La nuit d'Halloween

Young Tommy is given a pumpkin, a toy skeleton, and a pentagram necklace by his weirdly accented grandfather. When his mother learns where he got the pumpkin from, she smashes it. She complains to her husband about the man, and the way he singles out just their one son among all of them. He goes to complain, and gets killed upon observing a satanic ritual the grandfather presides over.

Years later, the son is a satanist too, and one of his brothers is a cop. The grandfather doesn't want him to waste his energies on girlfriend, so one of the cultists dresses up in a devil mask and cloak, and she thinks it to be Tommy (this scene is stolen from Carpenter's Halloween). The satanists are fairly careless about whether the pentagram is one point up, or two points up

There are a few musical scenes of bands performing. To some extent this is an element of 80's horror movies, but it also serves to pad out a pretty bare movie. One of these scenes, of lead singer in afro and faux-tribal bikini shooting lasers from her eyes at the band members, who disappear, and pitchforking one of them in the neck is a music video in a dream (!). Several of the real deaths involve pitchforks too, though. We even get a swashbuckling swordfight at a Halloween party.

Given the overall cheeziness, viewers might be surprised at the full-frontal nudity scenes that turn up. They will also be unpleasantly surprised at a scene in which the movie comes to a dead halt, while a guy performs his impersonation of a turkey in the wild surrounded by hunters before Thanksgiving. It's not funny in the remotest!

The only other Mundhra movie I believe I've seen is the softcore thriller Tropical Heat. In that, he largely wasted nice places shot on location in India, Maryam D'Abo, and Asha Siewkumar. A shame. He's also did the horror movie Open House (1987), and he did the thriller Night Eyes (1990) which spawned three sequels.

There are a few positives to this film when the budget is taken into account. However budget doesn't have to effect writing and that is generally terrible, both in the dialogue and the twists that make things unnecessarily complicated.

Don't get me wrong, a good twist can make a movie, but these were clearly all done just for the sake of it and make little to no sense. When they come they go against a lot of pre-established character traits and defy human logical actions.

Overall there is more depth to this low budget horror than most, but the twists throw a lot of that good will out the window. On the plus side you could say at a reach that this movie may have inspired Hereditary, although that's pretty unlikely.

My review was written in October 1989 after watching the film on Legacy Entertainment video cassette.

The direct-to-video horror pic "Hack-O-Lantern" is a nicely done, clearly minor Halloween-themed shock film.

Tale of Satanism figures upon eccentric grandpa (Hy Pyke), a creepy fellow (there is frequent reference to his incestuous urges onward daughter Katina Ganer) who has grandson Tommy (Gregory Scott Cummins) under his control.

In a prolog, Grandpa kills his son-in-law when latter stumbles upon a satanic mass in progress on All Hallows' Eve. Some 13 year later, it's Halloween again and Grandpa is planning to initiate Tommy as a devil worshiper. Plot twist hinges on which offspring eventually will take control over the black sheep roel (it's fairly predictable).

Film respects the tenets of the supernatural genre while providing plenty of sexploitation footage for video fans. Cast is well-chosen, particularly the elder heroine Garner who manages to combine sexiness and plainness in a role that ages gracefully.f.

The particular copy of this movie that I saw was under the moniker "Hack-O-Lantern". In terms of pure gore, the movie didn't exactly live up to the name. It was, however, charming in a typically 80's horror fashion, i.e., just about every chick in the movie gets naked. The plot is nothing new, but it is rendered fairly well. In one particular scene, the movieturns into a music video by the heavy metal band D.C. La Croix. If you like old-school metal like Wasp and Venom you will like the song they have in the movie.

Bottom line, the movie needs more gore and a higher body count.

Really, really bad, but hilarious in that way that only cheesy 80's slashers can be. With the way the mother acts, this could have been taken as a light satire on the whole 'sex drugs and rock n roll' thing but I genuinely doubt there was any such self reflection present in the making of this movie. In fact I don't think there was a single joke the entire running length but I still found myself laughing pretty often. Well, other than when that comedian came out at the party. I wasn't laughing then. Bad acting, bad dialogue, bad sets, bad cinematography. Classic case of 'so bad its good'... but not too good.