Dans une Amérique dystopique, un policier injustement condamné obtient une chance d'être libéré lorsqu'il doit participer de force à un jeu télévisé où des condamnés, des coureurs, doivent c... Tout lireDans une Amérique dystopique, un policier injustement condamné obtient une chance d'être libéré lorsqu'il doit participer de force à un jeu télévisé où des condamnés, des coureurs, doivent combattre des tueurs pour leur liberté.Dans une Amérique dystopique, un policier injustement condamné obtient une chance d'être libéré lorsqu'il doit participer de force à un jeu télévisé où des condamnés, des coureurs, doivent combattre des tueurs pour leur liberté.
- Réalisation
- Scénaristes
- Stars
- Récompenses
- 1 victoire et 3 nominations au total
Erland van Lidth
- Dynamo
- (as Erland Van Lidth)
Sven-Ole Thorsen
- Sven
- (as Sven Thorsen)
Edward Bunker
- Lenny
- (as Eddie Bunker)
Anthony Pena
- Valdez
- (as Anthony Penya)
Résumé
Reviewers say 'The Running Man' is an action-packed, satirical film exploring reality TV and media manipulation. It highlights dangers of media control and societal obsession with violence. Schwarzenegger's performance and one-liners are praised, though some critique his acting. The dystopian setting and prophetic elements are appreciated, but the film is criticized for prioritizing action over story, clunky dialogue, and unrealistic plot points. Despite flaws, it's seen as entertaining and a cult classic.
Avis à la une
Released just as Arnold Schwarzenegger was achieving megastar status, this film about stardom is a wry pun on his career and the media business around him. Films like these are not meant to be analysed, they are meant to be enjoyed, and THE RUNNING MAN certainly manages to do that.
After a shaky start involving the worst title sequence in the history of cinema (although it's good to see the Sinclair Spectrum finally get global use!), director Paul Michael Glaser presents an eye-popping glimpse at the television of tomorrow. This witty slice of sociological irony would have admittedly been slicker in the hands of regular Paul Verhoeven, but Glaser keeps the action flowing throughout, and presents us with some bizarrely fascinating villains as well as the usual action frolics. One query, though, is over the level of violence. Oddly enough there doesn't really seem to be enough. In a program where the broad concept is horrifically barbaric, Glaser seems reluctant to horrify us beyond the disappointing "see the blood spattering from the violence that's just off camera" and those awful rubber corpses! I do not wish to appear to be encouraging unnecessary violence, but in a comic-book film where 'gore is its core', not including it almost makes you feel that it is trying to take itself too seriously, and therefore makes it even more horrific. Perhaps this delicate subject is better explained by Paul Verhoeven in his excellent commentary to ROBOCOP (DVD Criterion Collection).
But the performances in THE RUNNING MAN are suitably solid, from the powerful Schwarzenegger to the sleazy game show host. Any fan of the 80s action genre will love this, so sit back and prepare for SHOWTIME!!!!!!
After a shaky start involving the worst title sequence in the history of cinema (although it's good to see the Sinclair Spectrum finally get global use!), director Paul Michael Glaser presents an eye-popping glimpse at the television of tomorrow. This witty slice of sociological irony would have admittedly been slicker in the hands of regular Paul Verhoeven, but Glaser keeps the action flowing throughout, and presents us with some bizarrely fascinating villains as well as the usual action frolics. One query, though, is over the level of violence. Oddly enough there doesn't really seem to be enough. In a program where the broad concept is horrifically barbaric, Glaser seems reluctant to horrify us beyond the disappointing "see the blood spattering from the violence that's just off camera" and those awful rubber corpses! I do not wish to appear to be encouraging unnecessary violence, but in a comic-book film where 'gore is its core', not including it almost makes you feel that it is trying to take itself too seriously, and therefore makes it even more horrific. Perhaps this delicate subject is better explained by Paul Verhoeven in his excellent commentary to ROBOCOP (DVD Criterion Collection).
But the performances in THE RUNNING MAN are suitably solid, from the powerful Schwarzenegger to the sleazy game show host. Any fan of the 80s action genre will love this, so sit back and prepare for SHOWTIME!!!!!!
