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5,8/10
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Ajouter une intrigue dans votre langueA boy kills a man and accuses his twin brother of the murder, and the innocent brother ends up institutionalized, while his psychotic twin goes free. 10 years later, the innocent twin escape... Tout lireA boy kills a man and accuses his twin brother of the murder, and the innocent brother ends up institutionalized, while his psychotic twin goes free. 10 years later, the innocent twin escapes, which triggers his brother into killing again.A boy kills a man and accuses his twin brother of the murder, and the innocent brother ends up institutionalized, while his psychotic twin goes free. 10 years later, the innocent twin escapes, which triggers his brother into killing again.
- Réalisation
- Scénario
- Casting principal
James Farrell
- Artie
- (as James Farrel)
Douglas Weiser
- Jackie
- (as Doug Weiser)
- …
Brad Leland
- Teen Boy at Drive-In
- (as Brad Williams)
Russell Hall
- Young Todd
- (as Ross Hall)
Avis à la une
Maddy (Louise Lasser! Louise Lasser!) takes her twin, ten year old sons, Terry and Todd, to the drive-in theater for some wholesome movie watching fun. Unfortunately, Terry is a homicidal maniac, who can't resist the opportunity to slip out of the car, and murder someone with an ax! To make matters worse, he blames Todd for the murder, causing him to be locked away in a mental institution. Ten years later, Todd escapes, and heads home, just in time for Thanksgiving.
BLOOD RAGE is another enjoyable slasher film from the sub-genre's heyday. Overflowing with gushy gore FX, 80's fashions and decor, mountainous hair, and a skull-fracturing synthesizer score, it's a perfect slab of blood-drenched cheddar.
Still, in spite of the grisly goings on, the most haunting scene involves Maddy sitting on the floor devouring leftovers. Then, in her horror and grief, she cleans the oven! Vigorously! Drop whatever you're doing and watch this right now...
BLOOD RAGE is another enjoyable slasher film from the sub-genre's heyday. Overflowing with gushy gore FX, 80's fashions and decor, mountainous hair, and a skull-fracturing synthesizer score, it's a perfect slab of blood-drenched cheddar.
Still, in spite of the grisly goings on, the most haunting scene involves Maddy sitting on the floor devouring leftovers. Then, in her horror and grief, she cleans the oven! Vigorously! Drop whatever you're doing and watch this right now...
Pros: great gory practical effects and a retro 80s soundtrack.
Cons: poor acting and dialogue, the story is bare bones and almost non-existent, and the pacing is sporadic and jarring for the most of the film's runtime.
Overall, it's a directionless movie that drags and basically seems to exist solely for its death scenes. I guess that makes it a decent enough late night popcorn horror movie, but you'll end up struggling through a rather horrendous film just for a few decent gory moments. Maybe worth a single watch, but that's it.
Cons: poor acting and dialogue, the story is bare bones and almost non-existent, and the pacing is sporadic and jarring for the most of the film's runtime.
Overall, it's a directionless movie that drags and basically seems to exist solely for its death scenes. I guess that makes it a decent enough late night popcorn horror movie, but you'll end up struggling through a rather horrendous film just for a few decent gory moments. Maybe worth a single watch, but that's it.
The gore in this movie surprisingly holds up really well still now. Only ever having seen it once way way back i didn't really remember much about it until watching it on the Arrow video blu ray release. The acting for the most part is awfully perfect for what it is and there's much humour to be had seeing how they get around scenes with the twins in the same shot, their mothers reaction to everything that happens and the girlfriends fantastic searching for the crazed twin as if she was looking for a cat, looking under leaves and combing the ground. Amazing stuff.
But that aside some great kills and gore take this up a notch and keep it highly entertaining for me. One to watch for any fan of 80s slashers.
I first saw this in the early 90s on a vhs.
Revisited it recently.
Found this film and Ruggero Deodato's Body Count lame during those days. After revisiting both, I found Body Count bad but this one good cos of the gory kills.
The film starts off very well n continues with a good pace n solid killings but in the middle it becomes slow n boring.
The only plus point of this film is the gory effects.
A face gets slashed by a hatchet, a hand gets chopped by a machete, a head gets split open like a watermelon, a body gets cut into half, etc.
The unique thing about this 80s slasher is that the action takes place in a sprawling, secluded apartment complex called Shadow Woods with lots of trees, woods n neighbors around.
"Blood Rage" begins with two twin adolescent boys at a drive-in with their mother on a date; the two slink off, and one of them murders a man in his car. Ten years later, the psycho twin is incarcerated in a mental institution. On Thanksgiving, the good twin and his mother go to visit, but find he has escaped. He returns to the woodsy community where his mother lives and begins carving up residents like turkeys.
