En Irlande pendant «les Troubles», un soldat britannique est enlevé par l'IRA mais se lie avec son geôlier. Celui-ci promet au soldat que, s'il ne survit pas, il irait voir sa compagne Dil à... Tout lireEn Irlande pendant «les Troubles», un soldat britannique est enlevé par l'IRA mais se lie avec son geôlier. Celui-ci promet au soldat que, s'il ne survit pas, il irait voir sa compagne Dil à Londres.En Irlande pendant «les Troubles», un soldat britannique est enlevé par l'IRA mais se lie avec son geôlier. Celui-ci promet au soldat que, s'il ne survit pas, il irait voir sa compagne Dil à Londres.
- Récompensé par 1 Oscar
- 22 victoires et 46 nominations au total
Breffni McKenna
- Tinker
- (as Breffini McKenna)
Birdy Sweeney
- Tommy
- (as Birdie Sweeney)
Andrée Bernard
- Jane
- (as Andree Bernard)
Bryan Coleman
- Judge
- (as Brian Coleman)
Avis à la une
This is a great movie. While "the scene" achieved great notoriety and some think that's all the movie is about, it's really about so much more. The desperation of the Irish to achieve freedom from England is very much on display here. Like other ancient feuds around the globe, the passion on both sides is evident in their willingness to do just about anything to advance their cause(s). It's also a powerful, if strange, story of human love. Complicated, deeply felt, real love. The kind that would make you sacrifice virtually everything to prevent the one you love from suffering pain. Excellent acting makes this a worthwhile investment of time. A film to remember and cherish.
The less you know about this film, the better. I won't tell you anything except what a well-written and well-acted movie this is. from the first 15 minutes, which is mainly dialogue between two actors, you are completely drawn in to the film, which has almost dream-like qualities.
If you were planning to see it just because of the "twist" and to see what everyone was talking about, then see it. If you were planning to see it for the amazing script, acting and direction - see it. And if you were planning on not seeing it - see it
If you were planning to see it just because of the "twist" and to see what everyone was talking about, then see it. If you were planning to see it for the amazing script, acting and direction - see it. And if you were planning on not seeing it - see it
Directed by Neil Jordan. Starring Stephen Rea, Jaye Davidson, Miranda Richardson, Forest Whitaker, Jim Broadbent, Adrian Dunbar, Ralph Brown, Tony Slattery. (R)
A group of IRA members, including volunteer Rea, kidnap a British soldier (Whitaker); later, Rea visits the soldier's girlfriend (Davidson) in London and becomes involved in a most unusual relationship with her. Stunning blend of thriller and romance explores daring subject matter in consistently fascinating ways, creating a story that is so full of surprises (many more than just the much ballyhooed "twist") that its very genre changes multiple times. Most serpentine suspensers are built purely on their own mechanism, but this one goes one step further by actually making the audience care about and identify with the original, layered characters. Davidson, an amateur "discovered" by a casting agent, gives a terrific debut performance, matched by a fine group of co-stars, some of whom have never been better. Director Jordan's Oscar-winning script, however, is the true star, and a very rare bird indeed for a movie that became famous for its shocking surprise: knowing the secret in advance doesn't spoil any of the pleasures of watching the plot unfold, and the writing never cheats or unnaturally deceives the audience for the sake of a cheap jolt at the moment the rug is pulled.
91/100
A group of IRA members, including volunteer Rea, kidnap a British soldier (Whitaker); later, Rea visits the soldier's girlfriend (Davidson) in London and becomes involved in a most unusual relationship with her. Stunning blend of thriller and romance explores daring subject matter in consistently fascinating ways, creating a story that is so full of surprises (many more than just the much ballyhooed "twist") that its very genre changes multiple times. Most serpentine suspensers are built purely on their own mechanism, but this one goes one step further by actually making the audience care about and identify with the original, layered characters. Davidson, an amateur "discovered" by a casting agent, gives a terrific debut performance, matched by a fine group of co-stars, some of whom have never been better. Director Jordan's Oscar-winning script, however, is the true star, and a very rare bird indeed for a movie that became famous for its shocking surprise: knowing the secret in advance doesn't spoil any of the pleasures of watching the plot unfold, and the writing never cheats or unnaturally deceives the audience for the sake of a cheap jolt at the moment the rug is pulled.
91/100
The only reason I watched The Crying Game was because I had heard it was pretty good and it is from the same director as The Interview with the Vampire. Plus it was on TV. The film really surprised me. It was wonderfully made and had a great twist. The performances were real and profound. The writing was some of the best in years. And the direction was outstanding. And the costume design, art direction, makeup, and score were all amazing. The song The Crying Game also caught me as particularly wonderful. The Crying Game is a classic in every way. It makes a lasting impression and should be viewed many times. It is a true classic.
10res0owwh
From a philosophical viewpoint, this movie illustrates unconditional love, which is not that prevalent in our present world. We could all learn some things from this movie, if we chose to do so.
I regret that I am only ten (10) years behind in seeing and understanding this work.
The entire cast and crew were excellent in their work and the writer deserves tremendous credit for such insight and understanding of the degree of heart and soul which can and does exist in some people.
I would recommend it to anyone who is attempting to understand humanity and some of the trials and tribulations it puts itself through.
It is classified as a "teaching movie" specializing in unconditional love, or "fiction with a definite positive purpose". Beautiful work.
I regret that I am only ten (10) years behind in seeing and understanding this work.
The entire cast and crew were excellent in their work and the writer deserves tremendous credit for such insight and understanding of the degree of heart and soul which can and does exist in some people.
I would recommend it to anyone who is attempting to understand humanity and some of the trials and tribulations it puts itself through.
It is classified as a "teaching movie" specializing in unconditional love, or "fiction with a definite positive purpose". Beautiful work.
Le saviez-vous
- AnecdotesThe Crying Game (1992) was Jaye Davidson's theatrical film debut.
- GaffesA sub-machine gun is fired at officials entering a car. Several officials on both sides of the car are hit, but none of the cars have broken windows or other damage.
- ConnexionsFeatured in Boy George: The Crying Game (1992)
- Bandes originalesWhen A Man Loves A Woman
Composed by Cameron Lewis and Andrew Wright
Published by Pronto Music Inc./Quinvy Music Publishing Co./Warner Tamberlane Publishing Corp.
By Kind Permission of Warner Chappell Music Ltd.
Performed by Percy Sledge
Recording Courtesy of Warner Music UK Ltd.
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- How long is The Crying Game?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Juego de lágrimas
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 300 000 £GB (estimé)
- Montant brut aux États-Unis et au Canada
- 62 548 947 $US
- Week-end de sortie aux États-Unis et au Canada
- 101 107 $US
- 29 nov. 1992
- Montant brut mondial
- 62 549 086 $US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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By what name was The Crying Game (1992) officially released in India in English?
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