Ajouter une intrigue dans votre langueA mother resorts to voodoo to get back at those who killed her son.A mother resorts to voodoo to get back at those who killed her son.A mother resorts to voodoo to get back at those who killed her son.
- Réalisation
- Scénario
- Casting principal
Alan Fisler
- Bob
- (as Allan Fisher)
Linda E. Smith
- Man's Date
- (as Linda Smith)
Gayle Garfinkle
- Mary Batten
- (as Gail Garfinkle)
Avis à la une
In the grand tradition of other resurrected corpse stink-fests from the mid 1980's, such as "THE VIDEO DEAD", "FOREVER EVIL", "I WAS A TEENAGE ZOMBIE", "RAIDERS OF THE LIVING DEAD" and "HARD ROCK ZOMBIES", Gold Gems Ltd. kindly presents "ZOMBIE NIGHTMARE" (a.k.a. "THE LAST VIDEO ON THE SHELF").
After a promising opening credit sequence, featuring the strains of Motorhead's "Ace Of Spades", it seems the film can do no wrong. The overall result is a film that's never as good as it wants to be and ends up falling extremely short of it's early promise. To put it mildly, this ain't exactly "THE LION OF WINTER", but it'll do.
Everyone's favorite steel-bending rock god thespian, Jon Mikl Thor of the aptly-named metal band THOR, plays a dork in a hooded sweatshirt who becomes victim to a hit-and-run by Tia Carrere and Co. His mother calls upon the neighborhood voodoo priestess, played by Manuska Rigaud (think Karen Black and Tina Turner's lovechild on PCP), to resurrect her dead son, so he can wreak revenge on the tire-squealing curlies. One by one, the no-good teenagers meet their end by the hands of the zombified dork in the hooded sweatshirt.
Halfway into the film, Adam West makes a welcome appearance, playing the local police chief who may have something to do with the intricate proceedings. Well, I won't give anything away here! Let's just say, if your name is Ronnie Milsap, you'll never see it coming! Think "THE USUAL SUSPECTS" with Manuska Rigaud. Get the picture?
For those who may ponder Adam West's involvement in such a film, allow me to put it into perspective, how many actors can say they've worked with The Three Stooges AND Jon Mikl Thor? I rest my case.
Thor went on to star in a whole 'nother nightmare, "ROCK 'N' ROLL NIGHTMARE" (a.k.a. "THE EDGE OF HELL" or "Hey, I rented ZOMBIE NIGHTMARE, and when I got home to play it, this tape was inside"). If "ZOMBIE NIGHTMARE" is good, then "ROCK 'N' ROLL NIGHTMARE" is DAMN good... or, maybe not.
I recommend watching both films back to back and then running around naked in a chicken coop, with petroleum jelly on your feet, for three hours. Compare the experiences and get back to me ASAP. Thanks.
After a promising opening credit sequence, featuring the strains of Motorhead's "Ace Of Spades", it seems the film can do no wrong. The overall result is a film that's never as good as it wants to be and ends up falling extremely short of it's early promise. To put it mildly, this ain't exactly "THE LION OF WINTER", but it'll do.
Everyone's favorite steel-bending rock god thespian, Jon Mikl Thor of the aptly-named metal band THOR, plays a dork in a hooded sweatshirt who becomes victim to a hit-and-run by Tia Carrere and Co. His mother calls upon the neighborhood voodoo priestess, played by Manuska Rigaud (think Karen Black and Tina Turner's lovechild on PCP), to resurrect her dead son, so he can wreak revenge on the tire-squealing curlies. One by one, the no-good teenagers meet their end by the hands of the zombified dork in the hooded sweatshirt.
Halfway into the film, Adam West makes a welcome appearance, playing the local police chief who may have something to do with the intricate proceedings. Well, I won't give anything away here! Let's just say, if your name is Ronnie Milsap, you'll never see it coming! Think "THE USUAL SUSPECTS" with Manuska Rigaud. Get the picture?
For those who may ponder Adam West's involvement in such a film, allow me to put it into perspective, how many actors can say they've worked with The Three Stooges AND Jon Mikl Thor? I rest my case.
Thor went on to star in a whole 'nother nightmare, "ROCK 'N' ROLL NIGHTMARE" (a.k.a. "THE EDGE OF HELL" or "Hey, I rented ZOMBIE NIGHTMARE, and when I got home to play it, this tape was inside"). If "ZOMBIE NIGHTMARE" is good, then "ROCK 'N' ROLL NIGHTMARE" is DAMN good... or, maybe not.
