Dans la ligne de mire

'In the Line of Fire' is one of those Hollywood films that shows up on tv quite a bit, but although I've seen it a few times, I usually end up sitting through the whole thing again. Why? - It's GOOD! Clint Eastwood is great as usual, and the character he plays is interesting and more fleshed out than usual. The character, Secret Service agent Frank Horrigan, is haunted by the fact that he was on the detail that failed to protect President Kennedy in Dallas, and now he's forced to match wits with a professional assassin that is openly declaring that he will kill the president. However, the film doesn't make him a depressed, brooding, and obsessed character. He's charming and personable, and is realistic as a guy that has experienced a lot in life and is comfortable in his own skin. He's even quite convincing when he flirts with the pretty younger agent played by Rene Russo. The killer, played by John Malkovich at his best, is cerebral, deliberate, and enjoys playing high stakes games of life and death. He even goes by the name of another presidential assassin, John Booth.

The film is consistently enjoyable, and it delivers all the goods - suspense, action, romance, and drama - all in their proper amounts. It's a fun film that is really helped by the great actors in it!

"In the Line Of Fire" is an expertly crafted thriller that has a fantastic climax. The film starts building suspense a half hour into the movie and it doesn't let up until the final scene. Clint Eastwood does exceptional work as does John Malkovich as the villian, the rest of the cast turns in good performances as well. Director Wolfgang Peterson knows how to build suspense and he does it extremely well, he also directed another top notch suspense thriller "Air Force One."

Clint Eastwood scores big in this thriller from 1993.Teamed with an absolute master of edge of your seat suspense,Wolfgang Peterson, Eastwood delivers as only he can.Also,John Malkovich goes on my list of most effective screen villains in the history of cinema as the demented assassin.As for Rene Russo as Clint's love interest,I think Kirk Douglas said it best when he said,referring to his own career,"I keep getting older,and my leading ladies keep getting younger".This film is a very effective thriller with enough plot twists and surprises to keep you going.Eastwood and Peterson should team together more often. Top notch movie.

This is another of Eastwood's many movies mixing intrigue, action, and a dollop of romance, along with "The Gauntlet," "Firefox," and so forth. Clint's acting range by now is pretty familiar. In this one, he's taciturn and a bit outrageous, especially with women and superiors. There are no surprises in his performance. But the film itself is something of a surprise; it's above average.

Clint is Frank, a Secret Service agent who, perhaps in a moment of doubt, failed to catch the bullet that killed JFK. He then took to drink, which drove his family away, and now plods along in the bureaucracy until he is contacted by John Malkovitch, calling himself "Booth," who strikes up a sort of skewed relationship with him based on their shared, disillusioned conviction that everything is meaningless except the impulse to escape dreariness and predictability. Now, this is rather an anfractuous set of attitudes for a performer like Clint to project, but he does rather well, less robotic than usual. And he does seem to carry around with him, like a burden of stone, the memory of that moment in Dallas.

He's tested again halfway through this movie. He is hanging from the roof of a tall building, grasping Booth's hand, and he pulls his pistol and points it at Booth, who asks him if he is really willing to shoot. If he does, of course, he saves the president from an attempted assassination by a CIA-trained murderer, but he does so at the cost of his own life. Booth twits him about the situation as they hold hands in midair.

Later Clint even has a short speech, talking to Renee Russo, about his failure to save the president in Dallas. "If I'd have reacted quickly enough, I could have taken that shot . . . and that would have been alright with me." It's underplayed, but his voice chokes slightly, his eyes water, and his lip trembles. It's one of the few scenes in any of Clint's films that might properly be called "moving." We know from his newfound resolve that given another chance he would take the bullet this time. (The irony is that he doesn't like the current president. Who could? He gives pompous speeches in Colorado about how they "carved a nation out of the wilderness." Didn't they do the same thing in Las Vegas?)

It's often said that a movie is only as good as its villain. It isn't true, nothing is that simple, but an argument could be made for its truth value in this case. The reptilian John Malkovitch with his Tartar eyes is marvelous.

