Froid comme la mort

Once upon a time (1945 to be exact) there was a B-film from Columbia called MY NAME IS JULIA ROSS starring Nina Foch, Dame May Witty and George Macready. It caused quite a stir even though it played the lower half of double bills and lasted a mere 65 minutes.

DEAD OF WINTER is rather transparent in borrowing from MY NAME IS JULIA ROSS (the heroine's name is Julie Rose, for example), and it has taken the original material, expanded it with some clever additional plot lines, taken the Cornwall atmosphere and transported it to wintry New England for a weather-beaten effect, and turned out a smart little thriller that will give you plenty of winter chills no matter what the temperature is outside.

It's another one of those tales where nothing is what it seems. A pretty young actress (MARY STEENBURGEN) is a down on her luck gal who accepts the offer of a film test from a producer (RODDY McDOWALL) who invites her to his secluded mansion where the test will take place. Sure, it's an unbelievable plot contrivance, but that's part of the fun. Nothing is to be taken too seriously from this point on.

When a series of rather unpleasant incidents take place, the woman realizes she is in a trap, but neither she nor the audience understands why she is there and what the purpose is of keeping her prisoner.

STEENBURGEN is excellent as the frightened woman (who should have had more common sense than accepting such an offer), and McDOWALL's polite cat-and-mouse game with her is fascinating as it unfolds. It's a creepy film, filled with authentically wintry atmosphere and it builds toward a surprising and violent climax.

Under Arthur Penn's direction, this expanded version of the B-film is every bit as cleverly plotted and written, no matter what some of the other commentators here have said. It's an atmospheric mystery that's guaranteed to give you some satisfying wintry chills--and then some.

This Arthur Penn-directed remake of My Name Is Julia Ross represents yet another attempt to revive an old Hollywood formula, in this case the lady-in-distress thriller. There are of course some new, kinky wrinkles in this film, which has some grisly moments. For the most part the movie worked well for me. Mary Steenburgen makes an attractive and sympathetic heroine as a woman trapped in a snowbound mansion by two very strange men. There are some shocks along the way but in the end the movie is fairly conventional, a technical exercise, if you will, featuring some good, offbeat performances. The movie, in other words, delivers the goods, and is unashamedly old wine in a new bottle. It's no classic, but if its genre appeals to you, it's reasonably effective in its quiet way.

I didn't know what to except, reviews didn't give a clue what I'm going to watch.

Well first of all, big minus for the beginning, somewhere in 10 minutes or so you get the idea of whole movie. Don't get me wrong, this was very interesting and very well acted and all, nicely put together, and the ending was little twist that saved a lot.

Few parts doesn't make any sense in the movie but that didn't bother me. It was lovely to watch the whole movie with huge interest for the ending.

Truly worth of watch if you can handle thrillers and 80's style doesn't bother you.

And for the last words, this was pretty original for a thriller.. legendary maybe. Now I got lost in nostalgic, enjoy!

The critics for this movie in the local newspaper and also on IMDB said this movie is a give away thriller. I totally disagree. It may be true that it takes too much time before we are confronted with the new personage Steenburgen has to play, but overall this is a nice Mousetrap. The actors are very well casted on I was sometimes surprised with the plot twists. Music helps keeping up an eerie atmosphere. Don't watch this movie if you're alone at night

Engrossing, sometimes gruesome thriller with an atmospheric music score and exceptional performances (McDowall's nervous acting style reminded me a lot of Anthony Perkins). But, like many thrillers, it's is a little weak on plot. It reveals all its secrets earlier than it should, and the film, after those revelations, becomes rather standard.