Un homme assassiné violemment revient à la vie pour venger son meurtre et celui de sa fiancée.Un homme assassiné violemment revient à la vie pour venger son meurtre et celui de sa fiancée.Un homme assassiné violemment revient à la vie pour venger son meurtre et celui de sa fiancée.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 8 nominations au total
Norman Max Maxwell
- Roscoe
- (as Norman 'Max' Maxwell)
Avis à la une
The Crow is an excellent tragic film made even more tragic by the real life tragedies surrounding the film (Brandon Lee's death during filming, and the fact that the story is a result of James O'Barr's personal loss of his fiancée). Based on a very dark comic book, the film has the same dark feel. The movie does deviate from the comic book in some points, but in general is fairly faithful. If you can get it, I would recommend the DVD Collector's set with the 2 DVD version of The Crow (just to see the interview with James O'Barr is worth the price).
The story is a basically about revenge from beyond the grave, and how true love is forever. The movie has a good (but fairly basic) plot, excellent action sequences, and very good casting. Brandon Lee gives a good performance (not excellent, but good), as does Ernie Hudson. The supporting villains are excellent in their villainy, and you do feel better when they get it in the end. But the real star of this film is the mood and the feel. It feels gritty, bleak, and depressing, but surprisingly uplifting at the end. Alex Proyas did an excellent job of transferring this feeling from the book onto celluloid. All in all, one of the best comic book to film translations I have ever seen.
You do not have to be familiar with the comic book to thoroughly enjoy this film (like you do with some other comic book adaptations).
Rating : 4.5 out of 5
The story is a basically about revenge from beyond the grave, and how true love is forever. The movie has a good (but fairly basic) plot, excellent action sequences, and very good casting. Brandon Lee gives a good performance (not excellent, but good), as does Ernie Hudson. The supporting villains are excellent in their villainy, and you do feel better when they get it in the end. But the real star of this film is the mood and the feel. It feels gritty, bleak, and depressing, but surprisingly uplifting at the end. Alex Proyas did an excellent job of transferring this feeling from the book onto celluloid. All in all, one of the best comic book to film translations I have ever seen.
You do not have to be familiar with the comic book to thoroughly enjoy this film (like you do with some other comic book adaptations).
Rating : 4.5 out of 5
The crow was quite amazing. A man comes back to life to serve vigilante justice on the men who raped and murdered his fiancé (and threw him out a window). Vengeance is served with gruesome takedowns and poetic justice as the crow and his walking corpse tear up the town. The cinematography is actually kind of beautiful its dark and ominous tone. The storyline flows well and the characters well developed. A killer Halloween tale.
What can I say. Each day I find myself quoting The Crow at least a dozen times. Usually people just give me strange looks. Sometimes (like when I say, "I got stabbed! I shot the sonnovabitch! I watched the bullet hole close by itself. And then my business gets blown up real good. Other than that, my day sucked!") people call security on me.
This movie is a one-of-a-kind. It's grunge, it's goth, it's dark, it's funny, it's touching and it's inspiring... even if it merely inspires you to slap mime makeup on your face and walk the streets at night yelling, "I guess it's not a good day to be a bad guy, huh SKANK?!!"
Seriously, as Roger Ebert said, it's an experience. Even though the plot is pretty straightforward (rockstar gets killed & comes back from the grave to seek revenge), it's done in a way that keeps you riveted every minute. The same way "Peewee's Big Adventure" is just about a guy looking for his bike, The Crow takes the same approach of using a minimalist plot and coating it in heaps of style, music and surreal visuals. Except The Crow has a few dozen more murders than Peewee.
What makes this film a visual feast is the way it stylistically mirrors the comic book that inspired it. Like the comic, it's very monochrome... almost black & white, but with some icy tints to it. It has a very wet look to it, making it seem glossy and muted at the same time. Like another favourite film of mine "City of Lost Children", it achieves a certain vivid appearance even though the colour palette is very limited.
As far as action flicks go, this is quite a literary extravaganza. Quotes from Poe's "The Raven", Milton's "Paradise Lost", Thackeray's "Vanity Fair" and who knows what else, lend an air of classiness and antiquity to the film. And of course the movie generates its own memorable quotes. Like "Greed is for amateurs. Disorder, chaos, anarchy... now that's fun!"