I recommend watching both films back to back and then running around naked in a chicken coop, with petroleum jelly on your feet, for three hours. Compare the experiences and get back to me ASAP. Thanks.
The acting was woeful, the continuity non-existent and the whole budget must have been less than 100 bucks, but I sure did laugh. Although, probably not for reasons the film-makers intended.
If you love bad movies and inept film-making, this is for you. The added bonus is Adam West, who deserved better but is always a welcome sight.
Worth a watch if you don't want to be challenged in any way and need a good chuckle.
If you love bad movies and inept film-making, this is for you. The added bonus is Adam West, who deserved better but is always a welcome sight.
Worth a watch if you don't want to be challenged in any way and need a good chuckle.
After witnessing the murder of his father, young Tony Washington grows up into the hulking, musclebound version of himself (Jon Mikl Thor). Meanwhile, a gang of brainless punks are causing trouble. Tony, busily ridding the streets of crime, encounters said ne'er do wells, resulting in his untimely demise.
Thankfully, Tony's mum knows the local voodoo priestess, who dresses up like an eeevil clown and whips up some mumbo jumbo tout de suite! Let the ungodly ineptitude that is ZOMBIE NIGHTMARE begin! Rising from his grave with hard-boiled eggs for eyes, Tony sets out for ultimate vengeance.
A masterwork of hyper-schlock cinema, this movie excels in every category! There are non-actors, acting as though they've just been handed their scripts for the first time. This gives the dialogue that fresh, robotic sound. Lines are delivered in a quasi-human fashion, making us believe that animated mannequins have somehow learned to speak.
The plot proves that scripts can be written "on the fly", during filming, without editing! This forces the various characters to wander about, oblivious to whatever is taking place. The crooks, the cops, the squawking medical examiner, the whole cast!
However, no one outshines Thor as the Frankenstein-in-sweat-clothes hero, who's hair length changes in every scene! A true stroke of genius!
EXTRA POINTS FOR: Adam West as Capt. Tom Churchman. He's rough! He smokes cigars! He's Batman with a mustache!
EXTRA-EXTRA POINTS FOR: The music! Any movie that opens with Ace Of Spades by Motorhead... um, at least has that going for it!...
Thankfully, Tony's mum knows the local voodoo priestess, who dresses up like an eeevil clown and whips up some mumbo jumbo tout de suite! Let the ungodly ineptitude that is ZOMBIE NIGHTMARE begin! Rising from his grave with hard-boiled eggs for eyes, Tony sets out for ultimate vengeance.
A masterwork of hyper-schlock cinema, this movie excels in every category! There are non-actors, acting as though they've just been handed their scripts for the first time. This gives the dialogue that fresh, robotic sound. Lines are delivered in a quasi-human fashion, making us believe that animated mannequins have somehow learned to speak.
The plot proves that scripts can be written "on the fly", during filming, without editing! This forces the various characters to wander about, oblivious to whatever is taking place. The crooks, the cops, the squawking medical examiner, the whole cast!
However, no one outshines Thor as the Frankenstein-in-sweat-clothes hero, who's hair length changes in every scene! A true stroke of genius!
EXTRA POINTS FOR: Adam West as Capt. Tom Churchman. He's rough! He smokes cigars! He's Batman with a mustache!
EXTRA-EXTRA POINTS FOR: The music! Any movie that opens with Ace Of Spades by Motorhead... um, at least has that going for it!...
As a boy, Tony Washington witnesses the fatal stabbing of his father after he goes to the rescue of a young black woman, Molly Mokembe, who is being sexually molested by two teenage thugs.
Cut to the present day, and Tony (now played by heavy metal singer Jon Mikl Thor) is a musclebound, long-haired baseball player who, like his father, has no time for hoodlums: when his local grocery store is held up by armed robbers, Tony steps in and saves the day (the Italian shopkeeper is-a so-a grateful, he lets-a Tony have his-a groceries for-a nothing!).
Unfortunately, as Tony crosses the road with his freebies, he is run down and killed by a gang of no-good punks, lead by psycho Jim Batten (played by Shaun Levy, now a successful Hollywood director). When Tony's mother sees her son's lifeless body, she calls for Molly (Manuska Rigaud), who uses her voodoo powers to resurrect Tony from the dead. Armed with his trusty metal baseball bat, shuffling zombie Tony goes looking for revenge.
