Le silence des agneaux

The Silence of the Lambs runs two hours.Anthony Hopkins appears for little more than sixteen minutes, yet during those minutes he hasn't bored you for a second, not even after the tenth or eleventh viewing. Such is the power of his performance, it's absolutely impossible to forget him.His character, Dr.Hannibal"The Cannibal" Lecter, is a brutal killer with revolting methods and habits, but he's also very intelligent, charismatic and with good taste(you can interpret that as you like).A clichè by now, but who cares? He still is one of the key elements in this wonderful thriller, which sees Jodie Foster's Clarice Starling asking for Lecter's help to catch another killer.The result is a dangerous yet fascinating relationship between the young, unexperienced FBI-agent and the convicted,but basically omnipotent, psychiatrist.He's a step ahead of everyone all the time, and makes sure everyone notices, with his witty, unforgettable one-liners.If there had to be only one reason to worship this movie, then it would have to be the chemistry between the two leading actors.Never before has a non-sexual man/woman connection been more thrilling.Never before has a film's ending been more unsettling and brilliant and left us asking for more.

Best watched with a nice Chianti...

P.S. dear film-buffs, have the lambs stopped screaming?

I first saw this in the early 90s on a vhs and i still remember how two very old ladies were petrified n blabbering about the movie to my dad and one thing which stayed with me after that conversation was the praising of Hopkins acting by the two grumbling old geezers.

I revisited it in the early 2k on a dvd which I own and was in awe by Hopkins mesmerizing performance.

Revisited it the third time today but this time with my kids as they are 18 now but my wife is still not agreeable.

Everything has been said about this first class thriller n there seems to be nothing left but i jus wanna contribute a lil by praising the performance of Hopkins.

In the entire movie, it is Hopkins' screen presence n footage which keeps u glued.

His character is charismatic but very dangerous that u don't wanna be rude with him.

Some scenes are far fetched but like i said it is the mesmerizing performance by Anthony Hopkins which is the highlight.

Brilliant Best Picture of 1991 that never gets old. "The Silence of the Lambs" deals with a young FBI cadet (Oscar-winner Jodie Foster) who is sent to interview a captured madman (Oscar-winner Anthony Hopkins in one of the greatest performances ever on the screen) to find out about a serial killer (Ted Levine) who is stripping the skin from his female victims after they die. The FBI has had no luck with the case and agent Scott Glenn tries to throw a curve-ball to Hopkins by sending Foster. Hopkins is a former doctor of Levine and holds the clues to capturing the unknown criminal. Needless to say the film takes many twists and turns, creating a suspenseful thriller that has no equal. At the heart of "The Silence of the Lambs" are the confrontations between Hopkins and Foster. They play a complicated chess match of words which results in some of the greatest footage ever captured for the cinema. Hopkins dominates in spite of the fact he has approximately 17 minutes of time in the film. This is a film that will wrap itself around you and you will likely never be able to shake some of the key elements you have seen in this amazing masterpiece. 5 stars out of 5.

I just saw, for the second or third time, this cinematographic masterpiece, during an « UGC culte » evening, in Paris. The list of the Big Five Academy Award winners is short. There are currently three of them, in nine decades: New York - Miami (1934), Vol au-dessus d'un nid de coucou (1975) and ... Le silence des agneaux (1991). This is not really surprising, this film being excellent, endowed with a script skillfully elaborated by Thomas Harris, with an irreproachable casting including Anthony Hopkins, Jodie Foster and Scott Glenn. In addition, the director Jonathan Demme delivers a work obviously enjoying an admirable preparatory work.

Without unduly spoiling the script, if you have not seen it yet, by the greatest fluke: a psychopath known as the Buffalo Bill sows terror in the Middle West by kidnapping and murdering young pulpy women, after partially or completely skinning them. Clarice Starling, a young FBI agent, is in charge of interviewing Hannibal Lecter, a well-known former psychiatrist who has also the characteristic of a truly intelligent psychopath focused on cannibalism. Hannibal Lecter is able to provide Clarice Starling with providential information about Buffalo Bill . But he agrees to help her only in exchange for information about the young woman's private life. Between them is established a link of fascination and repulsion.

As a synthesis: a thrilling must see. 9/10 of 10

Admittedly, I am not the most well versed when it comes to cinema and more importantly well thought-out and thorough reviews of cinema however I wanted to attempt to talk about The Silence of the Lambs.

This is quite possibly one of my most revisited horror films, I find myself returning to it without boredom quite often. Re-watchablity is something I have noticed to be heavily lacking in the horror genre, something I personally equate to the overuse of the jumpscare, which isn't such a terrible thing but the intended effect wears thin by the third viewing.

Silence of the Lambs being a more psychological horror does an immensely interesting job in their depiction of "deranged" or mentally ill criminals. Obviously Hannibal himself can become quite alluring given his disturbed charisma alongside the dustings of his criminal, cannibal, activities. His interactions with Clarice are superb and I don't get tired of watching their bizarre chemistry. Plus Jodie Foster did an excellent job as an up and coming FBI student, evidently a small fish in a large, male dominated pond.

On that note I think the depictions of her relationships with men in the film are rather well executed. I would love to one day do a deeper more insightful reflection on this film and actually take into account story and cinematography, all factors really but I'll leave it here for now.