Le Temps de l'innocence

In a way I am disappointed after reading the comments because I thought I was alone in adoring this ravishing and masterful film, and I thought I would get to be the sole voice in the wind proudly proclaiming its brilliance.

Years ago, I ho-hummed my way through viewing it, and I was so unimpressed, I can't tell you today whether I saw it in a theater or rented it at home. It has been in rather heavy rotation on the movie channels for some reason of late, and I watched it again a few weeks ago.

It simply left me breathless. I must have watched it twelve times over the last few weeks, and am dying to buy the DVD if it ever comes out. Scorcese calls this his "most violent film", and after seeing it again, alone, watching intently, it struck me how completely right he was.

The comments before mine are mostly right on target...I am in awe of the filmmaking and can't say enough about the dramatic subtleties, the opulent production values and the overall magnificent way the entire project was handled. Even the normally atrocious Winona Ryder excelled in a role that was simply a tour-de-force for her...the vapid but yet not so vapid after all May Welland. A masterpiece. Please see it if you haven't already.

Martin Scorsese's beautifully done "The Age of Innocence" almost reaches excellence on a grand scale by having stunning performances and creating real intrigue with a story that could have been slow and dull. It is late 19th Century New York and attorney Daniel Day-Lewis is about to wed socialite Winona Ryder (Oscar-nominated). Naturally their lives of privilege and the finer things in life make them a quietly happy couple. However their lives are changed when Day-Lewis is asked to defend Ryder's cousin (Michelle Pfeiffer), a woman trying to divorce herself from an abusive marriage to a man that never loved her. The socialites within Ryder's circle frown upon Pfeiffer, treating her no better than a common stranger (that is putting it mildly at best). Day-Lewis takes a liking to Pfeiffer and he develops admiration and sympathy for the emotionally tortured woman. A mutual love and romance may blossom, but what complications will this create for the duo? "The Age of Innocence" is a strong film that dominates because of Scorsese's outstanding direction. Much like "The Last Temptation of Christ", Scorsese tackles something totally different from what he had previously worked on. The film is a fine accomplishment that is a successful venture overall. It nearly reaches total excellence, but a few minor problems with pacing hurt the production admittedly. Still one of Scorsese's best works. 4.5 out of 5 stars.

Lavishly shot and achingly sad. Watching Daniel Day-Lewis, Michelle Pfeiffer and Winona Ryder in a love triangle is a treat, the costumes are sumptuous, the sets spectacular, and the ending is a heartbreaker. Forgive them if they're sometimes too subdued; suffice to say, there's a lot of suppressed emotion churning around inside all three. It's all very muted, very subtle, and a master class in acting. Kudos as well to the steady hand of director Martin Scorsese; he establishes a stately tone early on, and never abandons it. If you've read the Edith Wharton novel but have never seen it brought to life onscreen, see it now. If you have seen it, see it again. (You might want to check out the 1924 silent version and the 1934 remake, too. Enjoy them all!)

In the 70's, the decade's greatest director Stanley Kubrick broke from his series of groundbreaking films to make a long period piece. That movie, "Barry Lyndon", was met with much critical acclaim, but also a litany of derision from fans and critics alike who called it too slow, too ponderous and too boring. Nearly 20 years later, the world's leading director of that time, Martin Scorcese took the same steps and met with much of the same criticism.

These two movies are not for everyone. If you want to see action and fast-paced filmmaking, you will find them boring. However, if you want to see the pinnacles of the careers of the two greatest directors of the second half of the 20th century, you will find them here.

Enough has been said about the plot and the acting in "The Age of Innocence". The bottom line is that for pure cinematic luster and beauty, the 90's offers only a single movie that can match "Barry Lyndon". Don't watch the clock, watch the film, and enjoy a departure and a triumph that proves the depth and confidence of Scorcese's skills.

Lastly, don't let anyone spoil the ending for you, and don't jump to conclusions. Think about it after you've seen the movie, savour it for a while and the understanding will come to you. This movie quite simply has the finest ending of any movie I have ever seen.

"The Age of Innocence" is the 10 that rises just above Scorcese's string of 9 1/2s. See it.

The world that Edith Wharton grew up within the 19th century and the one Martin Scorsese did in the 20th century are so vastly different. About all they have in common is it's New York City. But each has a strict code of behavior and violation can bring ruin and disgrace or worse.

In the tight little world of the New York upper crust gossip flows freely, but you dare not let your life in that new thing called the tabloid press of Mr. Hearst and Mr. Pulitzer Discretion is the key.

Daniel Day Lewis is your typical society blade of the time who is about to make a good match in Winona Ryder. But he meets up with a cousin of her's Michelle Pheiffer over from Europe. She's married but separated from a profligate scion of old European nobility. Then as now old names marry new money to keep up a lifestyle. It's the bargain you made and by the rules you stick with it.

But Pheiffer is an exciting and liberated woman for the time and she fascinates Lewis. The big question is will he ive in to temptation. In Edith Wharton's world you don't.

The Age Of Innocence is one opulent film as befits the time and place it's set in. Winona Ryder got a Best Supporting Actress nomination and it got a flock of other nominations in technical categories bringing home the statue for Costume Design. It's an eyeful to look at, but Edith Wharton's story and characters never get lost in the splendor.

And it proves a good story is always the bedrock of a good movie.