The Turning

This movie lacked any sort of plot, character development, or directon. The best thing that can be said for The Turning is that, Gillian Anderson graced it with her presence.

I've seen some "bad" movies in my time, but this one is really rancid. The ever lovely Gillian Anderson is the only even remotely redeeming quality of this film. If, like me, you just must see Gillian in a role other than Scully, have your remote handy and be prepared to fast forward through most of this horrible movie.

It's no cinematic masterpiece, but to give this movie zero stars is rather harsh. I knew Gillian Anderson had some nude scene at some point or another, but it only once I saw it (and scratched by head thinking "Hey - isn't that Gillian Anderson?") that I realized this was that movie.

But still, it's not that bad a film. The performances seemed quite competant to me, the character's motivations made sense, and the ending wasn't quite what I would have predicted. In fact, they did a good bait and switch by cutting to an exterior shot of Karen Allen's house during the climax.

I've seen many, MANY worse films than this...I wouldn't seek it out, but it's reasonably entertaining if there's nothing else on. Three out of five stars.

The Turning (L. A. Puopolo, 1992)

If you've actually made the effort to seek out this film, you did so for one reason and one reason only. And nothing I can say will sway you from renting it. But I'll try anyway.

This film, the acting debut of Gillian Anderson, is well-known among connoiseurs as containing Ms. Anderson's only semi-nude scene. Hate to spoil your fun, but the stills you've seen online are digitally-enhanced.

And everything you've heard about how awful the movie is, aside from the thirty seconds or so in question, is completely true. Clifford Harnish, a white separatist Marine (Michael Dolan, a character actor who often plays military types, most recently in TNT's original film The Hunley), comes home after spending four years away. His girlfriend (Anderson) is working as a waitress for her father (who never liked Clifford in the first place, and likes him less so now), his parents (Raymond Barry, who plays Senator Matheson in The X-Files, and Tess Harper, who has a penchant for playing "leading man's wife" in various films) have broken up, and dad is dating the local chanteuse, Glory Lawson (Karen Allen). Everything is predictable; everything is glacial; everyone manages to turn in the worst roles of their careers (and everyone except Anderson had already turned in pretty long careers by this time). Please, for god's sake, avoid this film like the plague. By far the worst thing I've seen this year. (zero stars, of course)

The West Virginia International Film Festival screened this film in fall 1997 with the director present. The film was made on the border between West Virginia and Virginia. Mr. Puopolo gave a great introduction and answered many questions. The basic idea of the film - a young man returning home after living with Neo-Nazis - is unique in my film experience. Too bad Ms. Anderson wasn't in more of the film - but given its unique storyline, and fairly good visuals, etc. it is an interesting film. One should never judge a film by its poster - or video cover.

It is certainly a B film - like other classics such as "Cockfighter" and "Two-Lane Blacktop." This film should be judged for what it is - a low budget independent film that captures some of the reality of life in America's working class world.