Terminator

You can run, but you can't hide, your existence amplified, where you go, it will go too, sensors focused just on you, nothing can get in its way, you can shoot, or burn, or pray, as sure as day will follow night, the binaries, will take a bite.

An ontological, paradoxical and dystopian forecast of a future world that probably won't have time travel, but may well see machines used to ill affect - we are, after all, our own worst enemies.

An outstanding piece of film making that perpetually stands the test of time.

I just saw a horrifying, touching, very good movie again; it's The Terminator. Now to talk of it as great film, to compare it with American Beauty might seem idiotic--it's an almost unrelentingly dark, violent, frightening action movie, after all--but strip away the relentless action, strip away the technophobia, strip away the blatant dislike of cops and modern youth, strip away the poignant love story and, at its core, it's about an immature, essentially mindless girl becoming a strong, determined woman. That's a theme more movies should have if we want girls to have strong role models.

In the course of a few hours during which Sarah Connor realises that she is running for her life from a soul-less machine in human flesh that is implacably and violently determined to kill her, she transforms from a girl who can't balance her cheque book to a woman who can order a wounded, beaten man to "get on your feet, soldier." She is clear-headed, not panicky, focused in crisis and incredibly courageous. And it's not that she has lost her essential femaleness but that she's grown up.

It's relentless, heartless violence appals and fascinates me. It's gritty depiction of our society as a prelude to an even more horrific one in 2023 darkens my heart. It's quickly developing love story touches me. Its humor makes the dark places in me smile. But most of all I am touched and fascinated by Sarah's precipitous transformation. As a good life exercise, ask yourself this: Would you have the courage to do what she does?

9.5 out of 10.

Is there a better person to play a cyborg than Arnold? For this movie he was a massively built oak tree of a man. His strange accent makes for a perfect callous robotic sounding killing machine. It's almost like his voice is a computer read out ( which I guess it is in one sense ). Terminator is one of those films that started something huge. People didn't realize it at the time, but the careers of Arnold, Cameron and perhaps even guys like Micahel Biehn, Lance Henriksen and even Bill Paxton were substantially started because of this film. And Cameron must have liked working with them so much that he gave all of them substantial roles in his next film ( Aliens ).

As we all know what the story is, I'll just tell you a bit about what is so fascinating about it. First I have to mention Michael Biehn. He has the real starring role. He is the character that has to explain everything to the audience. He has to explain this complicated story so that we know what is happening and why. It is not an easy job to do something like that and still come off looking all right. But Biehn is simply awesome in this film. A microcosm of his performance can be seen when Sara bites him. Biehn ( Kyle Reese ) replies " Terminator's don't feel pain. I do. Don't do that again. " That is such a great line delivered with the perfect expression, the perfect tone and the perfect timing. Biehn is perfect for the role.

This is also the first film that I saw as a youngster that ever warned me of the dangers of nuclear war and of the rapid advancements of machinery. Perhaps I was too young and naive to fully understand all that James Cameron was trying to say, but now that I am older, I can honestly say that the two Terminators are perfect anti nuke films. And they are so passionate with what they have to say. I like it when a film has something to say. I enjoy being entertained in the process but if you can manage both then you have a masterpiece. This is a masterpiece.

Finally. there are two other reasons to enjoy this film. One, this is the first film where "I'll be back" was spoken. Now it is part of Arnolds vernacular. Secondly, Bill Paxton is in it. And he adds spark to any film that he's in. Especially here, as the idiot punk leader that really gets the hell beat out of him, he has some great lines.

A great film.

There are actors,and there are movie stars.Arnold Schwarzenegger is without question a movie star,because every time he is on screen, he is,well,Arnold.There is a different Arnold in this film,and this is what I like about it.He,for once,is playing the villain,and to perfection,I might add.He makes for one of the best screen villains ever in cinema history.It's a pity that his "good guy" image won't allow him to play the bad seed more often,but that's Hollywood, I guess.Aside from the thrilling sequel,this is perhaps Arnold's best work.

Many people look back at the films of James Cameron and suggest that the smaller, the budget, the tighter the limitations, the better the end product. Films like Avatar, Titanic and True Lies had huge budgets and drew in even bigger box office but many still yearn for the Cameron that gave us The Terminator and Aliens which were huge movies but packed a far bigger punch artistically. My feelings all these years on are that Cameron has earned the right to make those huge movies but i have to admit to preferring his earlier body of work. The Terminator is a nightmarish, time travelling science fiction film told at a breakneck pace and delivered with confidence and style. The film has a very gritty, underground look to it and does a great job of telling its story amid the frenetic action. There is also a huge slice of horror and suspense thrown in, an impression that has diminished in the years since it's release due to inferior sequels. Viewed as a standalone piece however, The Terminator is fine piece of work from a director with a very clear vision.Everyone knows that The Terminator is the film that gave us Arnold Schwarzenegger but when i look back at the film, it has heart and its the Michael Biehn character, Kyle Reese, that provides it Artistically speaking,Cameron might be well advised that less is more.