Marquis de Sade

Genie (Zoe Trilling) arrives in Egypt to visit her hypocritical, bible-quoting archeologist father (William Finley) and attracts the attention of a group of cultists led by a descendant of the Marquis de Sade (Robert Englund). Englund also plays de Sade in flashbacks, ranting in his cell. Genie is led astray by Mohammed (Juliano Merr), who rides around naked on a horse and Sabina (Alona Kamhi), a bisexual who introduces her to opium smoking, which leads to a wild hallucination featuring topless harem dancers, a woman simulating oral sex on a snake, an orgy and her father preaching in the background! Meanwhile, black hooded cult members decapitate, gouge out eyeballs and slit throats. When Genie is slipped drugs in her tea, she imagines de Sade hanging from a cross, a gold-painted woman in a leafy g-string and herself bloody on a bed covered in snakes. It's all because she's the reincarnation of de Sade's lost love.

This typically sleazy Harry Alan Towers production is redundant, seedy and pretty senseless, but the sets, costumes, cinematography and location work are all excellent and at least there's always something going on.

Score: 3 out of 10

This is one of the smaller films Tobe Hooper directed in the 80s and 90s but one of his darkest in subject matter. There are quite a few thematic links to Texas Chainsaw Massacre: we had a virginal girl getting wrapped up in an underground cabal or torture and black magic. This is not as intense but keeps you invested with its bizarre style and solid performances. Hooper fans won't be turned off by the absurd and symbolic moments, but mainstream horror fans won't get it. This is not a slasher film, but all Hooper films get unfairly graded as such. He works with very esoteric and macabre stories that are not supposed to be realistic. They are old school horror movies with a more intelligent knowledge of evil and depravity. Hooper may have topped himself 2 years later with the similar film "The Mangler" which also starred Robert Englund, who is really having fun in both films. Big recommendation to fans of David Lynch or Jess Franco, whose sometimes producer Harry Allan Towers produced this film!

A young woman gets mixed up in a cult that is connected to the Marquis De Sade. Handsome looking sets, good make-up effects, lush costumes, and lots of pretty imagery can not cover up the fact that this is an incoherent mess with a skimpy script. The actors and director try hard, perhaps too hard. Rated R; Strong Sexual Content, Nudity, Violence, Adult Themes, and Profanity.

In the Eighteenth Century, the cruel Marquis De Sade (Robert Englund) is tortured by the king's order after being betrayed by his mistress. In the present days (1993), the American Eugenie "Genie" (Zoe Trilling) arrives in Alexandria after her graduation in engineering to visit her father, the pious archeologist Dr. Matteson (William Finley). On the streets, Genie meets the free-spirited Sabina (Alona Kimhi) that introduces her to the Marquis de Sade's novel and to a world of free sex and drugs. After Genie's sexual experience with the local Mahmoud (Juliano Merr), Sabina takes her to a party where she meets Paul Chevalier, who is descendant of the Marquis De Sade and leads a cult of followers. He recognizes Genie as descendant of the mistress that reported the Marquis De Sade to the king, and promises to degrade her.

"Night Terrors" (1993) is a deceptive erotic-horror film directed by Tobe Hooper with a messy screenplay. The movie has good ideas, but many events without explanation. Why Dr. Matteson, Beth, Fatima and other characters are murdered? The crime spree has no explanation. What for is the amulet that Fatima gave to Genie? What is the objective of the sect led by Paul Chevalier? What happens in the end of the movie? What is the meaning of the scale inside the trunk found by Dr. Matteson? Therefore, many unanswered questions raised along the story. My vote is four.

Title (Brazil): "Noites de Terror" ("Nights of Terror")

I don't know much about Tobe Hooper, or why he gets his name in the title, but maybe he shouldn't have bothered. As another commenter mentioned, there isn't really enough horror or erotica to bring in fans of either genre. The plot is incoherent, the Sade sequences are gratuitous, and most of the acting is so-so. Englund was doing his best with weak material, and Zoe Trilling has a really great bottom, but neither is enough to carry this film. This one's a tape-over. Grade: F