France, 1625: le jeune d'Artagnan se rend à Paris pour rejoindre les Mousquetaires, mais le terrible cardinal les a tous dissous. Tous, sauf 3.France, 1625: le jeune d'Artagnan se rend à Paris pour rejoindre les Mousquetaires, mais le terrible cardinal les a tous dissous. Tous, sauf 3.France, 1625: le jeune d'Artagnan se rend à Paris pour rejoindre les Mousquetaires, mais le terrible cardinal les a tous dissous. Tous, sauf 3.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 3 nominations au total
Avis à la une
If memory serves, I'd written this off as a "Prince of Thieves" cash-in at the time (even as a teen, it seemed obvious). But it's an unfair comparison and "The Three Musketeers" is entirely its own thing. This is a spirited, well-mounted adventure with evident chemistry between the lead foursome. Not to mention Tim Curry's undeniable screen presence and Michael Kamen's expert scoring. It's a good story with enough weight but still a sense of fun throughout; and you can primarily thank Oliver Platt for this, because he's clearly having fun. Plus, he's able to hold his own against the bigger names in the cast.
Add in the clanging of rapiers and some wonderfully un-Disney sexuality, Older Me finds this movie a pleasure to watch.
Add in the clanging of rapiers and some wonderfully un-Disney sexuality, Older Me finds this movie a pleasure to watch.
First and foremost, if you have read the Dumas book, then you realize that this movie doesn't resemble the novel in the slightest. The only thing that this movie got right was the names of the characters!
However, I am a big advocate in saying that you should never compare a movie back to its book, and I use this movie as an example. This story has been "Disney-fied" so that it can be called a family film. If you read the book, a true adaptation would not be family entertainment. Disney changed everything that they do. Read the Tarzan novel and compare to the cartoon. BIG changes there. The Little Mermaid. How convenient that Disney left out the fact that Ariel dies at the end of the story.
But what we should judge is the end result. This movie is still entertaining, despite having nothing to do with its literary influence. The characters are portrayed with the same attributes that they have in the book. For instance, D'Artagnan, while very duty bound and honorable, is young and headstrong, and prone to impulsive decisions that will help him to prove his skill and worth. Porthos is self serving and self praising, very vain and cocky, yet has a lust for the finer things in life. Aramis is humble and religious, but very skilled and intelligent, making him a very formidable soldier, yet he also loves the finer things in life. And Athos loves his wine, trying to bury himself in a alcoholic haze to hide the pain that he suffered in losing the love of his life. All of these come through in the movie, and all of the actors were great in performing them.
As far as the story is concerned, Disney likes things black and white, good vs evil. And so, the story changes to make the Cardinal a power hungry man with his own interests in mind. He wasn't like that in the book or in real life, but he was underhanded, and Tim Curry does another great job as the villain that he steals the show.
Overall, a great and enjoyable movie, worth watching with the family.
However, I am a big advocate in saying that you should never compare a movie back to its book, and I use this movie as an example. This story has been "Disney-fied" so that it can be called a family film. If you read the book, a true adaptation would not be family entertainment. Disney changed everything that they do. Read the Tarzan novel and compare to the cartoon. BIG changes there. The Little Mermaid. How convenient that Disney left out the fact that Ariel dies at the end of the story.
But what we should judge is the end result. This movie is still entertaining, despite having nothing to do with its literary influence. The characters are portrayed with the same attributes that they have in the book. For instance, D'Artagnan, while very duty bound and honorable, is young and headstrong, and prone to impulsive decisions that will help him to prove his skill and worth. Porthos is self serving and self praising, very vain and cocky, yet has a lust for the finer things in life. Aramis is humble and religious, but very skilled and intelligent, making him a very formidable soldier, yet he also loves the finer things in life. And Athos loves his wine, trying to bury himself in a alcoholic haze to hide the pain that he suffered in losing the love of his life. All of these come through in the movie, and all of the actors were great in performing them.
As far as the story is concerned, Disney likes things black and white, good vs evil. And so, the story changes to make the Cardinal a power hungry man with his own interests in mind. He wasn't like that in the book or in real life, but he was underhanded, and Tim Curry does another great job as the villain that he steals the show.
Overall, a great and enjoyable movie, worth watching with the family.
Nope, it's by no means an accurate adaptation of Dumas' original work. Umm, does nanyone really care? Dumas' plot, while interesting in and of itself to many, is probably not one that many folks who think of "the Three Musketters" could actually _tell_ you.
This movie sets out to more or less capture the feel of such films, rather than the source material itself. In that regard, it's not too badly done. The characters are pretty broadly drawn, but adequate for the younger audience they're aimed at. Sutherland, Platt, and Sheen all seem way too young, but at least the first two are entertaining. Platt in particular manages to steal every scene he's in.
By the same token, Richelieu's character is simplified to "generic bad guy." The King and Queen seem too young as well (although they're represented age may be novelistically and/or historically accurate - again, could most folks really tell you, or care?).
Overall, I'd recommend the movie for some light entertainment, but don't take it too seriously.
This movie sets out to more or less capture the feel of such films, rather than the source material itself. In that regard, it's not too badly done. The characters are pretty broadly drawn, but adequate for the younger audience they're aimed at. Sutherland, Platt, and Sheen all seem way too young, but at least the first two are entertaining. Platt in particular manages to steal every scene he's in.
