Narcotic Agent

It's hard to believe that acclaimed writer Stirling Silliphant wrote this lame screenplay until you find out that the movie's star, Tiana Alexandra, was his real life wife. He didn't do her any favors with this vehicle that failed to make her a star. Apparently she realized the awfulness of this movie during production, because throughout she gives a performance that comes across as being extremely p*ssed off about being there. Her bad performance is a big reason why the movie fails, but the movie also suffers from being extremely boring. There are only two (brief) action sequences in the first half of the movie, and those action scenes as well as the action in the second half come across as extremely flat and without any excitement at all. The only thing of interest in the movie is that it was filmed on location in Argentina, which does occasionally give a backdrop that's eye-catching.

My review was written in May 1987 after a Cannes Film Festival Market screening.

"Feel the Heat" is an unabashed action showcase for oriental actress Tiana Alexandra, wife of film's scripter Stirling Silliphant. Previously seen in TWE's exercise video the "Karatix", Alexandra is a real looker, solid martial arts practitioner and the only reason to sit through this weak programmer.

With apologies to Whoopi, Alexadra stars as Checkers Goldberg, a government narcotics agent working for David Dukes, who is sent undercover to Buenos Aires to infiltrate Rod Steiger's drug ring. She poses in outrageous Suzie Wong slit dresses as a bubble-headed dancer, immediately turns Steiger on and stumbles upon the secret of the smuggling operation. It turns out (believe it or not) that Steige4r has $500,000 of heroin surgically implanted in his dancers' breasts unbeknownst to them, and sends them to America where silicone is substituted for the smack. Alexandra dutifully goes along with the gag in hopes that boss Dukes will arrive in the nick of time before her cover is blown, i.e., before Steiger and his doctor discover she already has a massive chest hidden under those tight-fitting gowns.

This nonsense is just an excuse for all-purpose chase scenes and shootouts, plus Alexandra kicking into submission various thugs, even felling the massive former wrestler Professor Toru Tanaka. She's alluring and sports a perky personality, but hubby Silliphant's klutzy script sinks the outing. It's hard to believe the writer of "Narcissus on a Red Fire Engine" for tv's "Route 66" seri4es and a horde of other interesting shows and pics penned the dumb puns and vulgarities here.

Dukes, Steiger and the supporting cast have little to do.

If you're a fan of movies of strong and beautiful women and also enjoy a taste of the 80s, this is a must.

I don't understand all of the negative reviews. This is a typical action flick of its time with nothing at all wrong with it.

Storyline: Undercover police woman has a task to figure out how drug smugglers and murders are getting away with their crimes. There's a nice romance subplot between her and her partner and their growth is endearing.

Tiana Alexandra-Silliphant plays the police woman. It's the only action movie she ever stared in and it's a shame because she's an excellent and realistic martial artist.

What I mean is that unlike other movies where it's kind of obvious the woman would lose the fight in reality, Tiana's fights are believable. And often, the big guy she's fighting overpowers her and her ways of winning the fights are believable.

Quick pros and cons: I really liked how the writers used realistic fight sequences. As a fan of 80s music, that was okay, too.

However, the guns scenes were a bit ridiculous.

Everyone had machine guns and used them like toys. This movie is not a gun movie though.

Every scene with Tiana was charming and her character was adorable and fun. As a fan of movies with women who can fight, you should watch this and you won't be let down. It's free on YouTube. Just look up "Catch the Heat 1984" there. Also, give this a thumbs up if it helped you, or down if you're an Aussie (I know that means "like" to you people).

This is, on almost all accounts, a routine mid-to-low-budget 80's action film, mostly set in Argentina, with its weakest point probably being Rod Steiger's totally boring, sleepwalking villain. So let's talk about the female star, Tiana Alexandra:

• She is VERY good-looking

• She has a charming smile

• She fills out a wet T-shirt and a tight sweater beautifully

• She can act (going from a foul-mouthed, no-nonsense cop to her undercover role as a naive young girl)

• She can dance

• She can fight (her ingenuity in dealing with the brick wall of a man "Professor" Tanaka inside a small room is certainly memorable)

• She can pose BEFORE the fight and take the mental advantage over her opponent.

Basically, she's the only reason for someone to see this movie, and it's a shame she wasn't given a second break. If this one flopped, she should be the last person to blame. (**)

"Catch the Heat" tells the story of top narcotics cop Checkers Goldberg - no kidding, that's really what they call her, played by Tiana Alexandra. After a bust she and her partner Waldo Tarr (David Dukes) get the name of a major drug supplier, Jason Hannibal (Rod Steiger), who doubles as a talent scout. They travel to Buenos Aires to take Hannibal down as well as any other criminal scum with whom he associates. The movie, incredibly, was written by Oscar winning screenwriter Stirling Silliphant, who was married to the Saigon-born Alexandra at the time and wrote the movie basically as a vehicle for her. It has a knowingly tongue in cheek, cheesy quality about it, which may satisfy some B movie lovers, but the truth is that "Catch the Heat" doesn't offer much that people haven't seen in numerous other B action movies. Still, it's not without its moments. Just witness as Checkers, in a fury, decides that opening a door by twisting the door knob isn't nearly as much fun as kicking the door down. The dialogue is often pretty priceless, and one has to believe Silliphant was parodying the genre at times. As a vehicle for Ms. Alexandra, it works well enough; whatever she lacks in acting chops is made up for with her spunk and sex appeal. (She looks cute and sexy wearing various revealing outfits). Dukes's performance is positively goofy, but Steiger ends up wasted in a rather boring villainous part. Still, it's fun to note the number of familiar faces in supporting roles: Brian Thompson, John Hancock, Brian Libby, and Professor Toru Tanaka. None of this is ever particularly exciting, but it manages to be oddly watchable just the same. The location shooting is one asset, and the obligatory pop theme song is good for some chuckles. One would have to be a pretty undemanding and easygoing genre fan to really dig this, especially as its ending isn't all that satisfying. Overall, it's not exactly "good", but not all that bad either. Six out of 10.