Deux contes d'horreur basés sur des nouvelles d'Edgar Allan Poe, réalisés par les célèbres réalisateurs d'horreur George A. Romero et Dario Argento. Une femme tue son mari; un journaliste ad... Tout lireDeux contes d'horreur basés sur des nouvelles d'Edgar Allan Poe, réalisés par les célèbres réalisateurs d'horreur George A. Romero et Dario Argento. Une femme tue son mari; un journaliste adopte un étrange chat noir.Deux contes d'horreur basés sur des nouvelles d'Edgar Allan Poe, réalisés par les célèbres réalisateurs d'horreur George A. Romero et Dario Argento. Une femme tue son mari; un journaliste adopte un étrange chat noir.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
- Christian (segment "The Black Cat")
- (as Holter Ford Graham)
Avis à la une
TWO EVIL EYES received minimal theatrical distribution in the USA (where most people wouldn't know a good horror movie if they tripped over it), and went practically straight to video, where it didn't do too impressively either. This was undoubtedly due to some scathing reviews that labelled this movie as abysmal, boring and pointless.
I, on the other hand, think TWO EVIL EYES is a great movie. True Romero fans will see the director's brilliance at work in "The Facts in the Case of Mr. Valdemar". Romero steers clear of blood and guts (which is why most "fans" were disappointed by it) and instead creates a macabre atmosphere, and gives the piece the look and feel of an EC or Warren horror comic, complete with campy dialogue and over-the-top performances. Pick up a copy of TALES FROM THE CRYPT or CREEPY and compare it to Romero's segment.
You'll see how perfectly Romero captures the flavor of a bygone era in illustrated horror. When the mesmerized Valdemar wails "Jessica", you can almost see the wavy dialogue bubble appear next to his head. It's as worthy a tribute to such publications as the Romero-Stephen King masterpiece, CREEPSHOW. Romero takes liberties with Poe's story, but keeps the feeling of irony and sardonic wit that makes Poe's work so rich. It's a great little movie from one of the true masters of the genre, though, unfortunately, it's his best work to date since DAY OF THE DEAD.
I may be one of the only defenders of this movie who likes Romero's part better than Argento's. This is because Romero keeps Poe's spirit alive throughout his segment. Argento simply takes one basic story ("The Black Cat"), adding elements from a few other Poe stories (including "Berenice" and "Pit and the Pendulum") and uses them as a clothesline for his own twisted and bizarre nightmare fantasies. There's nothing wrong with that, but I think he fails to capture the feel of Poe, which I thought was the point of the movie (which was his idea). At any rate, it's very good Argento. His camera constantly swoops and creeps along the corridors of the house in which the story takes place, and he creates some genuinely disturbing imagery. He also gets an excellent performance from Harvey Keitel, who brings a cruelty and maliciousness to his character most actors would not dare attempt.
Overall, TWO EVIL EYES is an entertaining movie for horror fans who enjoy more than just blood and guts, and are patient enough to let a story take its time developing. Give it another chance.
The biggest problem with Romero's story is that it feels like it was made for television. The annoyingly cheap and ceaseless music score doesn't help. Barbeau is the best part. She makes a paper-thin character work. She's also some very nice eye candy. E.G. Marshall plays Valdemar's attorney, who knows something is up but can't do much about it. Tom Atkins plays a homicide detective who conveniently answers 911 calls about screaming neighbors. The climax sees Romero turning Poe's story into something that belonged in Creepshow, which Romero directed and Barbeau, Atkins, and Marshall also appeared in. If this story was the entire movie, I might rate it a little higher. It's not great and there are big problems (that music!) but it's a passable time-killer. However, the other story drags the score down.
The Argento story is more stylishly directed, as you might expect. It's also more poorly written, as you might also expect. It's got lots of Poe references to establish Argento is clearly a fan but there's nothing of Poe's talent in this one. The story is "The Black Cat" and it's about a crime scene photographer (Harvey Keitel) who kills his girlfriend's cat. Then he goes crazy and it's a whole thing. Honestly, even with Keitel's bizarre performance and Argento's visuals, this one was a snoozer for me.
I think if you look at some of the other reviews here, particularly from those who love the movie, you'll see I'm in the minority on this. Most people seem to prefer Argento's story and hate Romero's. In a way, I get that. Argento has more style and a devoted cult following. I have enjoyed several of his horror films, though not enough to call myself a big fan of his. So take that into consideration. If you're someone who generally prefers a Dario Argento type of horror film, you are likely to prefer the second story to the first. Either way I'll be surprised if you love either of them, as they are both pretty mediocre.