Paired with an entertaining script full of great zingers, the acting is first rate all around. Each & every character, no matter how large or minor, delivers a memorable performance. Of course Brandon Lee is the standout, playing the cold-hearted, vengeful killer but with a gentleness that makes you want to take him home to meet your folks. Conversely, the bad guys are brutal but so comic you can't help but love them.
A word about Brandon's death... yes, it's true that he was killed by a malfunctioning prop gun during the apartment scene. But that reel of film was reportedly destroyed by the director. The movie still had several scenes that needed to be filmed, and the director compensated by recycling other scenes with some very interesting effects. For example, when Brandon punches the mirror, it's actually a double punching the mirror with Brandon's "reflection" (from another scene) digitally imposed on the glass. Tricks like that are not obvious, and they add a certain otherworldly feel to the movie. It also makes the film feel more fragmented and incomplete (in a good way), leaving more to the imagination. If you're like me and you hate movies that over-explain everything, the minimalistic presentation of The Crow will be right up your alley.
Lastly, the music. If you were alive & remotely cool in the 90s you'll love the soundtrack. The Cure, Nine Inch Nails, Rage Against the Machine, Violent Femmes, Stone Temple Pilots, Henry Rollins, the list goes on...
If you're familiar with the director Alex Proyas, you'll recognize this as possibly his greatest work (alongside "Dark City", "Garage Days" and some great, surreal music videos like Sting "All This Time"). The feel of The Crow is also reminiscent of director Frank Miller's work ("The Spirit", "Sin City"). And although I haven't seen it, I've heard the Batman film "Dark Knight" pays tribute to this film, particularly Heath Ledger's Joker who is hauntingly close to Brandon Lee's character. If you like artsy movies, this fits right in, reminding me of Jean Pierre Jeunet ("City of Lost Children", "Delicatessen") and the darker side of Tim Burton ("Sweeny Todd"). Maybe there's even a bit of "Blade Runner" thrown in.
If you get a chance, see The Crow on a rainy night with all the lights off. Lose yourself in the mood, the music and the memory of Brandon, the greatest star who never was. Halloween is coming up, so get your favourite Crow costume ready. If you live in a sheltered town like mine, chances are nobody will recognize who you're supposed to be. Although quite a few people think I'm Edward Scissorhands who is also pretty cool, so whatever...
This movie is a one-of-a-kind. It's grunge, it's goth, it's dark, it's funny, it's touching and it's inspiring... even if it merely inspires you to slap mime makeup on your face and walk the streets at night yelling, "I guess it's not a good day to be a bad guy, huh SKANK?!!"
Seriously, as Roger Ebert said, it's an experience. Even though the plot is pretty straightforward (rockstar gets killed & comes back from the grave to seek revenge), it's done in a way that keeps you riveted every minute. The same way "Peewee's Big Adventure" is just about a guy looking for his bike, The Crow takes the same approach of using a minimalist plot and coating it in heaps of style, music and surreal visuals. Except The Crow has a few dozen more murders than Peewee.
What makes this film a visual feast is the way it stylistically mirrors the comic book that inspired it. Like the comic, it's very monochrome... almost black & white, but with some icy tints to it. It has a very wet look to it, making it seem glossy and muted at the same time. Like another favourite film of mine "City of Lost Children", it achieves a certain vivid appearance even though the colour palette is very limited.
As far as action flicks go, this is quite a literary extravaganza. Quotes from Poe's "The Raven", Milton's "Paradise Lost", Thackeray's "Vanity Fair" and who knows what else, lend an air of classiness and antiquity to the film. And of course the movie generates its own memorable quotes. Like "Greed is for amateurs. Disorder, chaos, anarchy... now that's fun!"
Paired with an entertaining script full of great zingers, the acting is first rate all around. Each & every character, no matter how large or minor, delivers a memorable performance. Of course Brandon Lee is the standout, playing the cold-hearted, vengeful killer but with a gentleness that makes you want to take him home to meet your folks. Conversely, the bad guys are brutal but so comic you can't help but love them.
