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Aux coeurs des ténèbres - l'apocalypse d'un metteur en scène

Titre original : Hearts of Darkness: A Filmmaker's Apocalypse
  • 1991
  • R
  • 1h 36min
NOTE IMDb
8,1/10
25 k
MA NOTE
POPULARITÉ
4 685
878
Francis Ford Coppola in Aux coeurs des ténèbres - l'apocalypse d'un metteur en scène (1991)
Regarder Official VHS Trailer
Lire trailer2:55
1 Video
48 photos
Documentary

Ajouter une intrigue dans votre langueDocumentary that chronicles how Francis Ford Coppola's Apocalypse Now (1979) was plagued by extraordinary script, shooting, budget, and casting problems - nearly destroying the life and care... Tout lireDocumentary that chronicles how Francis Ford Coppola's Apocalypse Now (1979) was plagued by extraordinary script, shooting, budget, and casting problems - nearly destroying the life and career of the celebrated director.Documentary that chronicles how Francis Ford Coppola's Apocalypse Now (1979) was plagued by extraordinary script, shooting, budget, and casting problems - nearly destroying the life and career of the celebrated director.

  • Réalisation
    • Fax Bahr
    • George Hickenlooper
    • Eleanor Coppola
  • Scénario
    • Fax Bahr
    • George Hickenlooper
  • Casting principal
    • Dennis Hopper
    • Martin Sheen
    • Marlon Brando
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,1/10
    25 k
    MA NOTE
    POPULARITÉ
    4 685
    878
    • Réalisation
      • Fax Bahr
      • George Hickenlooper
      • Eleanor Coppola
    • Scénario
      • Fax Bahr
      • George Hickenlooper
    • Casting principal
      • Dennis Hopper
      • Martin Sheen
      • Marlon Brando
    • 78avis d'utilisateurs
    • 63avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompensé par 2 Primetime Emmys
      • 8 victoires et 5 nominations au total

    Vidéos1

    Official VHS Trailer
    Trailer 2:55
    Official VHS Trailer

    Photos48

    Voir l'affiche
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    + 41
    Voir l'affiche

    Rôles principaux28

    Modifier
    Dennis Hopper
    Dennis Hopper
    • Self
    Martin Sheen
    Martin Sheen
    • Self
    Marlon Brando
    Marlon Brando
    • Self
    • (images d'archives)
    • (non crédité)
    George Lucas
    George Lucas
    • Self
    Eleanor Coppola
    Eleanor Coppola
    • Self
    John Milius
    John Milius
    • Self
    Francis Ford Coppola
    Francis Ford Coppola
    • Self
    • (as Francis Coppola)
    Tom Sternberg
    • Self
    Dean Tavoularis
    Dean Tavoularis
    • Self
    Fred Roos
    Fred Roos
    • Self
    Vittorio Storaro
    Vittorio Storaro
    • Self
    Robert Duvall
    Robert Duvall
    • Self
    Laurence Fishburne
    Laurence Fishburne
    • Self
    • (as Larry Fishburne)
    Rona Barrett
    Rona Barrett
    • Self
    • (images d'archives)
    Tom Snyder
    Tom Snyder
    • Self
    • (images d'archives)
    Sam Bottoms
    Sam Bottoms
    • Self
    Monty Cox
    • Self
    Frederic Forrest
    Frederic Forrest
    • Self
    • (as Fred Forrest)
    • Réalisation
      • Fax Bahr
      • George Hickenlooper
      • Eleanor Coppola
    • Scénario
      • Fax Bahr
      • George Hickenlooper
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs78

    8,124.6K
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    Avis à la une

    10howittsinstalled

    Abed was right

    I took Abed's advice to watch this and it certainly is much better than Apocalypse Now!
    JawsOfJosh

    Travel deep inside the mind of Coppola & the craft of filmmaking

    How lucky can a master filmmaker get when the tide is against you smacking you & your new movie deliberately in the face? Legendary director Francis Ford Coppola certainly knows. This documentary, probably one of the most fascinating & insightful examinations into the craft of filmmaking and the creation of art, chronicles Coppola's three year odyssey filming the surreal Vietnam War epic "Apocalypse Now". Directed & narrated by his wife Eleanor, who accompanied her husband throughout the entire shooting of the film, this is THE most splendid "making-of" documentary I've ever seen. The finished version of "Apocalypse Now" that we've come to know is a strange, mystical journey - which probably evolved out of Coppola's own bizarre experiences while making the film.

