NOTE IMDb
7,1/10
26 k
MA NOTE
Témoin d'une attaque, un écrivain est traqué par un tueur en série.Témoin d'une attaque, un écrivain est traqué par un tueur en série.Témoin d'une attaque, un écrivain est traqué par un tueur en série.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Renato Romano
- Professor Carlo Dover
- (as Raf Valenti)
Rosita Torosh
- 4th Victim
- (as Rosa Toros)
Dario Argento
- Murderer's Hands
- (non crédité)
Avis à la une
Dario Argento has come a long way since his first giallo. With classics such as Deep Red, Suspiria and Tenebrae under his belt he is often recognised as Italy's greatest horror director (rightly so). His style that he uses in all his movies is very noticeable here. The excellent score, long tracking shots, bloody murders and the shocking twist at the end. Although Bird with the Crystal Plumage is not as gruesome as his others and the twist not as shocking, he had to start somewhere.
Sam, an American writer in Rome witnesses the stabbing of woman in an art gallery but is powerless to help as he is trapped between two glass doors. The woman survives though, and the police tell Sam she is the first surviving victim of a serial killer. The police keep Sam in Rome which annoys him quite a bit but he soon starts to investigate after someone tries to kill him.
Bird with the Crystal Plumage, although not his best work, is still an intriguing and well-made movie. The acting is good, the score excellent and the twist sure surprised me! This is highly recommended for Argento fans.
4/5
Sam, an American writer in Rome witnesses the stabbing of woman in an art gallery but is powerless to help as he is trapped between two glass doors. The woman survives though, and the police tell Sam she is the first surviving victim of a serial killer. The police keep Sam in Rome which annoys him quite a bit but he soon starts to investigate after someone tries to kill him.
Bird with the Crystal Plumage, although not his best work, is still an intriguing and well-made movie. The acting is good, the score excellent and the twist sure surprised me! This is highly recommended for Argento fans.
4/5
Ominous music and lush cinematography override a sparse script to create a Jack-the-Ripper type thriller, which is deeply introspective, moody, and haunting.
Indeed, the script can be treacherous if used to try and solve this whodunit puzzle, which is best handled by removing psychological assumptions rather than by piecing together logical clues. Even so, the murder mystery plot is to some extent illogical.
The strength of the film though lies in its suspense, which is almost unbeatable. It rivals any of Hitchcock's works, to which it is repeatedly compared. The scene showing a knife chipping away at a wooden door is reminiscent of, and more frightening than, scenes showing bird beaks chipping away at a farmhouse door in Hitchcock's "The Birds".
I like the film too because it is so nostalgic. The reel-to-reel tape recorder and dozens of other props and visual cues, the references to philosophy and mysticism, the Morricone film score which at times sounds like the film scores from his spaghetti Westerns, all conspire to transport the viewer back to the Age of Aquarius.
The acting is fine. Tony Musante, Suzy Kendall, and Enrico Salerno are perfect for the roles they play.
This is one scary movie. Minor flaws notwithstanding, "The Bird With The Crystal Plumage" is top-notch entertainment for fans of suspense thrillers.
Indeed, the script can be treacherous if used to try and solve this whodunit puzzle, which is best handled by removing psychological assumptions rather than by piecing together logical clues. Even so, the murder mystery plot is to some extent illogical.
The strength of the film though lies in its suspense, which is almost unbeatable. It rivals any of Hitchcock's works, to which it is repeatedly compared. The scene showing a knife chipping away at a wooden door is reminiscent of, and more frightening than, scenes showing bird beaks chipping away at a farmhouse door in Hitchcock's "The Birds".
I like the film too because it is so nostalgic. The reel-to-reel tape recorder and dozens of other props and visual cues, the references to philosophy and mysticism, the Morricone film score which at times sounds like the film scores from his spaghetti Westerns, all conspire to transport the viewer back to the Age of Aquarius.
The acting is fine. Tony Musante, Suzy Kendall, and Enrico Salerno are perfect for the roles they play.
This is one scary movie. Minor flaws notwithstanding, "The Bird With The Crystal Plumage" is top-notch entertainment for fans of suspense thrillers.
I recently bought a bunch of Argento movies on laserdisc because I'd seen a few and really liked them. I was pleased to find that the new titles in my collection are really good as well.
This film was Argento's first as director, and it's easy to see how he got work after that- it's great. It begins with an intriguing premise- that a witness to an attack saw more than he perceived- and pays off with a nice thriller.
My only beef is that I rewatched the beginning after it was over and, well, try it for yourself.
If you liked this and can stomach some much more extreme gore, try TENEBRAE. Maybe you shouldn't watch them back-to-back as I did, but give it a spin some time.
This film was Argento's first as director, and it's easy to see how he got work after that- it's great. It begins with an intriguing premise- that a witness to an attack saw more than he perceived- and pays off with a nice thriller.
My only beef is that I rewatched the beginning after it was over and, well, try it for yourself.
If you liked this and can stomach some much more extreme gore, try TENEBRAE. Maybe you shouldn't watch them back-to-back as I did, but give it a spin some time.
If you are just getting to know the works of Dario Argento, THE BIRD WITH THE CRYSTAL PLUMAGE is a great place to start. A masterful giallo from, arguably, the best director of the genre.