Running man is an absolute classic Schwarzenegger film. If you're looking for a smart political sci-fi drama don't worry about catching this one. If you're looking for a dumb political sci-fi action flic oh boy you're in for a treat. In true Schwarzenegger fashion this film is full of cheesy one liners and almost nonstop action. The story is compelling while still keeping things on the lighter side. It still seems like we're only one more bad election from this being our reality. The same people who scrutinize action movies like this are the same people who watch children's movies and criticize them for being "too childish". It's campy, it's corny and i absolutely love it.
As many of my friends know, there are still a handful of Arnie movies I haven't seen. Sure, I've covered the big ones-Terminator 1 & 2, Predator, ... ... Jingle All the Way, Kindergarten Cop-but I somehow missed the boat on a bunch of his classic action vehicles.
Enter Alamo Drafthouse. This month, they're screening a whole lineup of the ones I've missed! Sadly, I'm out of town for a lot of them, but I lucked out and caught a free screening of The Running Man.
I went in totally blind. Watching this in between Alamo's Hunger Games screenings made for some pretty hilarious irony: Dystopian society? Life-or-death game show? Rising rebellion? It's all here folks!
What surprised me was how much this '80s movie got right about the future. Voice-activated tech like Alexa? Check. Deepfakes? Check. Political and televised misinformation? Big check. Set in 2019, the movie felt eerily prescient. With it being based on a Stephen King novel, I half-wondered if he had access to the same time machine the Simpsons writers use. Of course, it still feels very '80s in style-campy, neon-soaked, and gloriously over the top-but that's part of its charm.
As for the movie itself, it was pretty much what I expected: pure, unfiltered '80s camp. Not all of Arnold's one-liners landed, but the ones that did? Chef's kiss. That said, the true MVP was the Elderly Lady in the audience (credited simply as "Elderly Lady"-I think her name was Agnes). When she said, "That boy's one mean motherf***er," I nearly lost it. Heading into the golden age of Arnie, who could disagree?
Enter Alamo Drafthouse. This month, they're screening a whole lineup of the ones I've missed! Sadly, I'm out of town for a lot of them, but I lucked out and caught a free screening of The Running Man.
I went in totally blind. Watching this in between Alamo's Hunger Games screenings made for some pretty hilarious irony: Dystopian society? Life-or-death game show? Rising rebellion? It's all here folks!
What surprised me was how much this '80s movie got right about the future. Voice-activated tech like Alexa? Check. Deepfakes? Check. Political and televised misinformation? Big check. Set in 2019, the movie felt eerily prescient. With it being based on a Stephen King novel, I half-wondered if he had access to the same time machine the Simpsons writers use. Of course, it still feels very '80s in style-campy, neon-soaked, and gloriously over the top-but that's part of its charm.
As for the movie itself, it was pretty much what I expected: pure, unfiltered '80s camp. Not all of Arnold's one-liners landed, but the ones that did? Chef's kiss. That said, the true MVP was the Elderly Lady in the audience (credited simply as "Elderly Lady"-I think her name was Agnes). When she said, "That boy's one mean motherf***er," I nearly lost it. Heading into the golden age of Arnie, who could disagree?
"The Running Man" is based on a story by Richard Bachman, a.k.a. Stephen King writing under pseudonym.
It takes place in the near future, where everything is run by the media and the government. Kind of like right now. In the future, there isn't much selection on television. All there is is "The Running Man"--hosted by Damon Killian (Richard Dawson, host of "Family Fortune" in real life)--a show that features convicts, or "runners" being chased by madmen, or "stalkers." It's a bit like a futuristic gladiator sport. No one ever, ever wins the show. But Schwarzenegger has yet to play. Arnold Schwarzenegger plays Ben Richards, also known as The Butcher of Bakersfield, for firing upon a crowd of humans in a food strike. Only one problem. He's been framed--he never shot anyone. After Arnie escapes from jail, Damon Killian wants his hands on him for the show--so they hunt him down and bring him in. Damon offers Ben a deal--if he goes on the show, he'll let his friends from jail go free. But if he doesn't...he puts his friends on. So Richards agrees to play the game, only to find that Damon has put his friends-from-jail in the show anyway. Right before being launched in the arena, Ben Richards says to Damon, "Hey, Damon. I'll be back." There is a pause. "Only in a rerun," Damon says. Yeah, right.