    Most of these strange occurrences on the set of "Apocalypse Now" served to hinder the completion of the film. The fact that such a brilliant film was even salvaged from the wreckage that was Coppola's life at the time is a miracle, but the film also serves as a testament to the genius of Coppola that was already established with the massive success of the first two "Godfather" films. Plagued by constant typhoons, a mercurial Marlon Brando, an unreliable Phillipine army, a cast of actors whacked out on drugs & alcohol (especially the maniacal Dennis Hopper), endless financial woes, and Coppola's own self-doubt & inner demons ("I don't have the movie yet!"), there is no surprise in the eventual photo shown of an exhausted Coppola standing on the set of his film in a damp raincoat, pointing a revolver at his own head. This may be an experience other directors have experienced (many David Lean films were logistical nightmares), but how many directors can testify to enduring these types of repeated misadventures for three years, and still manage to find the light at the end of the tunnel?

    The entire cast is interviewed (years afterward) about the making of the film - except, of course, for Marlon Brando (Larry Fishburne doesn't get much screen time in the documentary, but his character was relatively small anyway). Martin Sheen, Dennis Hopper, and Frederic Forrest provide the most insight. Sheen & Hopper seem particularly direct at disclosing the grim nature of their excessive drinking at the time. Actors Robert Duvall, Sam Bottoms, Albert Hall, co-screenwriter John Milius, and the Coppolas themselves also reflect back on the construction of the film. The film is loaded with deleted scenes, extended takes, and much behind-the-scenes footage (Coppola angrily berates a stoned Dennis Hopper for forgetting his lines). Eleanor Coppola must really love her husband, because it takes a strong person to document - on film, nonetheless - three years worth of strife & turmoil as you watch your spouse in their craft, fearful they are creating the genesis of their own demise as an artist. A powerful, absorbing documentary on the creation of one of the greatest films ever made.
    10AnonII

    Maybe the best behind-the-scenes documentary ever made.

    I agree with the most positive reviews of this film. It's probably THE best documentary about the making of a movie, about the emotions and tensions behind the scenes, about the psychic terror of a director/creator trying desperately to not merely hold on to his artistic dream, but to survive! A must-see for any cinemaphile, and every Coppola enthusiast.
    8jzappa

    Legends Have Blossomed

    The making of a movie has never been documented with more power to discern the true nature of what is happening behind the scenes than in this account of the torment and the passion of Francis Ford Coppola's Apocalypse Now. That is because no other behind-the- scenes piece has ever had entrée of materials that are usually prohibited like shots that were never used, abandoned scenes, suppressed conflicts between the director and his actors, divulging of disheartenment and misery, including even arguments between Coppola and his secretly, patiently ambitious wife that she secretly recorded. I've always wondered how he felt about that.

    The film may not be as mind-blowing as I expected, but it bares Coppola of all resistance or argument and still exposes him as a bold and daring filmmaker. It also exposes the chaos through which he put his cast and crew on location in the Philippines, and likewise what he suffered by them. Coppola, outraged that Martin Sheen's heart attack made its way to the media and the news could kill the production: "Even if he dies, I don't want to hear anything but good news until it comes from me." Dennis Hopper, his mind adrift on drugs, is unable to remember his lines and yet somehow improvises well what we see in the film. I love seeing authentic drug scenes in movies. Marlon Brando, at a cool million a week, finally shows up, yet unprepared and unexpectedly fat, and endlessly argues with Coppola about a character in a half-existent script he's barely read. Brando begins one scene and then walks away while the camera is still rolling. And Apocalypse Now premiered years after production had begun, shared the Palme d'Or, and went on to become one of the great mythic productions in film history.

    Legends have blossomed from it. Coppola confessed he did not think the ending worked. Now we see what he was talking about. Originally set to be directed by the comparatively anemic George Lucas and scripted by Conan the Barbarian writer John Milius, the project went through so many changes that finally Coppola was writing it as he shot it, and actors were improvising. The production is harassed, plagued and badgered by rainstorms, morbidly obese budget overruns, health scares, and logistical horrors, as when the Philippine government rents Coppola the same helicopters it's using to fight rebels ten miles away.

