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Crumb

  • 1994
  • Tous publics
  • 1h 59min
NOTE IMDb
8,0/10
23 k
MA NOTE
Crumb (1994)
An intimate portrait of controversial cartoonist Robert Crumb and his traumatized family.
Lire trailer2:09
1 Video
66 photos
SatireBiographieComédieDocumentaireDrame

Un portrait intime du dessinateur controversé Robert Crumb et de sa famille traumatisée.Un portrait intime du dessinateur controversé Robert Crumb et de sa famille traumatisée.Un portrait intime du dessinateur controversé Robert Crumb et de sa famille traumatisée.

  • Réalisation
    • Terry Zwigoff
  • Casting principal
    • Robert Crumb
    • Aline Kominsky-Crumb
    • Charles Crumb
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,0/10
    23 k
    MA NOTE
    • Réalisation
      • Terry Zwigoff
    • Casting principal
      • Robert Crumb
      • Aline Kominsky-Crumb
      • Charles Crumb
    • 119avis d'utilisateurs
    • 71avis des critiques
    • 93Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 18 victoires et 6 nominations au total

    Vidéos1

    Official Trailer
    Trailer 2:09
    Official Trailer

    Photos66

    Voir l'affiche
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    + 59
    Voir l'affiche

    Rôles principaux19

    Modifier
    Robert Crumb
    Robert Crumb
    • Self
    Aline Kominsky-Crumb
    Aline Kominsky-Crumb
    • Self
    • (as Aline Crumb)
    Charles Crumb
    Charles Crumb
    • Self
    Maxon Crumb
    Maxon Crumb
    • Self
    Robert Hughes
    Robert Hughes
    • Self
    Martin Muller
    • Self
    Don Donahue
    • Self
    Dana Morgan
    Dana Morgan
    • Self
    • (as Dana Crumb)
    Trina Robbins
    Trina Robbins
    • Self
    Spain Rodriguez
    Spain Rodriguez
    • Self
    Bill Griffith
    Bill Griffith
    • Self
    Deirdre English
    Deirdre English
    • Self
    Peggy Orenstein
    Peggy Orenstein
    • Self
    Beatrice Crumb
    Beatrice Crumb
    • Self
    Kathy Goodell
    Kathy Goodell
    • Self
    Dian Hanson
    Dian Hanson
    • Self
    Sophie Crumb
    • Self
    Jesse Crumb
    Jesse Crumb
    • Self
    • Réalisation
      • Terry Zwigoff
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs119

    8,022.5K
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    10

    Avis à la une

    8FreeMM

    Insightful

    Fascinating documentary about a US underground cartoonist, Robert Crumb. Although I'd heard of Crumb (mainly through American Splendour I wasn't that aware of his work although some of his cartoons were images that I'd seen before. Basically the guy did an assortment of freaky and surreal images straight out of the darker recesses of his mind. Criticised for his portrayal of women in his comics by some, the film delves into what can only be described as a unique family background, where his brothers appear to be as divorced from reality as his comics are. It was good enough to get me to go and check out some of his stuff.
    10NYC Lion

    A Different Way to View Crumb

    First, I liked this movie very much. But, as you can see from the previous comments, this is a movie that you'll either love or hate. But its hard to be indifferent to it. Zwigoff does a wonderful job of setting a mood that allows you to examine an artist who is depraved, perverse and, yet, insightful.

    Everyone seems to come away from the movie with an idea that Robert is spared the obvious insanity of his two brothers because of his art. But I see it differently(hence the title of this comment). Even Robert admits that his brother, Charles, was a better cartoonist. Another way to view Robert's "success" and his brothers' descent into "crazy" is fame. Crumb was an involuntary icon of the 60's. Where would Robert be today if he wasn't recognized and rewarded in the 60's? If Zap comix had turned him away for his misogynist and racist comics, would he have had the subsequent female relationships that seemed to normalize his existence? What would his fantasizing over a high school yearbook and habitual masturbation meant if he was an unknown sharing a room with his brother at Mom's house?

    When I watch this movie, I am always mindful that Robert's obvious genius would be lost were it not for his luck at being discovered. I suppose that is an obvious statement but, in Crumb's case, fame has managed to gloss over many unacceptable characteristics. And, maybe, that's not such a bad thing.

    The film lightly touches on Crumb's relationship with his son and daughter. For some reason, Crumb's bumbling attempts at affection with his children were a bit disturbing. Or maybe its just that Crumb's fixation with wrestling and piggyback riding lingers in your mind when he hugs his daughter.

    On a lighter note, I've noticed that no one has mentioned the soundtrack of this movie. Designed to be in keeping with Robert's love of old American music, the music helps to define the subject. I wonder why Zwigoff made no mention of Crumb's Cheap Suit Serenaders band.

    Crumb comments against the crass commercialism of America. And, yet, I first saw this movie at a theater in Baltimore where the lobby was chock full of Crumb comic picture cards, mugs, etc.

    Crumb, the movie, is a crazy world of contradictions and well worth the ride.
    9jxmakela

    Sex, drugs and piggyback rides

    Robert Crumb became an idol among hippies in the 1960's because of the psychedelic comics he drew at the time. In this excellent film, directed by Terry Zwigoff (who also directed the excellent, and also comic book related, "Ghost World" and "American Splendor") Crumb starts out by telling that he hates just about all the work he is most famous for. This is typical, Í think, of Crumb: he is uncompromisingly politically incorrect, completely unafraid to speak his mind openly, and above all disgusted by the idea of selling out for money.