As I type, Zombie Nightmare is currently sitting at #53 on IMDb's bottom 100 movies (most likely thanks to being featured on MST3K); but while I cannot deny that the film is no classic of the zombie genre, and is sadly lacking in both the gore and nudity one expects from 80s trash (a blonde cutie in her underwear doesn't cut it), neither is it deserving of such contempt. I've seen hundreds of films that are tougher to endure than this one, which at least entertains with its 80s cheesiness and sheer silliness.
Boasting a rocking metal soundtrack courtesy of Motorhead, Girlschool, Thor, Deathmask and Fist (no, I've never heard of the last two bands either), an early performance from Wayne's World babe Tia Carrere (schwing!), Adam 'Batman' West as a police captain with a dark secret, hilariously bad zombie make-up, terrible acting (Manuska's Haitian voodoo routine is a masterclass in over-acting), some really nasty 80s fashion, and a fun finale in a foggy cemetery (smoke machine on overdrive!) that sees West dragged to hell, Zombie Nightmare is definitely worth a go for fans of z-grade horror.
Cut to the present day, and Tony (now played by heavy metal singer Jon Mikl Thor) is a musclebound, long-haired baseball player who, like his father, has no time for hoodlums: when his local grocery store is held up by armed robbers, Tony steps in and saves the day (the Italian shopkeeper is-a so-a grateful, he lets-a Tony have his-a groceries for-a nothing!).
Unfortunately, as Tony crosses the road with his freebies, he is run down and killed by a gang of no-good punks, lead by psycho Jim Batten (played by Shaun Levy, now a successful Hollywood director). When Tony's mother sees her son's lifeless body, she calls for Molly (Manuska Rigaud), who uses her voodoo powers to resurrect Tony from the dead. Armed with his trusty metal baseball bat, shuffling zombie Tony goes looking for revenge.
As I type, Zombie Nightmare is currently sitting at #53 on IMDb's bottom 100 movies (most likely thanks to being featured on MST3K); but while I cannot deny that the film is no classic of the zombie genre, and is sadly lacking in both the gore and nudity one expects from 80s trash (a blonde cutie in her underwear doesn't cut it), neither is it deserving of such contempt. I've seen hundreds of films that are tougher to endure than this one, which at least entertains with its 80s cheesiness and sheer silliness.
Boasting a rocking metal soundtrack courtesy of Motorhead, Girlschool, Thor, Deathmask and Fist (no, I've never heard of the last two bands either), an early performance from Wayne's World babe Tia Carrere (schwing!), Adam 'Batman' West as a police captain with a dark secret, hilariously bad zombie make-up, terrible acting (Manuska's Haitian voodoo routine is a masterclass in over-acting), some really nasty 80s fashion, and a fun finale in a foggy cemetery (smoke machine on overdrive!) that sees West dragged to hell, Zombie Nightmare is definitely worth a go for fans of z-grade horror.
ZOMBIE NIGHTMARE was my very first movie as an actor. I was chosen to play the hero, Frank Sorrel, a young detective who uncovers the secret of the zombie murders. When I made this picture, I was told it would be a big theatrical release. And I was thrilled to work with my childhood hero, Adam West. But about half-way through production, I began to realize how low-budget this epic was. I was mortified by the final product...that is, until MST3000 turned it from a lousy horror film to a downright hysterical comedy. Thank you, Crow and Tom Servo, for making me proud to be an actor!
Le saviez-vous
- GaffesThough the film is set in the U.S., much seen in the film gives away the fact that it was filmed in Montreal, Canada. All commercial products seen are virtually exclusively Canadian (Molson, Labatt and O'Keefe beer, Players cigarettes etc.), Quebec road signs (Arrêt/Stop signs, etc.), the reveresed bilingual "Park Harpell" (instead of Harpell Park) and many more.
- Citations
Maggie: Look you may be tough but I don't rob the cradle. I'm old enough to be your sister.
Jim Batten: Oh, I like that. I've always wanted to make it with my older sister!
- ConnexionsFeatured in Mystery Science Theater 3000: Zombie Nightmare (1994)
- Bandes originalesFuture Flash
Performed by Girlschool
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- How long is Zombie Nightmare?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Zombie Nightmare - Ángeles caídos
- Lieux de tournage
- Twist n' Creme - 11897 Boulevard Gouin West, Pierrefonds, Québec, Canada(exterior scenes; building still stands)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 180 000 $US (estimé)
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By what name was Zombie Nightmare (1987) officially released in India in English?
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