company would crank out over a period of just under fifteen years(and,after seeing this film in full,I'm not sure if anyone involved originally intended to make any sequels),the atmosphere and noticeably cheap effects may turn-off your pickier horror film snobs,but anyone with a sense of adventure and high tolerance for gore will be reasonably pleased--if not greatly impressed--by this first effort film. A keeper,not a renter,not only for repeated viewing but also for the extras.
The first ever full-on film project by budding filmmakers Sam Raimi and Rob Tapert(then called Bobby Tapert)would prove to be a work of endurance and love and also one of the more entertaining horror films made in the eighties.
The plot is painfully simple: Five young adults from Michigan drive off into the woods for a camping vacation,using a seldom-used cabin as their haunt. They uncover a tape recorder and a crusty,dusty and blood-and-flesh-coated "Book of the Dead" or "Necromonicon",inadvertently incant the chant that awakes a limitless supply of malevolent spirits in the woods,and then one by one get picked off until a lone survivor is left to fight to escape. The story isn't much of an accomplishment:it's the whole physical undertaking that's the real accomplishment.
On a small budget that was probably getting smaller as the shoot continued(I don't know the exact amount of time of filming,but it probably lasted at least a year),the filmmakers and stars(all of 'em,most famously budding star Bruce Campbell as the conflicted but can-do Ash)had to make the most of a limited set,claustrophobic settings,gallons of viscous fluids,endless supplies of cakey make-up,a limited amount of lighting(probably NOT an accident,there) and probably a mass-produced amount of fog to create something that has both the feel of a creepily eerie film about the undead and yet had the effects to back up the type of slasher horror pic that the producers were aiming for.
The first of an intriguing trio of horror/comedy films that Raimi,Tapert,Campbell and company would crank out over a period of just under fifteen years(and,after seeing this film in full,I'm not sure if anyone involved originally intended to make any sequels),the atmosphere and noticeably cheap effects may turn-off your pickier horror film snobs,but anyone with a sense of adventure and high tolerance for gore will be reasonably pleased--if not greatly impressed--by this first effort film. A keeper,not a renter,not only for repeated viewing but also for the extras.
Sam Raimi's feature length debut "The Evil Dead" is truly one of the greatest horror films of all time and the start of a magnificently entertaining trilogy of hilarity and some real scares. Made on a budget of only $375,000, the film is surprisingly accomplished on a technical level. The effects, although they do look fake by today's standards, hold up a lot better than you might have expected, and the stop motion sequence at the end, which looks a lot faker than anything else in the movie, was accomplished for its time and budget.
"The Evil Dead" is about a group of young adults who travel to a cabin in the woods and discover a 'book of the dead'. No prizes for guessing what happens next as each character is possessed (except for Ash) and disposed of via an intriguing variety of methods. Considering its budget, unknown director (at the time), and typical slasher plot "The Evil Dead" would almost certainly seem headed towards forgotten B-movie status, and yet it has stood the test of time and remains one of the most widely acclaimed horror films of all time. Why? It's simple. Although "The Evil Dead" is nowhere near as funny as its sequels, it's still a humorous self-satire while also being terrifying despite its age. This odd combination (only perfected in this film's sequels and "Creepshow") works because Raimi crafts a tense and moody environment, puts his characters in there, and then ruthlessly disposes of them, sometimes doing so several times for the same character. What's worse is that there's nowhere to go. Raimi creates a claustrophobic feeling in anyone watching, he wants you to think about being in a situation where you're trapped with nothing but death and destruction surrounding you. For most people, he probably succeeds. As far as acting goes, none of it is really very good but Bruce Campbell is instantly likable as Ash, who just has to be one of the most memorable horror film characters of all time.
Gory, desolate, hopeless, and still funny, "The Evil Dead" is a horror masterpiece that isn't quite the strongest entry in the series, but is shockingly accomplished and entertaining despite its low budget and inexperienced cast and crew. This is a film everyone must see, along with its sequels.
9/10
"The Evil Dead" is about a group of young adults who travel to a cabin in the woods and discover a 'book of the dead'. No prizes for guessing what happens next as each character is possessed (except for Ash) and disposed of via an intriguing variety of methods. Considering its budget, unknown director (at the time), and typical slasher plot "The Evil Dead" would almost certainly seem headed towards forgotten B-movie status, and yet it has stood the test of time and remains one of the most widely acclaimed horror films of all time. Why? It's simple. Although "The Evil Dead" is nowhere near as funny as its sequels, it's still a humorous self-satire while also being terrifying despite its age. This odd combination (only perfected in this film's sequels and "Creepshow") works because Raimi crafts a tense and moody environment, puts his characters in there, and then ruthlessly disposes of them, sometimes doing so several times for the same character. What's worse is that there's nowhere to go. Raimi creates a claustrophobic feeling in anyone watching, he wants you to think about being in a situation where you're trapped with nothing but death and destruction surrounding you. For most people, he probably succeeds. As far as acting goes, none of it is really very good but Bruce Campbell is instantly likable as Ash, who just has to be one of the most memorable horror film characters of all time.
