Shame

I remember watching this on tv several times in the 80's as a young girl just a few years younger than the character of Lizzie. I also lived in WA, so I have always found this grim and realistic to watch. Rewatched for the first time as an adult now in my 40's - I still find this a powerful and important film. It's obviously dated, but it is just perfect honestly. Once again I found myself near tears over Lizzie's fate and so angry that things like that can and do happen. I hope not to that extent in this day and age.

I always wondered if the film title was in homage of the 50's movie classic, since Shame's story line of the outsider showing up, fighting wrongs, and ultimately, helping a community get back their self-respect seems to have the same themes. This movie was re-made as a 1992 made for TV movie with Amanda Donahoe as the lead character and the locale changed to be the Pacific Northwest of the US rather than the outback of Australia. The theatrical film is the more powerful of the two. If you like this film, you might also enjoy the 1996 movie "Foxfire," where a teenage Angelina Jolie is cast as the trouble-making outsider showing up to help right wrongs.

An excellent and absorbing Australian drama made and released in 1987, SHAME featuring Deborah Lee Furness is a genuine surprise powerhouse thriller. She plays a lawyer having a solo motorbike riding holiday when to her alarm, she gets trapped in a misogynistic country town. Local louts see her as "fair game" and then find the tables turned when her legal talons return to jail them for their brute behavior. A great role for any woman SHAME is well played by the talented and tough Furness. Interesting teen actor Simone Buchanan seen in the wonderful kids movie RUN REBECCA RUN is a local girl also terrorized by the boys.It is a combination of events against town women that sees Furness take a very tough legal stand, making the Civic leaders and their boozy blokes world accountable for this social damage. Possibly inspired by news items and well directed by Steve Jodrell, a (later) TV-only director SHAME did not get a big release thus crippling its initial available audience. Not screened on TV or profiled much after 1989, SHAME might benefit from a remake if the dynamics of this small taut film were slightly enlarged. Furness is the happy wife of Broadway performer and cinema X Man Hugh Jackman which is possibly why she is not seen on screens very often anymore.. A DVD release for SHAME is long overdue. A remake is also welcome. It is a good story and great pieces for strong unknown new actors. Other Australian films as strong similar references are THE BOYS and THE CARS THAT ATE Paris.

...this is director Jodrell's best work. Also known for some HALIFAX instalments, Jodrell has created a near-brilliant masterpiece from what is essentially an unoriginal story which could have easily been made into a non-consequential telemovie (notably, similar themes are dealt with in NATURAL JUSTICE: HEAT, a 1996 telemovie starring Claudia Karvan as the motorbike-riding lawyer based on the series of the same name). Furness, while not perhaps the best choice to play the lead role, ends up fitting nicely, with her tough-looking exterior (and shocking 1980's hair!!). She's a barrister, roaming the outback on her motorbike, when she comes across a small town which is hiding a shocking secret: seems the town's "lads" have been having more than a little "fun" with some teenage girls. Thing is, the local constabulary would much rather sweep it under the carpet than have to lock his mates up, and the girls have enough trouble convincing their own families of the truth, let alone the parents of the "nice, good boys" who have "never been in any trouble." Stereotypes abound here, but that's okay, it actually adds a dimension to the story and really lets us get angry at the characters. And just when you think you're hooked, Jodrell manages to pull in a bit of THE CARS THAT ATE PARIS and even MAD MAX to spice things up a bit... SHAME is an unconventional, highly emotive and stunning piece of work from a little-known director who, by these standards, deserves to be up there alongside Peter Weir and Scott Hicks as the most successful Australian filmmakers. Rating: 8/10.

Powerful but restrained acting highlights this story of a lawyer who happens upon a family whose daughter has been blamed for her own gangrape, on the old theory that she must have asked for it. The characters gradually and quite believably overcome their natural tendencies toward denial and passivity in the face of overwhelming circumstances. There is a refreshing absence of crusading spirit and rhetoric such as you usually get in films dealing with themes of this kind. Rather, quiet, inner heroism emerges quite naturally from the various characters as they deal with the specific problems that have come upon them. Beautifully done, wonderfully and subtly acted. Watch it.