Let's face it—evil twins are to horror films what pumpkin pie is to Thanksgiving. It just works. "Blood Rage," a little-known slasher filmed in the early 1980s, knows this, and takes full advantage of the trope. The film fell into obscurity and wasn't even released theatrically until 1987; it made it to small theaters and B-movie drive-ins, and all but disappeared. What's interesting is that the film actually offers all of the hallmarks that genre fans love about these films: a holiday setting, corny one-liners, young adults copulating, and some impressive special effects set to a pounding synth score. You'd think the film would have at least garnered a cult following, but the limited availability of it until Arrow Video's 2015 release prevented it from ever really catching on.
The film is admittedly a mess in areas; some of the performances are hammy and the dialogue contrived, while the pacing is certainly bizarre at times, but for a low-budget B slasher film, these are typically taken for granted, and if anything are part of the charm. Louise Lasser spends the majority of the film boozed out screaming into a telephone and eating Thanksgiving leftovers on her kitchen floor, while her good twin boy searches ruthlessly for his unhinged brother. Bodies start piling up, and elaborate gore effects take precedent over plot development at times. The script overall is vaguely sketched and doesn't completely feel rounded out, and the film does suffer from a frankly nonthreatening villain, but the final act is tongue-in-cheek and well handled.
Overall, the film is a nice slice of eighties slasher pie that somehow got left behind. It's not a great film by any means, but it's also not a bad one when pitted against the genre standards. The ending is rather grim, and Lasser's turn as the mentally destroyed mother is hammy, Oedipal, and at times poignant. In many ways, the film reminded me of "Butcher, Baker, Nightmare Maker," another eighties slasher that never really caught on, in both tone and thematics. "Blood Rage" is most definitely worth a look for genre fans, and is a hokey, gory effort if nothing else. 6/10.
Let's face it—evil twins are to horror films what pumpkin pie is to Thanksgiving. It just works. "Blood Rage," a little-known slasher filmed in the early 1980s, knows this, and takes full advantage of the trope. The film fell into obscurity and wasn't even released theatrically until 1987; it made it to small theaters and B-movie drive-ins, and all but disappeared. What's interesting is that the film actually offers all of the hallmarks that genre fans love about these films: a holiday setting, corny one-liners, young adults copulating, and some impressive special effects set to a pounding synth score. You'd think the film would have at least garnered a cult following, but the limited availability of it until Arrow Video's 2015 release prevented it from ever really catching on.
The film is admittedly a mess in areas; some of the performances are hammy and the dialogue contrived, while the pacing is certainly bizarre at times, but for a low-budget B slasher film, these are typically taken for granted, and if anything are part of the charm. Louise Lasser spends the majority of the film boozed out screaming into a telephone and eating Thanksgiving leftovers on her kitchen floor, while her good twin boy searches ruthlessly for his unhinged brother. Bodies start piling up, and elaborate gore effects take precedent over plot development at times. The script overall is vaguely sketched and doesn't completely feel rounded out, and the film does suffer from a frankly nonthreatening villain, but the final act is tongue-in-cheek and well handled.
Overall, the film is a nice slice of eighties slasher pie that somehow got left behind. It's not a great film by any means, but it's also not a bad one when pitted against the genre standards. The ending is rather grim, and Lasser's turn as the mentally destroyed mother is hammy, Oedipal, and at times poignant. In many ways, the film reminded me of "Butcher, Baker, Nightmare Maker," another eighties slasher that never really caught on, in both tone and thematics. "Blood Rage" is most definitely worth a look for genre fans, and is a hokey, gory effort if nothing else. 6/10.
Le saviez-vous
- AnecdotesThe film was shot in 1983, but it wasn't released to theaters until 1987.
- GaffesIn the beginning drive-in scene, the boy in the blue shirt is the one who finds the ax and walks away with it, but immediately after, the boy in the white and red shirt is shown wielding it.
- Versions alternativesNightmare at Shadow Woods (which was also the cable television title for this film) was heavily edited, abbreviating much of the gore to avoid an "X" rating, but it contained a swimming pool scene not found in the 1987 VHS Blood Rage version by Prism Entertainment. The latter contains all of the gore and includes an early scene, missing from the Nightmare at Shadow Woods version, where Maddy visits Todd at the mental hospital.
- ConnexionsFeatured in The Cinema Snob: Blood Rage (2011)
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- How long is Blood Rage?Alimenté par Alexa
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