Gory, desolate, hopeless, and still funny, "The Evil Dead" is a horror masterpiece that isn't quite the strongest entry in the series, but is shockingly accomplished and entertaining despite its low budget and inexperienced cast and crew. This is a film everyone must see, along with its sequels.
9/10
What more can be said of Raimi's legendary cult-classic that hasn't already been beaten to death like a puss-oozing zombie that crosses paths with Ash? Possibly nothing, but I'll try.
Before Spiderman and before the countless spin-offs of this movie were made or even conceived, Raimi and friends decided to make a low budget zombie flick mainly for fun, and surprisingly it has become a masterpiece of shock and horror. Possibly a perfect example of how to make an entertaining film on a shoe-string budget, The Evil Dead delivers what it promises, the ultimate in grueling horror. Even with it's mild budget and sometimes shaky acting, TED shocks and spooks the audience through chilling atmosphere and some of the most violent effects ever put on film. Those who are squeamish need not apply. As a matter of fact, just run for your girly life.
There are several reasons this film succeeds. First, Raimi's camera work is truly masterful. By using fast camera work and aggressive shots, Raimi has created an eerie world that is sometimes hard to look at but too entertaining to turn away from. His style from behind the camera is absolutely unmistakable. This is perfectly exemplified in the beginning of the film, where the camera alone creates enough atmosphere to leave you biting your nails in suspense of what's to come. You feel at any moment someone is going to get their neck chomped on by some zombie hiding just out of view. One of the most impressive openings I can think of, perfection in pacing and atmosphere. It gets even better once the action starts. Some shots hold for a seeming eternity, and part of you wishes for it to stop for it's unrestrained gore and violence...but the other part of you is getting a sick kick out of it. One of the most impressive shots is where the darkness from the trees begins to chase people, knocking any tree or obstacle down that happens to be in it's way. Truly magnificent technique, however they did it.
TED also succeeds because it's self-aware of the fact that it's a simple zombie movie and never takes itself too seriously, and doesn't expect the audience to do so either. It's meant to be campy, cheesy, revolting and chilling at the same time. There are moments in the film where it seems to be making fun of itself and the genre in general. For this fact alone, one cannot hold certain things against it such as sometimes questionable acting from the supporting cast and sometimes the downright implausibility of certain situations. If you can accept this and you're not put off by mannequin ultra-violence, then you should find yourself on the supporter's side of the fence. I think some don't like it because it can be ridiculous and cheesy in parts, although it was meant to be. Even with the fact that it's sometimes cheesy, there are some downright chilling moments in this film that most horror films nowadays cannot begin to muster. Case in point, the zombie screaming from the cellar door. The zombie growls and howls themselves are enough to send shivers up one's spine. And let's not forget the unforgettable tree love scene, ridiculous and hilarious simultaneously.
Last but certainly not least: Bruce Campbell as Ash, the badass of all zombie films. Campbell is Ash, period, and always will be.
In my opinion, this is by far the best of the trilogy, and although there could have been more of the chainsaw, this is the definitive zombie film and probably always will be. I feel it succeeds over it's sequels due to it's increased violence and lack of humor in comparison. It's blood, gore, camera work, and shock factor are still formidable even today and are what make this such a cult classic. If you've ever liked any horror film, this is an absolute must-see.
Love or hate it, there it is.
Before Spiderman and before the countless spin-offs of this movie were made or even conceived, Raimi and friends decided to make a low budget zombie flick mainly for fun, and surprisingly it has become a masterpiece of shock and horror. Possibly a perfect example of how to make an entertaining film on a shoe-string budget, The Evil Dead delivers what it promises, the ultimate in grueling horror. Even with it's mild budget and sometimes shaky acting, TED shocks and spooks the audience through chilling atmosphere and some of the most violent effects ever put on film. Those who are squeamish need not apply. As a matter of fact, just run for your girly life.
There are several reasons this film succeeds. First, Raimi's camera work is truly masterful. By using fast camera work and aggressive shots, Raimi has created an eerie world that is sometimes hard to look at but too entertaining to turn away from. His style from behind the camera is absolutely unmistakable. This is perfectly exemplified in the beginning of the film, where the camera alone creates enough atmosphere to leave you biting your nails in suspense of what's to come. You feel at any moment someone is going to get their neck chomped on by some zombie hiding just out of view. One of the most impressive openings I can think of, perfection in pacing and atmosphere. It gets even better once the action starts. Some shots hold for a seeming eternity, and part of you wishes for it to stop for it's unrestrained gore and violence...but the other part of you is getting a sick kick out of it. One of the most impressive shots is where the darkness from the trees begins to chase people, knocking any tree or obstacle down that happens to be in it's way. Truly magnificent technique, however they did it.