    I have been a fan of Crumb ever since I advanced beyond Donald Duck and Marvel Comics about 20 years ago (this is not to say that I don't love Donald or Marvel anymore, because I do). Crumb is probably the most talented comic book artist of the latter half of the 20t Century. Quite simply, I don't think anyone can draw as well as he does. He is not much of a storyteller, but like I pointed out above, that is more than made up by the fact that he is always totally candid about his life, sometimes painfully and embarrassingly so.

    "Crumb" is an excellent portrait of an exceptionally talented artist who also happens to be a total pervert. However, as this film makes abundantly clear, Robert Crumb is practically the ideal model of a stable, well-adjusted person when compared to his mother or his brothers Charles and Maxon. We see once again that great suffering makes a great artist.
    10mseditrix

    Heartbreaking and funny as hell

    What are the odds that an artist can survive family violence, mental illness, sexual rejection, and Big Mac culture? As far as this film can make clear, three members of the Crumb family had strong artistic temperaments and significant talent. Only one, Robert, made it out alive, and his life and work are defined by resistance to what should have been a sad fate.

    To many, this documentary may be depressing, offensive to women, or just too damn ugly to sit through, but it made me as happy as anything I've ever seen on screen. Art's ability to reveal truth and promote survival is evident in every frame. I admire R. Crumb's courage to speak unpopular truths, to draw what gets him off, and to ferret out the art he loves at considerable expense and trouble (he's a blues maven; one of my favorite scenes, where's he's sitting on his floor absorbed by aching music, is echoed in Ghost World, when Enid takes home Seymour's record and gets lost in her favorite song). And like Ghost World, ratty, real American culture is railed at hilariously: another favorite scene involves R. on a park bench, disgustedly commenting on the ugliness of everything around him: logo-emblazoned clothes, graceless music, ugly plastic everything.

    By the end of it all, I respected and liked him Crumb enormously. I'd take his scary-woman worship over the banal musings of a dime-store philosopher any day. And Terry Zwigoff deserves much praise for being able to pull it off (especially as a first-time filmmaker who had very little idea what he was doing). From high art and family pathos to a lovely animal appreciation of big round female asses, this is far more a "roller-coaster, I laughed/I cried" film than most others so touted.
    10Karl Self

    Bordering On Sanity

    After reading the couple of negative reviews of "Crumb" on IMDB I re - viewed the movie one more time just to make sure that the many times when I had seen this movie before, on the silver screen and on video, I have not been in a state of delusion. With the movie fresh in my mind I want to put out this message to all the people who have made depreciating statements such as "what is Crumb moaning about, he's famous now", "the Sixties weren't really like that", "it was just two hours of whining, rambling and unjustified complaining" etc. etc.: go back to your Kevin Costner, Tom Hanks, Tom Cruise big budget Oscar winners, and stop smearing dirt on one of the best documentaries ever made. So frigging what if it's shot with a hand - held camera and without studio lighting? "Crumb" is the real thing, it does not need any trickery or gloss. Basically it shows Robert Crumb, the artist famous for "Keep On Truckin'", "Fritz The Cat" (though he does not like to be associated with either of them) and "Mr. Natural", telling the story of his life through his wife and brothers, with a few scenes of him at a vernissage and a comic book store (etc.) thrown in for good measure. Call it a modern - day version of the van Gogh - story, or a look at the darker (or even just the non - Warner - Brothers) side of the flower - power generation, the human condition, the power of art, the battle of the sexes, a case history of mental illness, psychotic families, whatever. The story, and with it the film, is amazing and totally captivating. I have watched it many times and intend to watch it many times over. Give it a miss only if you expect some good, clean, family entertainment, but do so at your loss.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When he was trying to raise funds for the film, Terry Zwigoff encountered Terry Gilliam whom he knew had worked with Robert Crumb in the late 60s. Approaching Gilliam, Zwigoff asked for some help with the budget. Gilliam reached into his pocket, handed over a nickel and then walked away.
    • Gaffes
      "San Francisco" is misspelled in the closing titles. The caption reads: "Max Crumb still lives in San Francicsco".
    • Citations

      Robert Crumb: Jesus. Fuckin' raging, epithet music comin' out of every car, every store, every person's head. They don't have noisy radios on, they got earphones; like, "motherfuckin', cocksuckin', son of a bitch. Lot of aggression. Lot of anger, lot of rage. Everybody walks around, they're walkin' advertisements. They've got advertisements on their clothes, you know? Walking around with "Adidas" written across their chests, '49'ers on their hats. Jesus. It's pathetic. It's pitiful. The whole cultures' one unified field of bought-sold-market researched everything, you know. It used to be that people fermented their own culture, you know? It took hundreds of years, and it evolved over time. And that's gone in America. People now don't even have any concept that there ever was a culture outside of this thing that's created to make money. Whatever's the biggest, latest thing, they're into it. You just get disgusted after a while with humanity for not having more, kind of like, intellectual curiosity about what's behind all this jive bullshit.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Boys on the Side/Highlander: The Final Dimension/In the Mouth of Madness/The Secret of Roan Inish (1995)
    • Bandes originales
      Ragtime Nightingale
      Composed by Joseph F. Lamb

      Performed by David Boeddinghaus

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    FAQ17

    • How long is Crumb?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 10 juin 1998 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Sony Pictures Classics
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Крамб
    • Lieux de tournage
      • Zuni Café - 1658 Market St, San Francisco, Californie, États-Unis
    • Société de production
      • Superior Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 3 041 083 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 19 859 $US
      • 23 avr. 1995
    • Montant brut mondial
      • 3 041 083 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 59min(119 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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