Talk about disillusioned. Okay, he can ham it up a little, sniffing with disdain even as he plugs two innocent hunters between the eyes, but he's fascinating on the screen. Renee Russo has little do to. Fred Thompson, as the chief White House aid, is now back in politics, a relief for movie-goers. If Clint's acting range is limited, Thompson's is something less. In every film he's been in, he wears the same solemn and dissatisfied expression, as if constantly plagued by some form of volcanic digestive disorder.

The direction by Wolfgang Peterson is as good as it was in "Das Boot," which is pretty good. There is a great deal of the usual suspenseful cross-cutting in the final shootout. And when Clint and Russo fall into an impassioned embrace in her hotel room and scuttle backwards towards the bed like two weasels in heat, Peterson playfully shows us their feet along with a succession of objects dropping to the floor -- not only the usual garments but handcuffs, guns, beepers, palm pilots, Dick Tracy wrist watches and other impedimenta. Interrupted, Clint lies back on the bed and sighs, "Now I have to put all that stuff back on again."

Well written and worth watching.

Veteran , aging Secret Service Agent Frank Horrigan (Clint Eastwood) is a dinosaur from the Kennedy era , he is a man haunted by his failure to save President J. F. K. while serving protection detail in Dallas , Texas . Jogging alongside the president's car , he now has problems keeping up .Thirty years later, a menacing bad boy , the psycho calling himself "Booth" (John Malkovich) threatens Frank's honor and life of the current President (Jim Curley) , forcing Horrigan to come back to protection detail to take on the ghosts from his past . While Frank joins forces young agent Al D'Andrea (Dylan McDermott) and agent Raines (Rene Russo) who begins a charmingly tentative romance with Horrigan .

Moving film with a strong battle of wills , including thrills , noisy action , nail-biting as well as fast-paced pursuits , lots of dry humor and a love story . Concerning a cat-and-mouse game betwen two peculiar characters and despite a suspensefully edited final , the movie results to be a tad long . Clint Eastwod's back , now as Secret Service agent Frank Horrigan who couldn't save Kennedy, but he's determined not to let a clever assassin take out this president , here Clint sensibly performing on his advancing years to add a few frayed edges to the role . The Secret Service cooperated in making this film and most scenes are believable and adequate with a few hollywood exceptions , as it clearly pays tribute to the secret agents who protect US Presidents . Highlight of the movie is the efficiently rather than excitingly shot chase scene on the rooftop . Main cast are top-notch , Clint Eastwood plays in his usual style , he meets his match in a spooky caller assassin magnificently played by John Malkovich who nearly overshadowed Clint , while Rene Russo performs an intelligent agent as well as his love interest . Pretty good support cast such as : Dylan McDermott , Gary Cole , Fred Dalton Thompson , John Heard , John Mahoney , Clyde Kusatsu , Tobin Bell , Gregory Alan Williams , among others .

It contains terrific and stirring musical score by the great Ennio Morricone . Colorful and appropriate cinematography by John Bailey . The motion picture waas well directed by Wolfgang Petersen, from casting to scripting the movie was notable and our director made a good job . Wolfgang first big hit was ¨Das Boot¨ , following ¨The NeverEnding Story¨, and going on Hollywood productions as ¨Shattered¨ , ¨Enemy mine¨ . And a series of disaster genre movies as ¨Outbreak¨(1995) about the outbreak of a killer virus. This film had shades of an Irwin Allen disaster movie, The Swarm (1978), about the outbreak of killer bees. Both films had the military and scientists clash, also both had choppers all over the place. Then came ¨Air Force One¨ (1997), about terrorists taking over the presidents plane. This film had shades of a 1970s Airport disaster film . ¨The Perfect Storm¨ (2000) came next, and while the script about a boat at sea in a storm was okay, the constant fake looking computer generated sea water damaged the film. And then came ¨Poseidon¨ (2006) that was Petersen's worst action/disaster movie by a long way, dealing with a passenger ship turning over at sea. Outbreak just hinted at being an Irwin Allen remake , but with Poseidon Petersen failed at boxoffice , it was now official this was a remake of Allen's The Poseidon Adventure . Rating : 7/10 . Better than average . Well worth watching . The flick will appeal to Clint Eastwood fans .