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IMDbPro

Le club de la chance

Titre original : The Joy Luck Club
  • 1993
  • R
  • 2h 19min
NOTE IMDb
7,7/10
19 k
MA NOTE
Le club de la chance (1993)
The Oscar-winning actress shares a special list of films that inspire hope in an effort to help support those without a place to call home amidst our global health crisis.
Lire clip4:30
Regarder Cate Blanchett's Films of Hope
4 Videos
37 photos
Coming-of-AgePsychological DramaDrama

Les histoires de vie de quatre femmes asiatiques et de leurs filles se reflètent et se guident mutuellement.Les histoires de vie de quatre femmes asiatiques et de leurs filles se reflètent et se guident mutuellement.Les histoires de vie de quatre femmes asiatiques et de leurs filles se reflètent et se guident mutuellement.

  • Réalisation
    • Wayne Wang
  • Scénario
    • Amy Tan
    • Ron Bass
  • Casting principal
    • Tamlyn Tomita
    • Rosalind Chao
    • Kieu Chinh
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,7/10
    19 k
    MA NOTE
    • Réalisation
      • Wayne Wang
    • Scénario
      • Amy Tan
      • Ron Bass
    • Casting principal
      • Tamlyn Tomita
      • Rosalind Chao
      • Kieu Chinh
    • 132avis d'utilisateurs
    • 32avis des critiques
    • 84Métascore
  • Voir les informations de production sur IMDbPro
    • Nomination aux 1 BAFTA Award
      • 4 victoires et 5 nominations au total

    Vidéos4

    Cate Blanchett's Films of Hope
    Clip 4:30
    Cate Blanchett's Films of Hope
    The Joy Luck Club
    Clip 1:45
    The Joy Luck Club
    The Joy Luck Club
    Clip 1:45
    The Joy Luck Club
    The Joy Luck Club
    Clip 1:29
    The Joy Luck Club
    'Dangerous Lies' Star Jamie Chung Wants to Play This Tarantino Character
    Video 3:02
    'Dangerous Lies' Star Jamie Chung Wants to Play This Tarantino Character

    Photos37

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 31
    Voir l'affiche

    Rôles principaux62

    Modifier
    Tamlyn Tomita
    Tamlyn Tomita
    • Waverly - The Daughter
    Rosalind Chao
    Rosalind Chao
    • Rose - The Daughter
    Kieu Chinh
    Kieu Chinh
    • Suyuan - The Mother
    Tsai Chin
    Tsai Chin
    • Lindo - The Mother
    France Nuyen
    France Nuyen
    • Ying-Ying - The Mother
    Lisa Lu
    Lisa Lu
    • An-Mei - The Mother
    Ming-Na Wen
    Ming-Na Wen
    • June - The Daughter
    Lauren Tom
    Lauren Tom
    • Lena - The Daughter
    Chao Li Chi
    Chao Li Chi
    • June's Father
    Melanie Chang
    • June - Age 9
    Victor Wong
    Victor Wong
    • Old Chong
    Lisa Connolly
    • Singing Girl
    Vu Mai
    Vu Mai
    • Waverly - Age 6-9
    Ying Wu
    • Lindo - Age 4
    Meijuan Xi
    Meijuan Xi
    • Lindo's Mother
    • (as Mei Juan Xi)
    Guo-Rong Chin
    • Huang Tai Tai
    Hsu Ying Li
    • Matchmaker
    Irene Ng
    Irene Ng
    • Lindo - Age 15
    • Réalisation
      • Wayne Wang
    • Scénario
      • Amy Tan
      • Ron Bass
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs132

    7,719.1K
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    Avis à la une

    9Ironboundfw

    Glorious Film making

    Every time I look back at movies through the years, I find myself wondering why The Joy Luck Club did not make a huge splash in the awards circle. The film is one of the BEST FILMS of my lifetime. It will always represent to me, the dream that is America.

    I think it's because the emotions of the film are so universal, that I count it as one of my favorites. I am male, I am hispanic, I came to the United States when I was 13 years old. I felt alienated, lonely and hopeless, could anyone really understand all that I wanted to do, all that I wanted to become. How do you reconcile your cultural roots, with wanting to fit into the American Dream.

    I try to watch The JOY LUCK CLUB as often as I try to read the book. Because it reminds me that we are all connected in so many ways. That our dreams and desires are not all together different. that Love reaches beyond race, beyond politics and beyond time.

    when I saw this film I thought, The Academy of Arts and Sciences would gush over it. But it never reached the kind of acclaim it truly deserved. I think it's because most film makers field of personal experience limited in reaching and feeling. Most of the Academy comes from back grounds that didn't see struggle, that doesn't see the world in unison, but in carefully separated categories. This to them was not a human experience film, it was a film for a minority group. But, while The JOY LUCK CLUB is life affirming to some, to those who have lived the similarities, it is life changing.
    lschow310

    Different strokes for different folks

    I have read the book and seen the movie. I have also read reactions to both. Some really liked it and found it to be very real, while others hate it and object to the "stereotype." It seems to depend on whether you could relate to the stories, characters, or themes.

    I myself could relate very well to the stories, but that could be because I too have experienced the intergenerational and intercultural conflict as an American-born Chinese daughter with a very traditional Chinese mother. Many other American-born Chinese women who were born in the 1960s could relate to the stories very well also. For us, we would start crying as soon as the first sentence is made.

    I didn't experience everything that June, Rose, Lena, or Waverly went through, but on a grander scale, they are dealing with issues that I have struggled with as well.

    I understand that there are other women who could relate to it as well, and these are not Chinese women--or even Asian women. Perhaps Amy Tan has touched on universal themes that women of other nationalities could relate to.

    On the other hand, I have found that some people who are ten years younger than me didn't like the book/movie too much and found the characters "stereotypical" or "unrealistic."

    Some Caucasian males didn't like this book/movie either, and again it comes back to them not being able to relate to it.

    I understand another user's comment about the negative portrayal of Asian men, but this person has forgotten about June's father who was portrayed as a very likeable man who was trying to bridge the gap between his wife and his daughter. As for his objection of the daughters marrying Caucasian wives, he needs to realize that there are other issues/reasons involved and it's not because Chinese-American women like them "hate Chinese men."

    In short, this movie is very good at portraying the intergenerational and/or intercultural conflict between people who are caught between two cultures. Women like me have cried while watching this movie because the issues have been very real for us. For those who could not relate to it or cannot see the "reality" of it, then this movie would not be for them.
    8winsome1

    A Hanky Fest

    If you're an Asian-American woman with parental conflicts around culture then prepare to cry at this wonderfully fabulous film. So many cultural issues come up that you never know when you'll be hit with a wave of recognition. There are many laughs here as well. You just don't know when they'll arrive. This is a definite must for anyone struggling to understand how to incorporate their ethnic heritage in the massive American melting pot.
    8booboobear1970

    Excellent Film

    The first time I sat down to watch this it was just because there wasn't anything else on. I mean what would a single guy in his late twenties be interested in a film about relationship between Chinese-American women and their mothers? Well I was wrong. This film was very captivating and moving. It does excellent job of showing the universal issue of generational differences and the love that exist between parents and their children. All of the perfomances in this film were excellent. 8 out of 10 stars.
    justducky

    Honest and Beautiful

    Joy Luck Club is a deeply moving film that will touch the heart and mind of anyone who opens themselves to it's messages about life.

    If someone (such as darkfalz) feels this film speaks more of women's shallow choices, they miss out on humanity for the sake of superficial judgment.

    This is a film about hard choices and sacrifice. It's a story of the generation gap that inevitably occurs between immigrant mother's and their daughters who were brought up surrounded by different values. Each mother strives to raise her children in a way that will bring them success and joy in life. Each hopes to free their offspring from the pains they themselves had to endure.

    It is also about the Chinese way of pushing a child to be the best, and gives insight into a mother's need to see her own struggles amount to something great in her daughter. However, this is not just about Asians. It is about all parents hopes and all children's frustrations with fulfilling those dreams.

    In America the story of the first generational gap is a very real and painful one. It happens for boys as much as girls, and I know a lot of men who relate to this film despite it's inherent chick flick nature. It celebrates the need to keep your roots and history alive, even if you let go of certain traditions that you were not born into.

    The women in the film often make hard choices. Many of them folly and sin, but it is not a film about forgiving them so much as it is about the lasting effect of the choices we make.

    Everyone should see this film. It's one of the most honest human dramas out there.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In a 2018 NPR interview, executive producer Janet Yang recalled that director Wayne Wang (who she said usually had "the most lovely personality") lost his temper in a marketing meeting because the studio had presented him with the choices for posters to advertise the movie, and all of the options avoided showing the face of an Asian person. Either the designs were very abstract (for example, a decorative woodcut) or they were photos of the actresses' backs.
    • Gaffes
      In the second chess game that Waverley plays as a child with the boy the chess board and the positions of the pieces are clearly shown on the screen. The boy moves his queen. Waverley makes a move and the boy responds with a move in which he captures a pawn and he says "check". The only possible move that the boy could have made at this point which would have resulted in an utterance of any kind would have been "checkmate" - Black queen supported by black bishop takes white pawn, Mate. After this Waverley makes another move which would have been impossible under the rules of the game because the game would have been over on black's last move.
    • Citations

      Suyuan: That bad crab, only you tried to take it. Everybody else want best quality. You, your thinking different. Waverly took best-quality crab. You took worst, because you have best-quality heart. You have style no one can teach. Must be born this way. I see you.

    • Connexions
      Featured in Siskel & Ebert & the Movies: True Romance/The Ballad of Little Jo/Kalifornia/The Joy Luck Club/The Real McCoy (1993)
    • Bandes originales
      I Enjoy Being A Girl
      Music by Richard Rodgers

      Lyrics by Oscar Hammerstein II

      Courtesy of Williamson Music

    Meilleurs choix

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    Everything New on Hulu in June

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    See the list
    Production art
    Liste

    FAQ20

    • How long is The Joy Luck Club?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 16 mars 1994 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Mandarin
      • Cantonais
    • Aussi connu sous le nom de
      • El Club de la Buena Estrella
    • Lieux de tournage
      • 610 Rhode Island Street, San Francisco, Californie, États-Unis(Harold and Lena's home interior)
    • Société de production
      • Hollywood Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 11 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 32 901 136 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 159 009 $US
      • 12 sept. 1993
    • Montant brut mondial
      • 32 901 136 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 19 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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