A word about Brandon's death... yes, it's true that he was killed by a malfunctioning prop gun during the apartment scene. But that reel of film was reportedly destroyed by the director. The movie still had several scenes that needed to be filmed, and the director compensated by recycling other scenes with some very interesting effects. For example, when Brandon punches the mirror, it's actually a double punching the mirror with Brandon's "reflection" (from another scene) digitally imposed on the glass. Tricks like that are not obvious, and they add a certain otherworldly feel to the movie. It also makes the film feel more fragmented and incomplete (in a good way), leaving more to the imagination. If you're like me and you hate movies that over-explain everything, the minimalistic presentation of The Crow will be right up your alley.
Lastly, the music. If you were alive & remotely cool in the 90s you'll love the soundtrack. The Cure, Nine Inch Nails, Rage Against the Machine, Violent Femmes, Stone Temple Pilots, Henry Rollins, the list goes on...
If you're familiar with the director Alex Proyas, you'll recognize this as possibly his greatest work (alongside "Dark City", "Garage Days" and some great, surreal music videos like Sting "All This Time"). The feel of The Crow is also reminiscent of director Frank Miller's work ("The Spirit", "Sin City"). And although I haven't seen it, I've heard the Batman film "Dark Knight" pays tribute to this film, particularly Heath Ledger's Joker who is hauntingly close to Brandon Lee's character. If you like artsy movies, this fits right in, reminding me of Jean Pierre Jeunet ("City of Lost Children", "Delicatessen") and the darker side of Tim Burton ("Sweeny Todd"). Maybe there's even a bit of "Blade Runner" thrown in.
If you get a chance, see The Crow on a rainy night with all the lights off. Lose yourself in the mood, the music and the memory of Brandon, the greatest star who never was. Halloween is coming up, so get your favourite Crow costume ready. If you live in a sheltered town like mine, chances are nobody will recognize who you're supposed to be. Although quite a few people think I'm Edward Scissorhands who is also pretty cool, so whatever...
Nearly 25 years ago the only son of Bruce Lees final film came out and became a sensation and changed the way comic book movies were aimed at mature audiences. The alt rock soundtrack along with an epic score by Graham revell that has been used for trailers for movies such as pearl harbor makes this movie a must own.
10Sean68
This movie is fantastic. plain and simple. Brandon Lee delivers his lines to the point they were instantly memorable after seeing the film only once. The casting of both Michael Wincott and Tony Todd was inspired as these two guys have two of the most instantly recognisable voices in the movie industry. If i could ever be a movie or a lead in a film this would be it. I was initially put off the idea of the movie as i am a big fan of the graphic novel and there was an awful lot of hype around this film on its release. this proved to be my loss as i have only seen the film on the small screen. however i now have the 2 disc special edition DVD and watched it 3 times in succession the day i bought it and must have watched it at least 100 times since. my own personal opinion is that a movie should suspend disbelief, capture the imagination which this does in spades. it is truly a film that you can lose a couple of hours watching and at the end feel like you have spent a worthwhile couple of hours. would recommend this to anybody.
Le saviez-vous
- AnecdotesIn his bluray commentary, Alex Proyas said that Brandon Lee was unhappy with the way his face paint looked when the makeup department applied it to him before shooting. Lee and Proyas then agreed that it would look best if Lee applied his own makeup every night before going to bed so that when he woke up his face paint would naturally look more worn out.
- Gaffes(at around 1h 29 mins) Shelly is shown being defibrillated while fully-clothed. Defibrillators are used only on bare skin.
- Crédits fousThe end credits opened with the message "For Brandon and Eliza".
- Versions alternativesTwo different work prints are available. One is 122 minutes long and other is 103 minutes long. Some scenes that were cut for R rating are uncut in both of the work prints.
- ConnexionsEdited into The Crow Fan Film (2020)
- Bandes originalesBurn
Performed by The Cure
Courtesy of Fiction Records Ltd. (worldwide) / Elektra Entertainment (in U.S. and Canada) / Warner Music (Australia and New Zealand) / Polydor Records (all other territories)
Written by Robert Smith, Simon Gallup, Boris Williams and Perry Bamonte
Produced by Robert Smith and Bryan 'Chuck' New
©1993 Fiction Songs Ltd. (ASCAP)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- El Cuervo
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 23 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 50 693 129 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 774 332 $US
- 15 mai 1994
- Montant brut mondial
- 50 844 565 $US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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