TED also succeeds because it's self-aware of the fact that it's a simple zombie movie and never takes itself too seriously, and doesn't expect the audience to do so either. It's meant to be campy, cheesy, revolting and chilling at the same time. There are moments in the film where it seems to be making fun of itself and the genre in general. For this fact alone, one cannot hold certain things against it such as sometimes questionable acting from the supporting cast and sometimes the downright implausibility of certain situations. If you can accept this and you're not put off by mannequin ultra-violence, then you should find yourself on the supporter's side of the fence. I think some don't like it because it can be ridiculous and cheesy in parts, although it was meant to be. Even with the fact that it's sometimes cheesy, there are some downright chilling moments in this film that most horror films nowadays cannot begin to muster. Case in point, the zombie screaming from the cellar door. The zombie growls and howls themselves are enough to send shivers up one's spine. And let's not forget the unforgettable tree love scene, ridiculous and hilarious simultaneously.
Last but certainly not least: Bruce Campbell as Ash, the badass of all zombie films. Campbell is Ash, period, and always will be.
In my opinion, this is by far the best of the trilogy, and although there could have been more of the chainsaw, this is the definitive zombie film and probably always will be. I feel it succeeds over it's sequels due to it's increased violence and lack of humor in comparison. It's blood, gore, camera work, and shock factor are still formidable even today and are what make this such a cult classic. If you've ever liked any horror film, this is an absolute must-see.
Love or hate it, there it is.
Sam Raimi's The Evil Dead is a very original splatter flick for it's time that would be a great start to a series and very influncial to loads of other filmmakers. Pretty serious in tone, 2 couples rent a cabin in the woods and discover The Necronomicon and awaken The Evil Dead. Very different for its time this gory fright film delivers on both scares and horrific make up f/x. This has very little comedy and moves at a slower pace than the other entries in the series. I must admit, I prefer Evil Dead 2 with more Bruce Campbell, the introduction of splatstick comedy. Evil Dead 2 is pretty much a reimagined version of the 1st film that does everything the 1st film does better. But, that is only my preference and opinion. Having said that, The Evil Dead is still very good and the most pure horror movie of the lot. A classic.
Sam Raimi proved to the world that he could not only direct a movie but that he could create a product that was not only original but that could scare the hell out of you. Since the 1981 release, Bruce Campbell has found work on many film projects due to his break out performance in the Evil Dead. Raimi, has gone on to direct many films. Both have earned much of their career based on this little horror movie, that has been re-produced / recycled by thousands of "wanna-be" film makers world wide. This is not your typical "zombie" film, let alone your garden variety horror movie as well. The Evil Dead is one of those black comedies / horror movies that overwhelms the audience to either be scared out of their wits or won over by the movie's story and over the top characters. The Evil Dead is what most, if not all horror movies should be, very real and powerful.
Le saviez-vous
- AnecdotesThe cabin used as the film's set was also lodging for the 13 crew members, with several people sleeping in the same room. Living conditions were terrible, and the crew frequently argued. The cabin didn't have plumbing, so the actors went days without showering, and fell ill frequently in the freezing weather. By the end of production, they were burning furniture to stay warm.
- GaffesCharacters' hairstyles, as well as the amount of blood on them, change drastically from shot to shot - a result of shooting the film sporadically over several years. Note that seconds after Ash is completely covered in Linda's blood, he is clean again.
- Citations
[repeated line]
Voice of Evil Force: Join us...
- Crédits fousThe swing music from the old Victrola in the cabin's cellar plays during the closing credits, only to wind down and grind to a stop leaving the sound of the wind to accompany the rest of the credits. The final sound heard as the closing credits end is the fly buzzing - the first sound heard in the opening of the film.
- Versions alternativesWhen originally released to theaters in Britain, the UK censors removed 49 seconds of footage including an ankle stabbing, Shelley chewing off her own hand, an eye gouging, Shelley's body being dismembered, body blows with a poker and a wooden post, and shots of blood spurts, and it was this version that was released on video originally. Despite the cuts, it became one of the most notorious of the UK video nasties and was subject to many obscenity trials before being withdrawn on video in 1984, when mandatory video censorship was introduced to the UK. It was not until 1990 that the film surfaced on video in the UK again, due to wrangles between the distributors and the BBFC over how much footage should be cut from a legal video release. In the end, a further 1m 6s was removed, in addition to the previous theatrical version cuts. Most of the scenes depicting excessive gore were shortened or removed, with the tree rape scene being particularly targeted for cuts. The fully uncut version was finally released on DVD in 2001.
- ConnexionsEdited into Bhayam (2007)
- Bandes originalesWord Back Here
(uncredited)
Written by Bruce Reynolds
Performed by Theresa Tilly and Richard DeManincor
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Budget
- 350 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 2 400 000 $US
- Montant brut mondial
- 2 895 590 $US
- Durée1 heure 25 minutes
- Mixage
- Rapport de forme
- 1.37 : 1(original ratio, open matte)
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant