The Toolbox Murders

In 1974 Tobe Hooper directed the original horror masterpiece "The Texas Chainsaw Massacre" and created and instant name for himself. But over the past few decades he really hasn't done anything to write home about. Except that in 2004 he directed Angela Bettis in a remake of the 1978 film "The Toolbox Murders".

This new version stars Bettis as Nell as she and her husband move into the Lusman Arms apartment complex in Los Angeles. The complex in under an extensive renovation and is a complete mess, but they have a doorman. The story feels like a lost film from Roman Polanski, drawing a lot from the themes of "Rosemary's Baby" and "The Tenant". The story also throws in a bit of old Hollywood noir, as the apartment building was the former residence of the infamous Black Dahlia victim Elizabeth Short. The building is a character in itself as a dark and foreboding presence. The movie was shot at the old Ambassador Hotel which has a pretty storied past in itself. The Lusman Arms is the place where young actors come with dreams of making it big. Although Nell is a school teacher and her husband Steve and med student.

From the first scene of the movie we know that there is a ski masked maniac in the building who is killing off the resident and things seem to point towards Ned the quiet and creepy young maintenance man who kind of looks like Jack White. Like the original film he kills his victims with various tools in his toolbox, so yeah the title is pretty self explanatory.

Nell immediately gets the creeps about the place, but its so affordable since they have to live in a construction zone. We get to know a lot of the residents from an old man who has lived there for 60 years, to the young couple that is always fighting, and the middle aged couple with a teenage son. After hearing a bunch of screaming from next door Nell calls the cops, but they find nothing. She is all alone with her mind allowed to wonder and with the paper thin walls she can't get a moment of silence. As the terror and suspense increases Nell starts to investigate the history of the Lusman Arms. Acting on a tip from the Old Man she find that each floor is missing a room and that something sinister lurks within the walls.

This is a fun little movie that is all about Angela Bettis and her character Nell as she fights for not only her life but for her sanity. The "Toolbox Murders" DVD is available online or from Netflix and includes a couple of commentary tracks and some deleted scenes. So I guess you should put the Hot Pocket down and go watch this movie.

I like bad horror movies. But at the end of this film I was left with a "huh?" resounding in my brain. Just unanswered questions:

1.) The old guy, Charlie (?). How did he know about the killer? Why was he allowed to live?

2.) The killer- okay so he "clawed his way" out of his mother's body. Then what? He was in a fire? He drank Ponce de Leon's fountain of youth juice? Whats with the face and the homicidal tendencies?

3.) Why was Ned and Byron allowed to live so long?

4.) Did Saffron eventually die, nailed to the ceiling? Or was she finished off later on?

5.) If there was no apartment 4 on any floor, why did they make their attempts to "hide" that so obvious? Why not just make the former #5 apartments #4's?

6.) Why doesn't Angela Bettis eat?

I just wish we had more of an understanding of the killer, instead of some quickly thrown in nonsense about a "pagan" spell (and once again spreading the negative stereotype of the pentagram). And what did the symbols have to do with anything? It seemed that she was following a map, but it looked to me like she was just finding the symbols and looking at them.

Nell and Steven move into a run-down Hollywood apartment in the middle of being renovated. They soon realize that the landlord, maintenance man, and other tenants are a strange bunch. Nell finds herself delving into a mystery of the building when one of her neighbors goes missing. This is an excellent and unique slasher. Considering the last movie I saw by Hooper was about a CGI crocodile, I think it is fair to say he is back in the game. Unfortunately, there are plot holes galore that should have been worked out, the pacing is somewhat uneven, and the ending is a big let-down. But the murder scenes are nasty, the atmosphere is creepy, the set is awesome, and the jump scares are worthy. The "city of broken dreams" theme is effective even though most of the film takes place within the claustrophobia of the apartment building. The performance by Angela Bettis ("May") really anchors the movie. This lady brings a sense of dignity and classiness to the horror genre and I think she could become a real genre pioneer. All horror fans should check-out this movie.

My Rating: 7/10.

After a fifteen year long string of awful horror movies and forgettable TV shows, director Tobe Hooper finally roars back to life with this fun, scary and intense horror thriller.

When I first heard Hooper was remaking TOOLBOX MURDERS, I thought he had hit a new low. The director of THE Texas CHAINSAW MASSACRE is making a remake of a movie that was in many ways a rip-off of CHAINSAW? I didn't think I'd bother.

Then I started hearing some internet buzz that the movie was actually pretty good, so I picked up the DVD at a horror convention. I was pleasantly surprised. It's a throwback to Hooper's earlier movies like CHAINSAW, EATEN ALIVE and THE FUNHOUSE, with a similar atmosphere of dementia and claustrophobic terror. The performances are excellent and the screenplay is very good (written by the same team that wrote Hooper's previous film, CROCODILE). Also top notch are the expressionistic cinematography and editing.

Hooper's previous movies reeked of TV movie blandness (possibly due to his having slowly moved into that realm over the years), but TOOLBOX MURDERS has a healthy dose of grindhouse grit to go with the slick, professional quality of his hired hand work. The result is a movie that is as technically well-made as SCREAM or WRONG TURN, but with the guts of a 70s drive-in shocker.

While the killer finds some creative ways to kill people with various hardware items, and the action takes place in a single apartment building, this movie has little to do with the original TOOLBOX MURDERS. It's actually more similar in plot to Lucio Fulci's HOUSE BY THE Cemetery. However, despite its remake status and its borrowing plot points from a few previous movies, it has a surprisingly fresh and original feeling to it.

I'll go out on a limb and say Tobe Hooper's TOOLBOX MURDERS is one of the better horror movies I've seen in quite some time. It leaves the CHAINSAW remake in the dust. It's better than most so-called horror movies I've seen in the last few years.

I highly recommend this to horror fans, but especially to admirers of Hooper who thought he would never crawl out of his rut. Well, he's back, and with a vengeance!

Director Tobe Hooper once entered the horror-hall of fame at the top position back in 1974 with his undeniable masterpiece of imaginative terror, the Texas Chainsaw Massacre. Ever since that, his career only went downhill. In the nineties he simply…well…sucked with a repertoire of titles like The Mangler and Crocodile. The tide seems to be turning a bit now, as his version of the Toolbox Murders is surprisingly decent and well made. This is a remake of a vicious 70's slasher that is overall gory and disgusting (the original was even included in the `video nasties' – list of banned horror movies in the U.K) The plot and motivations of the murdering nut are slightly different in Hooper's version of the Toolbox Murders. The story is about a young couple that moves to Hollywood and homes in an old, spooky building. Inhabitants of this building – mainly wannabe actors and other scum – brutally die one by one…As the title implies, the butchering is achieved by hammers, drills, screwdrivers and a bunch of other tools. And I bet you can imagine how badly things can get messed up if you're using tools on people, no? Indeed, this films is rather gory and extremely violent with a few gruesome killing-highlights such as a (semi-)decapitation with a sawing machine! Angela Bettis, the girl who stole every horror fan's heart since `May', plays the screaming heroine who slowly gets to the bottom of the murder mystery. She receives good feedback from the beautiful Juliet Landau (Martin Landau's daughter) . The script and story-development isn't always logical and most of the interior shots are under-exposed. Also, the Toolbox Murders seems to give the impression we're guessing fro the identity of the killer initially…like a good old-fashioned ‘whodunit' slasher, but the mystery and detective aspects abruptly come to an end as the plot opens up a little more. Far from being an intelligent (or even clever) horror remake, Tobe Hooper's film is entertaining and perfectly suitable for an evening of scares and loud yells.