Créance de sang

I found this to be one of those films I really enjoyed on the first viewing, but once you know the surprise ending, the second viewing isn't nearly as good.

It's a typically-entertaining Clint Eastwood film. He makes few dull movies, I'll say that for him. Now that he's gotten older, his weather-beaten face makes him all the more interesting to view.

I didn't find Anjelica Huston's weather-beaten face, however, as believable. Her tough demeanor, including vocabulary, is not something a doctor would have, as she plays here. Paul Rodriguez also is stupidly profane in his role but he does have a few funny lines.

The main attraction of the story is the twist near the end so, as mentioned, one look is just about right for this film...and it is worth one look f you want a decent diversion for one night.

Clint Eastwood's direction sadly loses its way late in this otherwise suspenseful drama from the co-writer of "L.A. Confidential" (Brian Helgeland). Eastwood is a famous detective, but a massive heart attack just as he is about to catch a crazed serial killer forces him to an early retirement. Fast-forward a bit and Eastwood has received a new heart from a woman who has recently passed away. Slowly, but surely Eastwood's body is accepting the new organ and it appears that a healthy recovery is imminent. Things change though as a Hispanic woman (Wanda De Jesus) pays Eastwood a visit one day and explains that his new heart come from her younger sister, a woman who was killed in a convenient store. Quickly it becomes crystal clear that the killer in the store is in fact the same man who eluded Eastwood earlier. Now Eastwood is back one last time with a score to settle. Through Eastwood's journey he has to indulge a pesky neighbor (Jeff Daniels) who wants to assist in the case, dodge cops Paul Rodriguez and Dylan Walsh and convince doctor Anjelica Huston that he owes De Jesus his time and help. "Blood Work" does do well for the majority of its running time, but the punchline comes way too fast and the finale is unsatisfying to say the least. Eastwood is pretty good as usual and Daniels is excellent in a comical supporting turn. Everyone else though ends up struggling to keep their intensity up as the production progresses. The "Hardy Boys" routine and the unnecessary blossoming romance between Eastwood and De Jesus make "Blood Work" play more like a television movie of the week than a theatrical release. With all this said, "Blood Work" does do enough good things to keep the audience watching and intrigued---most of the time anyway. 4 stars out of 5.

Clint Eastwood's 20th feature directed and starring himself, Blood Work, is a good sign in times of recent thriller drek. Here is Clint, 72 years old, and actually doing the right thing; being the old sort of Dirty Harry-esquire type of cop while still being realistic with himself. Truth be told, he won't do movies forever, much less be a cop with almost all the right moves, and here we see him as FBI Agent Terry McCaleb in the beginning try and climb a fence to catch a code killer (which resonates from past Eastwood projects) and he collapses from a heart attack (sad but oddly accurate). He retires, and two years later a woman comes forth to him asking for help in finding a killer.

And anyway, what makes Blood Work so fascinating (if only up to a point if seen more than once) is that it's a well crafted thriller, one that has the usual police procedural from many years back, a bit of a romance with Wanda DeJesus, and comic relief from Jeff Daniels. So, if you decide to see this latest installment in the sprawling career of Clint Eastwood, keep in mind that it has all the style, music, and nostalgia even in donuts that it had back in the day 30 years ago. And maybe it's just me, but it will be hard not to grin when you see him grab a gun. B+

'Blood Work' sees actor/director Clint Eastwood ease into a more traditional, mature and work-heavy detective story based upon Michael Connelly's novel. We follow that of FBI profiler Terry McCaleb on the trail of a serial killer who likes to play games with him, before his heart eventually gives up on him during a chase. He's a cardiac patient that receives a heart from a murder victim, and the donor's sister asks him to come out of retirement (which is two years after the heart-attack) to use that second chance to help find her killer.

After an excellently dark, brooding opening it goes onto settle for a cruising old-fashion, but by-the-numbers thriller. It's the eerie mystery that invokes the tension, not the small-added slabs of violence and action. It's a character story. Nothing surprises, but its elaborated make-up and cluey puzzles are absorbingly plotted by Brian Helgeland's elegantly dry screenplay, as we watch the psychical and mental decay first break down, but eventually go on to help rebuild our main protagonist. Mainly through his bond with the lady he's helping out. Even a connection is kind of hinted between the killer and Eastwood's ex-profiler… like the one in 'Tightrope' (1984). The relationship that unfolds and expectations that arose, especially after the killer's unmasking and his cunning intentions being revealed is unnerving in that endearing sense. The psychological torment and involvement is well-judged too. This observation can be seen in Eastwood's rock-like performance, which still shows cracks of vulnerability.

Looking comfortable in front of the camera, behind is exactly the same with his economical direction driving the way. Edgy suspense is well-place and timed amongst a gritty backdrop and dreary colour scheme. Lennie Niehaus' soothingly savoury blues score, Tom Stern's sharply pastel cinematography and Joel Cox's swift editing strengthen the already professionally competent production. First-rate performances engulf the feature. Wanda De Jesus strong-willed turn is amiable. Jeff Daniel's lazy; oddball (almost comic) performance is a fine, versatile addition. A cynical Paul Rodriguez and a solid Dylan Walsh are good as two jealous detectives. Tina Lafford is pleasingly sound as a detective/good friend of McCaleb and Anjelica Huston is fiery blunt as Dr. Bonnie Fox.

A satisfyingly better than average thriller fable headed by the ever-reliable Eastwood.

Clintwood's 'Blood Work' may not be the best nor most stylish of its genre but it remains enjoyable for the most part mainly because of the cast. It's quite a simple film but I found the end revelation disappointing and the last half hour is a little too dramatic. During the entire first hour, Eastwood cleverly avoids excessive violence and gore and smoothly lets the tension build. Clintwood is supported by a brilliant cast that includes the fabulous Anjelica Huston, the elegant Wanda de Jesus, the charming Tina Lifford and the funny Jeff Daniels. The cast does well but Daniels's performance is ruined by the overdone last half hour. The film rests on Eastwood and it's great to see him play such a role at 71 and pull it off so well. The jazzy background score gives 'Blood Work' a classy touch. Thus, to sum it up, one can expect a simple but engaging whodunnit thriller which is ruined a bit by the ending but Eastwood and his cast prevent it from being a waste of time.