Filled with mystery, murder, and menace, this film is one of the foundation stones for all future serial killer / stalker horror. Argento's now-famous imagery and quirky characters are on full display, adding texture to his tale of a man (Tony Mustante) targeted by a homicidal madman after witnessing an attempted murder.
There are no dull moments, and Argento shows why he is the rightful heir to Bava's throne...
Filled with mystery, murder, and menace, this film is one of the foundation stones for all future serial killer / stalker horror. Argento's now-famous imagery and quirky characters are on full display, adding texture to his tale of a man (Tony Mustante) targeted by a homicidal madman after witnessing an attempted murder.
There are no dull moments, and Argento shows why he is the rightful heir to Bava's throne...
It's of course definitely true that the earliest Giallo's are also most definitely the best ones and the same can be said for Dario Argento's movies. And this movie was not just his first Giallo but also his first movie in general! And what a great debut it was for him! This movie is definitely being one of his bests and one of the better Giallo movies out there in general.
Finally a good Giallo again! I absolutely love the genre but I have to admit that most of the movies in it are extremely mediocre. Absolutely nothing tops "Profondo rosso", which also got directed by Argento but I can at least say that this movie comes close at times and especially considering that this is one of the earliest movies out of the genre, I really have to take my hat off for this one.
Some good mystery, some good characters, some great tension and killings. In other words, plenty to enjoy for the Giallo lovers in this movie. I think that this movie did a great job with its storytelling and the way it was handling its almost constantly present tension and mystery. Also good news about all of it is that it doesn't fall flat at the end, as often is the case with these type of movies.
The movie uses some great and at times also innovative cinematography, which helps to create a certain mood and tension for the movie, which all definitely helps to make this a very effective one within its genre.
And if you still aren't convinced to watch this movie, let me throw in a couple of more names, besides Dario Argento's; Ennio Morricone and Reggie Nalder. Nalder is a great character actor, I have seen popping up in a wide variety of movies. I have even seen a skin flick with him in it, which is all the more shocking once you know how Reggie Nalder looks. Luckily he himself didn't got nude in it but I always enjoy seeing him in movies and he often plays the quiet, scary looking henchman, as he basically also does in this movie.
And then there is also still the Ennio Morricone musical score. Most people don't really know it but by far most of Morricone's musical scores are some weird ones, that still have lots of quality to them though. As does the score to this movie, which is one Ennio Morricone himself is even proud off, since he often plays it at some of his concerts.
Finally a Giallo movie again of which I can truly and honestly say it's a great one, that I absolutely enjoyed watching.
8/10
http://bobafett1138.blogspot.com/
Finally a good Giallo again! I absolutely love the genre but I have to admit that most of the movies in it are extremely mediocre. Absolutely nothing tops "Profondo rosso", which also got directed by Argento but I can at least say that this movie comes close at times and especially considering that this is one of the earliest movies out of the genre, I really have to take my hat off for this one.
Some good mystery, some good characters, some great tension and killings. In other words, plenty to enjoy for the Giallo lovers in this movie. I think that this movie did a great job with its storytelling and the way it was handling its almost constantly present tension and mystery. Also good news about all of it is that it doesn't fall flat at the end, as often is the case with these type of movies.
The movie uses some great and at times also innovative cinematography, which helps to create a certain mood and tension for the movie, which all definitely helps to make this a very effective one within its genre.
And if you still aren't convinced to watch this movie, let me throw in a couple of more names, besides Dario Argento's; Ennio Morricone and Reggie Nalder. Nalder is a great character actor, I have seen popping up in a wide variety of movies. I have even seen a skin flick with him in it, which is all the more shocking once you know how Reggie Nalder looks. Luckily he himself didn't got nude in it but I always enjoy seeing him in movies and he often plays the quiet, scary looking henchman, as he basically also does in this movie.
And then there is also still the Ennio Morricone musical score. Most people don't really know it but by far most of Morricone's musical scores are some weird ones, that still have lots of quality to them though. As does the score to this movie, which is one Ennio Morricone himself is even proud off, since he often plays it at some of his concerts.
Finally a Giallo movie again of which I can truly and honestly say it's a great one, that I absolutely enjoyed watching.
8/10
http://bobafett1138.blogspot.com/
Le saviez-vous
- AnecdotesIt has been alleged that Tony Musante, known for his intensity and preparedness as an actor, would frequently show up at Dario Argento's apartment at 3 am to discuss characterization, much to Argento's annoyance.
- GaffesWhen pursuing the hit man "Needles", Sam describes him to a hotel bellboy as wearing a yellow jacket and a blue cap. At no point is Needles seen wearing a blue cap, although he does manage to shake off his pursuer by mingling with a group of people wearing such a uniform. However, Sam only sees them after giving the description.
- Citations
Inspector Morosini: Right! Bring in the perverts!
- Versions alternativesWest German theatrical version was cut by ca. 10 minutes (plot scenes). For TV broadcasting these scenes were reinserted but the violent scenes were trimmed instead.
- ConnexionsEdited into Tales of the Cat (2001)
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- How long is The Bird with the Crystal Plumage?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El pájaro de las plumas de cristal
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 500 000 $US (estimé)
- Durée
- 1h 36min(96 min)
- Mixage
- Rapport de forme
- 2.35 : 1
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