This movie is about as action-packed and adrenaline-punched an action movie you're going to see in a while. We see an excuse for Schwarzenegger being thrown into an arena with killers, where he must use his brains, strategy, and most of all muscles, to kill the stalkers. But the thing is, the excuse for throwing Schwarzenegger in the arena is a good one. They didn't completely ignore the plot; they don't even throw him in the arena until at least a half hour into the film. They set up the plot first, which is nice.
Arnold proves his acting talent is not just in his muscles once again. Too many people make fun of Schwarzenegger's acting skills, but to tell you the truth, I prefer him over Bruce Willis and Sylvester Stallone any day. Bruce and Sly are mumblers, in my opinion. Anyway, I like Arnold in this movie, because unlike in "The Terminator" where he is an indestructible cyborg, he is a vincible human with emotions in this film. We see a different side to Schwarzenegger, and it's pretty nice.
Richard Dawson is surprisingly good as Damon. I love his charisma on screen. Of course he's good at playing a gameshow host--he himself was one--but he also has a very good acting talent. Check out the scene where he offers Arnold a deal for going on the show. Look how smug he is in that scene, and how well he delivers his lines. He envelops his character very well. An underrated actor if ever I saw one. He comes off slightly creepy and slightly likable.
This movie is good fun no matter how you slice and dice it. I've often noticed it has a bit of a weird vibe to it, but then I realized that's just the sci-fi/futuristic vibe of the film. I've felt it before when watching sci-fi films. There's something about them. When I watch a film, or a certain genre, I get different vibes. Sci-fi gives me a weird vibe that is undescribable. This film gives that vibe to me. It sounds weird, but I think a lot of people get "vibes" and don't realize it.
I recently viewed this movie twice in less than a day; once at night and once in the morning. It just goes to show how easy it is to watch. It is strictly a fun, action film with lots of imagination and charisma. Easy to watch with a high re-watch factor.
What would you rather do with 90 minutes of your life on a Friday night then watch Arnold Schwarzenegger get to knock some skulls together in a gladiator arena? Exactly.
4/5 stars -
It takes place in the near future, where everything is run by the media and the government. Kind of like right now. In the future, there isn't much selection on television. All there is is "The Running Man"--hosted by Damon Killian (Richard Dawson, host of "Family Fortune" in real life)--a show that features convicts, or "runners" being chased by madmen, or "stalkers." It's a bit like a futuristic gladiator sport. No one ever, ever wins the show. But Schwarzenegger has yet to play. Arnold Schwarzenegger plays Ben Richards, also known as The Butcher of Bakersfield, for firing upon a crowd of humans in a food strike. Only one problem. He's been framed--he never shot anyone. After Arnie escapes from jail, Damon Killian wants his hands on him for the show--so they hunt him down and bring him in. Damon offers Ben a deal--if he goes on the show, he'll let his friends from jail go free. But if he doesn't...he puts his friends on. So Richards agrees to play the game, only to find that Damon has put his friends-from-jail in the show anyway. Right before being launched in the arena, Ben Richards says to Damon, "Hey, Damon. I'll be back." There is a pause. "Only in a rerun," Damon says. Yeah, right.
This movie is about as action-packed and adrenaline-punched an action movie you're going to see in a while. We see an excuse for Schwarzenegger being thrown into an arena with killers, where he must use his brains, strategy, and most of all muscles, to kill the stalkers. But the thing is, the excuse for throwing Schwarzenegger in the arena is a good one. They didn't completely ignore the plot; they don't even throw him in the arena until at least a half hour into the film. They set up the plot first, which is nice.
Arnold proves his acting talent is not just in his muscles once again. Too many people make fun of Schwarzenegger's acting skills, but to tell you the truth, I prefer him over Bruce Willis and Sylvester Stallone any day. Bruce and Sly are mumblers, in my opinion. Anyway, I like Arnold in this movie, because unlike in "The Terminator" where he is an indestructible cyborg, he is a vincible human with emotions in this film. We see a different side to Schwarzenegger, and it's pretty nice.
Richard Dawson is surprisingly good as Damon. I love his charisma on screen. Of course he's good at playing a gameshow host--he himself was one--but he also has a very good acting talent. Check out the scene where he offers Arnold a deal for going on the show. Look how smug he is in that scene, and how well he delivers his lines. He envelops his character very well. An underrated actor if ever I saw one. He comes off slightly creepy and slightly likable.
