Hellboy
Un démon élevé dès l'enfance après avoir été conjuré et sauvé des nazis, devient défenseur contre les forces des ténèbres.Un démon élevé dès l'enfance après avoir été conjuré et sauvé des nazis, devient défenseur contre les forces des ténèbres.Un démon élevé dès l'enfance après avoir été conjuré et sauvé des nazis, devient défenseur contre les forces des ténèbres.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 23 nominations au total
Biddy Hodson
- Ilsa Haupstein
- (as Bridget Hodson)
Avis à la une
Hell Boy is a near classic of great proportion as played by the underrated Ron Perlman(Beauty and the Beast ) Perlman is an actor you probabley wouldn't recognize as he has had to wear so much facial make up in his career but he imbues 'Hell Boy' with a real humanity and a scathing wit ."How am I ever gonna get a girl when I drive around in a garbage truck ? " John Hurt as his father has little to do but that he loves Hell Boy there is no doubt having rescued him on the night he came from hell . Dr. Broom adopts the boy and they live at the Center For Paranormal Studies in New Jersey with a fish like creature and a fire starter girl who Hell Boy loves to pieces . I hope that this becomes a tent pole series for the studio as I would like to see Hell Boy in other situations . Five of 5 stars for 'Hell Boy'
I've been slowly making my way through Guillermo del Toro's catalogue of movies and this is my first time watching Hell Boy. If you're a Del Toro fan, then this one won't disappoint. He's such a superior director - he adds artistry to this action film through his use of shot making, pacing and colour. At times, the dialogue attempts to be a bit too cute and the love story adds little to the plot, but overall, it's a fun movie that doesn't try to overextend itself.
This movie is a fun watch, but mainly because of Ron Perlman. The action is well done and the story is great, but Perlman makes the character of Hellboy (a demon raised by "the good guys") just amazingly human, with a wry sense of humor. You would be hard pressed to find anyone anywhere who could do this character as well as Perlman, let alone better. The physicality seems to have been tailor made to fit Perlman's features and the delivery of the lines is just so understatedly comedic that there are few who could pull it off at all.
Of course, there are a couple times when the special effects are a little weaker than you would hope, but it doesn't detract from the movie as a whole. For instance, in the final battle scene, there are a couple shots where the Hellboy character clearly appears to be GC. But the fight moves so fast that you don't have much time to focus on those shots before something else amazing happens.
See it. Love it.
Of course, there are a couple times when the special effects are a little weaker than you would hope, but it doesn't detract from the movie as a whole. For instance, in the final battle scene, there are a couple shots where the Hellboy character clearly appears to be GC. But the fight moves so fast that you don't have much time to focus on those shots before something else amazing happens.
See it. Love it.
What a cracking little film this is, haven't seen it since the cinema in 04' and it's better now than then with some sensational effects. Great script with Ron doing a splendid job. I've never read comics as I don't like them, but I'd go so far as to say, apart from Batman, this is the best comic book to movie tie in ages... not cheesy, just the right amount of comedy in it and good solid acting. Music could've done with a alittle more inspriation, but this film looks great with some lovely lit scenes especially when hellboy is in the snow, he looks fanastic ;-)
Can't wait for the sequel Pug
Can't wait for the sequel Pug
Guillermo Del Toro's "Hellboy" is really the sort of comic book adaptation that should be commonplace- a film that feels every bit like a comic book in its energy, style, and visual feel, but is entirely worthy on a cinematic level as well.
Sadly, "Hellboy" doesn't really have much of a plot, at least for half of its running time. Its first hour is Hellboy fighting squids and the mandatory character introductions, and its second hour feels pretty rushed as a result, having to introduce and resolve the bulk of the film's story. Thankfully, however, "Hellboy" avoids the comic book-to-film cliché of basing the first film of any given franchise on the 'superhero origin story' (not that Hellboy is much of a superhero, he's really just a smartass with a gun, except he's from hell), instead keeping all that to a short and dazzling pre-credits sequence. Other than the somewhat rushed and oddly-placed plot aspects, Del Toro's screenplay is fairly impressive, providing plenty of nods towards the comics and a good amount of wit and humor, also echoing the nature of Mike Mignola's work.
