Marquis de Sade

This is one of the smaller films Tobe Hooper directed in the 80s and 90s but one of his darkest in subject matter. There are quite a few thematic links to Texas Chainsaw Massacre: we had a virginal girl getting wrapped up in an underground cabal or torture and black magic. This is not as intense but keeps you invested with its bizarre style and solid performances. Hooper fans won't be turned off by the absurd and symbolic moments, but mainstream horror fans won't get it. This is not a slasher film, but all Hooper films get unfairly graded as such. He works with very esoteric and macabre stories that are not supposed to be realistic. They are old school horror movies with a more intelligent knowledge of evil and depravity. Hooper may have topped himself 2 years later with the similar film "The Mangler" which also starred Robert Englund, who is really having fun in both films. Big recommendation to fans of David Lynch or Jess Franco, whose sometimes producer Harry Allan Towers produced this film!

In the Eighteenth Century, the cruel Marquis De Sade (Robert Englund) is tortured by the king's order after being betrayed by his mistress. In the present days (1993), the American Eugenie "Genie" (Zoe Trilling) arrives in Alexandria after her graduation in engineering to visit her father, the pious archeologist Dr. Matteson (William Finley). On the streets, Genie meets the free-spirited Sabina (Alona Kimhi) that introduces her to the Marquis de Sade's novel and to a world of free sex and drugs. After Genie's sexual experience with the local Mahmoud (Juliano Merr), Sabina takes her to a party where she meets Paul Chevalier, who is descendant of the Marquis De Sade and leads a cult of followers. He recognizes Genie as descendant of the mistress that reported the Marquis De Sade to the king, and promises to degrade her.

"Night Terrors" (1993) is a deceptive erotic-horror film directed by Tobe Hooper with a messy screenplay. The movie has good ideas, but many events without explanation. Why Dr. Matteson, Beth, Fatima and other characters are murdered? The crime spree has no explanation. What for is the amulet that Fatima gave to Genie? What is the objective of the sect led by Paul Chevalier? What happens in the end of the movie? What is the meaning of the scale inside the trunk found by Dr. Matteson? Therefore, many unanswered questions raised along the story. My vote is four.

Title (Brazil): "Noites de Terror" ("Nights of Terror")

1st watched 8/26/2001 - 3 out of 10(Dir-Tobe Hooper): Scary, yet sadistic(which makes sense) portrayal of a relative of the Marquis De Sade carrying out the same sadistic acts and enjoying it that supposedly his predecessor did. This Tobe Hooper film really doesn't do a whole lot different than his similar in style Freddy Krueger movies with the same star (Freddy himself - Robert Englund) playing a dual role(the Marquis De Sade and his relative). It is also seems like it wants to really poke at Christianity but then loses that in the end much to my chagrin but leaving an inconsistent feel to the movie. Could have been much worse if excesses were taken in sex and violence, but they try to keep this at a minimal despite some disgusting scenes. My final thought is why would Hooper want to make this movie. It obviously took awhile to actually get distributed, then it has to be advertised gruesomely and with Hooper's name in the title to hopefully make some money on his name and his gore. It's obvious this didn't work.

A young woman gets mixed up in a cult that is connected to the Marquis De Sade. Handsome looking sets, good make-up effects, lush costumes, and lots of pretty imagery can not cover up the fact that this is an incoherent mess with a skimpy script. The actors and director try hard, perhaps too hard. Rated R; Strong Sexual Content, Nudity, Violence, Adult Themes, and Profanity.

I don't know much about Tobe Hooper, or why he gets his name in the title, but maybe he shouldn't have bothered. As another commenter mentioned, there isn't really enough horror or erotica to bring in fans of either genre. The plot is incoherent, the Sade sequences are gratuitous, and most of the acting is so-so. Englund was doing his best with weak material, and Zoe Trilling has a really great bottom, but neither is enough to carry this film. This one's a tape-over. Grade: F