By the same token, Richelieu's character is simplified to "generic bad guy." The King and Queen seem too young as well (although they're represented age may be novelistically and/or historically accurate - again, could most folks really tell you, or care?).
Overall, I'd recommend the movie for some light entertainment, but don't take it too seriously.
I not only liked this movie, but I feel a need to defend it and the Walt Disney company.
Walt Disney movies are notorious for plot changes. Almost no movie touched by them is safe from this process. From cartoon production to live action films, any adaptation by Disney is going to have plot changes to suit there vision of the final product. For example, their cartoon The Sword in the Stone bears almost no resemblance to the original story of King Arthur.
To say that Disney does not stick to the original plot is like saying an elephant does not ride a bicycle. It is obvious, even before you see it, that this is not going to happen. This is why they are adaptations. The definition of adaptation is "The condition of being made suitable to an end." Disney sets what they want the end product to be and adapt the story line to meet that goal. They did, however, remain close enough to the original story line that one who had not read the original might be intrigued enough to do so.
This movie was made for one reason... to entertain. Sure money was a motive, but if it does not entertain, it does not make money. And, as with most Disney adaptations, if you approach it with the understanding that liberties have been taken, it not only can entertain, but can be downright enjoyable as well. Disney will never fully stick to an original story line for any adaptation they produce. This is how they make it "theirs". This is how they give it that twist that a lot of people have come to expect from a Disney film. And once this IS expected going into the movie, you can watch it in the spirit in which it was released.
And remember this, the cast all had the opportunity to read the script BEFORE they agreed to make the movie. If they had any qualms about the quality of the writing, you can be assured they would not have put their reputations on the line.
Walt Disney movies are notorious for plot changes. Almost no movie touched by them is safe from this process. From cartoon production to live action films, any adaptation by Disney is going to have plot changes to suit there vision of the final product. For example, their cartoon The Sword in the Stone bears almost no resemblance to the original story of King Arthur.
To say that Disney does not stick to the original plot is like saying an elephant does not ride a bicycle. It is obvious, even before you see it, that this is not going to happen. This is why they are adaptations. The definition of adaptation is "The condition of being made suitable to an end." Disney sets what they want the end product to be and adapt the story line to meet that goal. They did, however, remain close enough to the original story line that one who had not read the original might be intrigued enough to do so.
This movie was made for one reason... to entertain. Sure money was a motive, but if it does not entertain, it does not make money. And, as with most Disney adaptations, if you approach it with the understanding that liberties have been taken, it not only can entertain, but can be downright enjoyable as well. Disney will never fully stick to an original story line for any adaptation they produce. This is how they make it "theirs". This is how they give it that twist that a lot of people have come to expect from a Disney film. And once this IS expected going into the movie, you can watch it in the spirit in which it was released.
And remember this, the cast all had the opportunity to read the script BEFORE they agreed to make the movie. If they had any qualms about the quality of the writing, you can be assured they would not have put their reputations on the line.
Just saw this film for the first time in 10 years and I still really enjoyed it. The characters are funny, the actors are perfect for the roles they were given and the story, as often as it has been told, was well executed. The three musketeers is a story I have grown up with. I've seen and read pretty much every version out there, but this is still one of the most enjoyable versions. It is a film that you can enjoy at any time of the day. It is not a popcorn kind of film and you don't have to pay endless amounts of attention either. It is not a brain teaser. Just kick back and enjoy. You will not regret watching it if you are looking for a light hearted comedy with a pinch of drama.
Le saviez-vous
- AnecdotesKiefer Sutherland, Chris O'Donnell, and Oliver Platt all endured six weeks of fencing and riding lessons. Charlie Sheen missed out on all of this, as he was then embroiled in the filming of Hot Shots! 2 (1993).
- GaffesAramis is shown quoting Genesis (the first chapter in the Bible) while presumably reading from a Bible, which is open in the middle. Given Aramis' reputation and the subsequent action, it is possible that he was quoting from memory and merely had a book open in front of him to give the impression of piety.
- Versions alternativesTwo scenes were cut from the German cinema version to secure a "Not under 12" rating (The murder of the prisoner is cut completely (ca. 13 seconds) and the death of the bald headed man in the prison at the end is shortened (ca. 6 seconds).) Second DVD release is uncut ("Not under 16") and bears the note "Uncut version" on the sleeve.
- Bandes originalesAll For Love
Performed by Bryan Adams, Rod Stewart, and Sting
Written by Bryan Adams, Mutt Lange (as Robert John "Mutt" Lange), and Michael Kamen
Produced by Chris Thomas, Bryan Adams, and David Nicholas
Bryan Adams and Sting appear courtesy of A&M Records
Rod Stewart appears courtesy of Warner Bros. Records, Inc.
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- How long is The Three Musketeers?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Los tres mosqueteros
- Lieux de tournage
- Hofburg, Vienne, Autriche(palace interiors, birthday celebration, final fight scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 53 898 845 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 621 992 $US
- 14 nov. 1993
- Montant brut mondial
- 53 898 845 $US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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