This movie is good fun no matter how you slice and dice it. I've often noticed it has a bit of a weird vibe to it, but then I realized that's just the sci-fi/futuristic vibe of the film. I've felt it before when watching sci-fi films. There's something about them. When I watch a film, or a certain genre, I get different vibes. Sci-fi gives me a weird vibe that is undescribable. This film gives that vibe to me. It sounds weird, but I think a lot of people get "vibes" and don't realize it.
I recently viewed this movie twice in less than a day; once at night and once in the morning. It just goes to show how easy it is to watch. It is strictly a fun, action film with lots of imagination and charisma. Easy to watch with a high re-watch factor.
What would you rather do with 90 minutes of your life on a Friday night then watch Arnold Schwarzenegger get to knock some skulls together in a gladiator arena? Exactly.
4/5 stars -
This Arnie veichle made in his 80's heyday is one of his better ones, It's a movie based on a Stephen King book of the same name. It stars Arnie as a convicted killer (framed of course!)in the near future - Where TV is everything, He's forced to take part in a sadistic game show called 'The Running man' with an equally sadistic host played by real life game show host Richard Dawson in which convicted killers are chased by 'Stalkers' with Chainsaw's and flametorches who aim to kill the bad guys on National Live TV with the audience going wild and choosing which stalker will make their next kill to win board games and other crap, Stalkers have NEVER been killed on the show - Will Arnie & CO in their silly lycra pants kick the crap outta them? Of course they will
All in all a likeable if dated 80's Arnie Flick
My Rating 8/10
All in all a likeable if dated 80's Arnie Flick
My Rating 8/10
Bande-son
Écoutez un extrait de la bande originale ici et continuez à l'écouter sur Amazon Music.
Le saviez-vous
- AnecdotesMany people who worked with Richard Dawson on the game show Family Feud (1976) say that in real life Dawson was more like his character Damon Killian in his handling of underlings.
- GaffesEarly in the movie, a commercial for "The Running Man" is shown. All of the scenes in the ads are clips from the "live" show featuring Ben Richards which obviously could not have been shot yet, as the ad predates the show.
- Citations
Ben Richards: Killian, here is Subzero! Now, plain zero!
- Crédits fousAnnouncer's voiceover: "The Running Man has been brought to you by: Breakaway Paramilitary Uniforms, Orthopure Pure Procreation Pills, and Cadre Cola - it hits the spot. Promotional considerations paid for by Kelton Flame Throwers, Wainwright Electrical Launchers, and Hammond & Gage Chain Saws. Damon Killian's wardrobe by Chez Antoine, 19th-century craftsmanship for the 21st-century man. Cadre trooper and studio guard's sidearms provided by Colchester, the pistol of patriots. Remember, tickets for the ICS studio tour are always available for class A citizens in good standing. If you'd like to be a contestant on The Running Man, send a self-addressed, stamped envelope to ICS Talent Hunt, care of your local affiliate, and then go out and do something really despicable! I'm Phil Hilton. Good night and take care!"
- Versions alternativesAn edited version was produced for network TV broadcast in which extreme violence was removed, and certain dialogue was redubbed by the original actors (eg. an expletive Barbera Lux uses at the end of the movie was changed to "Bullsquat").
- ConnexionsEdited from King Kong (1976)
- Bandes originalesRunning Away with You
Music & Lyrics by Harold Faltermeyer and John Parr
Published by Kilauea Music U.S. Publishing, Taft/Barish Music, Bogus Global Music, Inc.
Performed by John Parr
Courtesy of Atlantic Records
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The Amazing Arnold
The Amazing Arnold
Whether he's bodybuilding in the gym or obliterating baddies on screen, Arnold Schwarzenegger has been delighting audiences for decades. Take a look at some of the amazing moments in his career so far.
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El sobreviviente
- Lieux de tournage
- Sony Pictures Plaza, 10000 Washington Blvd, Culver City, Californie, États-Unis(Killian arrives at the TV Centre in a red car)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 27 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 38 122 105 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 117 465 $US
- 15 nov. 1987
- Montant brut mondial
- 38 123 906 $US
- Durée
- 1h 41min(101 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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