Une actrice débutante est attirée dans un manoir éloigné pour un test d'écran, découvrant bientôt qu'elle est en fait une prisonnière au milieu d'un complot de chantage.Une actrice débutante est attirée dans un manoir éloigné pour un test d'écran, découvrant bientôt qu'elle est en fait une prisonnière au milieu d'un complot de chantage.Une actrice débutante est attirée dans un manoir éloigné pour un test d'écran, découvrant bientôt qu'elle est en fait une prisonnière au milieu d'un complot de chantage.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
Engrossing, sometimes gruesome thriller with an atmospheric music score and exceptional performances (McDowall's nervous acting style reminded me a lot of Anthony Perkins). But, like many thrillers, it's is a little weak on plot. It reveals all its secrets earlier than it should, and the film, after those revelations, becomes rather standard.
In New York, the unemployed actress Katie McGovern (Mary Steenburgen) is invited to an audition to replace the actress Julie Rose that had a nervous breakdown in the middle of a filmmaking. She gets the job and travels with Mr. Murray (Roddy McDowell) to a remote manor upstate to meet the producer Dr. Joseph Lewis (Jan Rubes) that prepares footage with a test to be sent to the director. She is lodged in the mansion but when Katie sees her driving license burning in the fireplace, she finds that all her documents and credit cards are missing from her wallet and the telephone line is actually cut off the wall. Soon she finds that she was lured by the two men and is trapped in the house in a blackmail scheme.
"Dead of Winter" is a great suspense in one of the best performances of Mary Steenburgen in a triple role. Despite a couple of bad reviews, the theatrical and claustrophobic dark story of murder, greedy, blackmail and a stiletto is one of the best thrillers of the 80's. The few external locations are awesome and unfortunately the VHS does not highlight the cinematography. This is the fourth or fifth time that I watch this film and I still like it. My vote is eight.
Title (Brazil): "Morte no Inferno" ("Death in the Hell")
Note: On 23 January 2021, I saw this film again.
"Dead of Winter" is a great suspense in one of the best performances of Mary Steenburgen in a triple role. Despite a couple of bad reviews, the theatrical and claustrophobic dark story of murder, greedy, blackmail and a stiletto is one of the best thrillers of the 80's. The few external locations are awesome and unfortunately the VHS does not highlight the cinematography. This is the fourth or fifth time that I watch this film and I still like it. My vote is eight.
Title (Brazil): "Morte no Inferno" ("Death in the Hell")
Note: On 23 January 2021, I saw this film again.
In terms of camera work, lighting, pace and direction in general, this is a fine piece of film-making. Penn knows all the bells and whistles as usual and Mary Steenburgen is quite amazing in her roles. I'm put off as I am so often by the many critics who look to film for verisimilitude (the "if it couldn't or wouldn't ordinarily happen in real life" brigade) that sets us so far behind our European counterparts. The film has a remarkable sense of entrapment and claustrophobia in the dead of winter in the middle of nowhere. As far as whether the events really could happen like that, I suppose I was more interested in the style, craftsmanship and general concept than of probabilities or even possibilities. The camera work and rhythm at the end of the film are magnificent. As for the "damsel in distress" nonsense, how many thousands of movies fall into that genre anyway? Are they all uniformly bad because they use a successful formula? This is the kind of movie where it's fun to sit back and enjoy the fireworks without bothering about split infinitives and the like.
Curtis Stotlar
Curtis Stotlar
The critics for this movie in the local newspaper and also on IMDB said this movie is a give away thriller. I totally disagree. It may be true that it takes too much time before we are confronted with the new personage Steenburgen has to play, but overall this is a nice Mousetrap. The actors are very well casted on I was sometimes surprised with the plot twists. Music helps keeping up an eerie atmosphere. Don't watch this movie if you're alone at night
Enjoyed the 1945 film, "My Name is Julie Ross", 1945 starring Nina Foch, which was a great thrilling film for 1945. However, this 1987 remake held my interest from beginning to the very end. It was full of horror, thrills and plenty of chills in a very winter time of year with plenty of snow and howling winds and a creepy old home. Mary Steenburgen, (Julie Ross) plays the role of a struggling actress and tries out for an audition and secures the acting position and is required to stay in the producers home. Roddy McDowell, (Mr. Murray) guides Julie Ross into a large spider web of murder, torture and secret panels in the walls and plenty of blood. Jan Rubes, (Dr. Joseph Lewis) plays the so called doctor and producer who simply adores Julie Ross and simply does not want her to leave and go home to her husband. Mary Steenburgen gave an outstanding performance along with the great former actor, Roddy McDowell. Enjoy
Le saviez-vous
- AnecdotesMalcolm McDowell: The celebrity whose photograph Dr. Lewis is "autographing" to add to his display. At the time of filming, McDowell was married to star Mary Steenburgen.
- GaffesToutes les informations contiennent des spoilers
- Citations
Telephone Operator: There is no 311 area code.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 2 413 427 $US
- Week-end de sortie aux États-Unis et au Canada
- 951 548 $US
- 8 févr. 1987
- Montant brut mondial
- 2 413 427 $US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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