Interesting though average and poorly adapted but with imaginatively staged gory killings by the masters of horror, the talented writers/directors Dario Argento and George A Romero ; resulting to be the Argento part more successful than Romero first entry . American George Romero and Italian cult director Dario Argento , masters of arty gore, bring this eerie and stylish story plagued with depraved gore murders . Exciting film with effective aesthetic that packs lots of gore , guts , chilling assassinations and twists plots . Large support cast and cameos as Edgar G Marshall , Sally Kirkland , John Amos as a detective , Tom Savini as the Monomaniac and brief acting of a newcomer , the young Julie Benz of Dexter . This is a trademark terror work for the Horrormeisters Argento-Romero with high tension quotient and equally elevated suspense by means of an ever-fluid camera that achieves colorful shots well photographed . Atmospheric cinematography by Peter Reiners and odd wide screen , though color effects will suffer on small TV set . Thrilling and frightening musical score by Pino Donaggio . It's a homage to Allan Poe and cult director Roger Corman who directed the notorious ¨Tales of terror¨ with various stories distilled by Richard Matheson , being starred by Peter Lorre , Basil Rathbone and Vincent Price appears in all three segments . ¨Two evil eyes¨ is an acceptable and passable entertainment with surprising and intriguing situations , it does have a few good moments .
This scary motion picture is professionally directed by Dario Argento and George A Romero , though uninspired and with no too much originality . George A Romero directed the successful ¨The night of the living dead¨ and three equally celebrated sequels, ¨Dawn of the dead (78)¨ where the zombies attack a shopping mall ,¨Day of the dead dead (85)¨ about flesh-eating zombies taking over the world and scientific experimenting on zombies and ¨Land of dead(2005)¨ with high budget played by Simon Baker , Asia Argento and Dennis Hooper . While Dario Argento is one of those film-makers who set off simple for frightening us to death . His period of biggest hits were the 70s when he directed the animals trilogy : ¨Four flies over gray velvet¨, ¨The cat of nine tails¨, ¨Bird with the crystal plumage¨, after he directed some masterpieces as ¨Suspiria¨, ¨Inferno¨ , ¨Tenebre¨ and of course ¨Deep red¨ , one of the best ¨Giallo . In 1995 Argento made a comeback to the horror genre with ¨La Sindrome Di Stendhal (1996)¨ and then by another version of ¨The phantom of the Opera¨ (1998) both of which starred by his daughter Asia Argento . Most recently, Argento directed a number of 'giallo' mystery thrillers which include Insomnio (2001), ¨Il Cartaio (2004)¨, and ¨Ti Piace Hitchcock?¨ (2005), as well as two creepy , supernatural-themed episodes of the USA TV cable anthology series "Masters of Horror". Furthermore , to his Gothic and violent style of storytelling , ¨La Terza Madre (2007)¨ has a lot of references to the previous two movies as 'Suspiria and Inferno' which is a must for fans of the trilogy . And finally directed this so-so film called ¨Giallo¨ . This bloody fun plenty of graphic gore and weirdness may not be for all tastes but to be liked for Argento and Romero connoisseurs especially .
Le saviez-vous
- AnecdotesDario Argento originally wanted the film to be a collaboration between four directors: him, George A. Romero, John Carpenter, and Wes Craven. Carpenter and Craven pulled out, so Argento and Romero decided to tackle the project as a two-part story, each directing his own segment separately.
- GaffesIn second story when police comes to search the house, phone is shown unplugged and not working, but it rings just a few minutes later, working fine.
- Citations
Roderick Usher (segment "The Black Cat"): Hey, this is my fucking kitchen , and I'll fucking stay, and I'll fucking drink if I fucking want!
[phone rings]
Roderick Usher (segment "The Black Cat"): I DIDN'T FUCKING DO ANYTHING!
- Crédits fousBefore the narrative of the film starts, the Poe house in Baltimore is shown, with a plaque reading: Edgar Allan Poe 1809 1849 Dreaming dreams no mortal ever dared to dream before.
- ConnexionsFeatured in Dario Argento: Master of Horror (1991)
Meilleurs choix
- How long is Two Evil Eyes?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Dos ojos diabólicos
- Lieux de tournage
- 1250 Fox Chapel Road, Fox Chapel, Pittsburgh, Pennsylvanie, États-Unis(Valdemar mansion - segment "The Facts in the Case of Mr. Valdemar")
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 9 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 349 618 $US
- Week-end de sortie aux États-Unis et au Canada
- 260 410 $US
- 27 oct. 1991
- Montant brut mondial
- 349 618 $US
- Durée2 heures
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1