    Coppola shouted in despair to his wife, Eleanor: "I tell you from the bottom of my heart that I am making a bad film." And again, "We are all lost. I have no idea where to go with this." Yet Coppola's vision somehow remained secure. Milius, flown to the Philippines by a desperate studio to bring sanity back to the script, remembers that he walked in prepared to convince Coppola that the war was lost and they had to salvage what they could. When he left, Coppola had him convinced it would be the first film to win the Nobel Prize. That is what Francis Ford Coppola is made of, and why the film is so sad. It's like a dirge in that his glory days are long, long gone. Did he only have a handful of remarkable cinematic achievements in him? What has happened?

    In the 1970s, he made the first two Godfathers and Apocalypse Now, assaulted with grave personal, political, and creative resistance that, as is evidenced here, almost dismantled him. The Conversation was made straight from his two bare hands. These films are masterstrokes. After Apocalypse Now, his work took a serious nosedive---The Outsiders? New York Stories? ---and even now, as he has returned to the helm with Youth Without Youth, he cannot seem to repossess his course. He had to fight for those masterpieces and that agony and ecstasy is what made them so unsurpassable. Though he at one point denies it in this documentary, Coppola must run on hectic despair and obstruction to make a great film. And that's what we see him do here. It's a curse.

    Hearts of Darkness is based on footage that Eleanor Coppola shot at the time, and on recent interviews with both Coppolas, plus Milius, Lucas and the cast, including Larry Fishburne, whose appearance is fascinating because we see him as a naive, restless 14-year-old on a gigantic multi-million-dollar movie shoot and at the present, where he has changed and learned so much. We feel for once we are witnessing the true story of how a movie got made rather than a series of interviews about how brilliant person A is and what a beautiful soul person B is.
    8SnoopyStyle

    epic film production

    In 1976 Philippines, Francis Ford Coppola would risk everything to make 'Apocalypse Now'. It's an adaptation of Joseph Conrad's 'Heart of Darkness' to the world of the Vietnam War. The budget explodes and principal photography gets extended to 238 days. His wife Eleanor joins him filming the behind the scenes. Coppola replaces his lead Harvey Keitel. The military's help would often be diverted to fight the rebels. Martin Sheen has a heart attack. The big French section is unworkable. A typhoon destroys the production. It is absolute madness as the production becomes its own Vietnam. This is definitely not a standard production. It is a compelling watch for any film lover. It is one of the best behind-the-scenes film and should be seen as a companion piece to Apocalypse Now.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Marlon Brando allegedly refused to be interviewed, claiming Francis Ford Coppola still owed him $2 million following his time on the movie.
    • Gaffes
      The narrator refers to a caribou being killed. The animal is actually a carabao.
    • Citations

      Francis Ford Coppola: My greatest fear is to make a really shitty, embarrassing, pompous film on an important subject, and I am doing it. And I confront it. I acknowledge, I will tell you right straight from... the most sincere depths of my heart, the film will not be good.

    • Versions alternatives
      The DVD is missing a mention of Harvey Keitel as Willard and a scene of Coppola singing Anything Goes is watered down as well.
    • Connexions
      Featured in Siskel & Ebert & the Movies: The Addams Family/An American Tail: Fievel Goes West/For the Boys/Hearts of Darkness: A Filmmaker's Apocalypse/Prospero's Books (1991)
    • Bandes originales
      Suzie Q
      Written by Dale Hawkins, Sagan Lewis (as S.J. Lewis) and Eleanor Broadwater (as E. Broadwater)

      Performed by Flash Cadillac (as Flash Cadilac)

      Courtesy of Private Stock Records

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    FAQ17

    • How long is Hearts of Darkness: A Filmmaker's Apocalypse?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 3 juin 1992 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • arabuloku.com
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Hearts of Darkness: A Filmmaker's Apocalypse
    • Lieux de tournage
      • Los Angeles, Californie, États-Unis
    • Sociétés de production
      • Zaloom Mayfield Productions
      • American Zoetrope
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 1 318 449 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 42 992 $US
      • 1 déc. 1991
    • Montant brut mondial
      • 1 330 973 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 36 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.37 : 1

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