The most impressive aspects of "Hellboy" are Del Toro's direction and Guillermo Navarro's photography. Del Toro was always a superb director in terms of visuals, although I've had issues with several of his scripts. His most accomplished film to date in this regard would probably be the superb "The Devil's Backbone", but "Hellboy" shows that he has a surprising knack for directing action in a fluid manner without resorting to the cheap method of quick cutting. Also notable in terms of Del Toro's work here is how he subtly manages to pay homage to the memorable artwork of the comics, for example the overhead shots of Hellboy.
The CGI effects are quite good considering the film's relatively modest budget, and thankfully they don't form the basis for much of this film. The cast are all solid if not fantastic, although Ron Perlman is probably the best actor I can think of to play Hellboy. The final shot is beautiful and perfectly in keeping with the pulp poetry of not only this film but also the comics it is based on.
8/10
Sadly, "Hellboy" doesn't really have much of a plot, at least for half of its running time. Its first hour is Hellboy fighting squids and the mandatory character introductions, and its second hour feels pretty rushed as a result, having to introduce and resolve the bulk of the film's story. Thankfully, however, "Hellboy" avoids the comic book-to-film cliché of basing the first film of any given franchise on the 'superhero origin story' (not that Hellboy is much of a superhero, he's really just a smartass with a gun, except he's from hell), instead keeping all that to a short and dazzling pre-credits sequence. Other than the somewhat rushed and oddly-placed plot aspects, Del Toro's screenplay is fairly impressive, providing plenty of nods towards the comics and a good amount of wit and humor, also echoing the nature of Mike Mignola's work.
The most impressive aspects of "Hellboy" are Del Toro's direction and Guillermo Navarro's photography. Del Toro was always a superb director in terms of visuals, although I've had issues with several of his scripts. His most accomplished film to date in this regard would probably be the superb "The Devil's Backbone", but "Hellboy" shows that he has a surprising knack for directing action in a fluid manner without resorting to the cheap method of quick cutting. Also notable in terms of Del Toro's work here is how he subtly manages to pay homage to the memorable artwork of the comics, for example the overhead shots of Hellboy.
The CGI effects are quite good considering the film's relatively modest budget, and thankfully they don't form the basis for much of this film. The cast are all solid if not fantastic, although Ron Perlman is probably the best actor I can think of to play Hellboy. The final shot is beautiful and perfectly in keeping with the pulp poetry of not only this film but also the comics it is based on.
8/10
Le saviez-vous
- AnecdotesDoug Jones' (Abe Sapien's) voice was dubbed by David Hyde Pierce, but Pierce refused a credit because he felt that Abe was entirely Doug's creation, and did not wish to detract from his performance.
- GaffesOn the Bridge scene under the graveyard, Tom Manning is thrown and slides under the door just before it closes. However Hellboy also slides under later in the scene when the door should have already been closed.
- Citations
John Myers: My uncle used to say that we like people for their qualities but we love them for their defects.
- Crédits fousUnder the "Special Thanks To" - Erik Irastorza who was born during our shoot.
- Versions alternativesThe Hellboy 3-disc director's cut DVD is ten minutes longer. (132 minute director's cut versus 122 minute regular version). Restores a few deleted/extended scenes back into the movie.
- Bandes originalesHeart Attack and Vine
Written and Performed by Tom Waits
Courtesy of Elektra Entertainment Group
By Arrangement with Warner Strategic Marketing
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Hellboy 1
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 66 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 59 623 958 $US
- Week-end de sortie aux États-Unis et au Canada
- 23 172 440 $US
- 4 avr. 2004
- Montant brut mondial
- 99 378 985 $US
- Durée2 heures 2 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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