Sans pitié

After receiving a tip from a suspect, Chicago cop Eddie Jillette poses as a hit man, he's to meet with a mysterious guy from New Orleans and from there uncover the plans. But things go awry and Eddie's partner and friend is brutally murdered, a stunningly gorgeous blonde seems to hold the key to it all, so Eddie heads South with revenge and anger driving him on.

80s popcorn thrillers get a hard deal on IMDb, it seems that many people visiting them for the first time post 1990, seem determined to judge them against the likes of multiplex favourites like Bad Boys. The 80s was far from being a great decade for action/drama movies, but there was a ream of tidy pieces that fulfilled the genre requirements for those so inclined. Here in Richard Pearce's No Mercy we have a protagonist hell bent on revenge {Richard Gere, lots of hair but acting with force}, a sultry blonde stirring passions {Kim Bassinger in the same year she turned heads in Nine 1/2 weeks}, and a weasel baddie with a pony tail {Jeroen Krabbé enjoying himself}, throw in swearing before it was a fashionable accessory, explosions aplenty and an ability to have the viewer shouting for our cop to bloody succeed at all costs. Yes there is the obligatory simmering romance under trying circumstances, and yes the ending holds few surprises to anyone who has watched films since 1930, but it's a very credible piece that is certainly more entertaining than some of the dross action pictures that are churned out weekly for the MTV generation these days. 7/10

**SPOILERS** Clash of culture film that goes from Chicago to the swamps bayous and streets of New Orleans with windy city cop Eddie Jillette, Richard Gere, looking to get even for the savage murder of his partner undercover cop Joe Collins, Gary Basaraba, by Cajun gangster Losado, Jeroen Krabbe. At the time Losado was in town to get back his runaway and personal slave girl.

Chicago police officers Jillette & Collins getting a tip from a local Chicago pot pusher Angles Ryan, Ray Starkey, that they busted that he was hired to do a hit for somebody from out of town. The two policemen acting as hit men meet later that evening New Orleans businessman Paul Deveneux, Terry Kinney, and his girlfriend Michel Duval, Kim Basinger, at a Chicago restaurant. Deveneux wants the two to take out this very dangerous and brutal New Orleans gangster, Losado, and is willing to pay big money to get the "Job" done.

Before anything could happen Deveneux is blown to pieces and officer Jillette barley escapes with his life as they were caught in a street ambush by the targeted Losado and his gang. Back at the hotel were police officer Collins is staying Michael Losado and a bunch of his hoods breaks in and catch Collins by surprise. slicing Collins open with a huge hunting knife Losado then takes off with Micheal who he considered to be his private property.

Getting to the hotel room too late to save his partner officer Jillette is deeply hurt for not being there in time to prevent Collins from being murdered. Trying to find Collins' killer in the city of New Orleans Jillette finds Michel at the Blue Parrot nightclub. Jillette had a hunch she would be there from the blue parrot tattoo she had on her right shoulder.

The movie then goes into overdrive with Jillette on the run with Michel as a hostage as Losado and his gang try to track down and kill him as well as rescue Michel. Jillette on the other hand is on a mission of revenge to find officer Collins murderer and bring him to Justice with him being the sole judge jury and executioner.

Getting away from Losado's goons Jillette makes it back to the main New Orleans police station with Michel only to get arrested and then told to check out of the city by the New Orleans police Lt. Hall, Bruce McGill. Determined not to leave without taking care of Lasado Jillette has Michel, who had since fallen in love with him, used as bait to get him out in the open which leads to the movies fiery conclusion in a deserted New Orleans hotel.

Average suspense/drama that's helped a lot by the presence of Jeroen Krabbe as the cold-blooded and murderous Cajun gangster Losado. Creepy yet soft spoken who without even the slightest show of emotions Lasado would lash out at his unsuspecting victim with his deadly blade like a coiled rattlesnake.

The showdown at the Algires Point Hotel had Lasado and his entire gang shoot and knife it out with an almost suicidal officer Jillette who didn't care if he lived through it or not. With him only wanting to take out the Cajun killer so he could finally feel that his partner didn't die in vain and that his killer didn't live to get away with murdering him.

Released in late 1986, "No Mercy" stars Richard Gere as a Chicago cop who travels to New Orleans to track down a blond (Kim Basinger) who is linked to the murderer of his beloved partner. The film features a great love-to-hate villain, Losado, played by Jeroen Krabbé; a notable survival-in-the-swamp sequence wherein Gere & Basinger are handcuffed to each other; and an action-packed showdown in an old city hotel.

Actually, I could do without the hotel showdown, as it comes off too cartooney and contrived (like when one of the villains barges right through a wall with his rifle -- Why sure!), but I suppose it can be accepted on the grounds of Western-like artistic license.

There's loads of foul language but I found it realistic for these types of individuals in such critical situations. So I didn't mind it too much but my wife took (minor) offense.

Gere's still relatively young here (36). I realize many hate him, but I'm a fan of quite a few of his pictures, e.g. "The Mothman Prophecies", "King David" and "An Officer and a Gentleman". Kim Basinger doesn't do much for me personally, although she's certainly pretty and her acting is effective here. I know it's a matter of taste but "No Mercy" provides zero 'babe appeal' for me.

The film was shot in Chicago and Louisiana (and some parts in NC).

The score is moving despite the dated mid-80s electronic drums.

FINAL WORD: It's hard to put into words why I like this film to the extent of writing a review. It's nothing exceptional, but it somehow 'works' and gets better with repeat viewings. I bought the DVD a year & a half ago and have watched it three times since, which is something I rarely (if ever) do. I think what attracts me is that it's more than just a mindless cop/action flick, although it has the thrills if that's all you're looking for. "No Mercy" has something to say about love, loyalty, courage, justice, freedom and happiness, but it's smart enough to not spell it all out. Hence, not only is the picture enjoyable to watch due to the 'movie magic' but it can also leave you contemplating.

The film runs 106 minutes.

GRADE: B

Kim Basinger is young and gorgeous. Richard Gere is, well Richard Gere. He's dapper, sexy semi-nude and the good guy. What else is new? He's a Chicago cop who's partner gets murdered and he thinks Basinger, can lead him to the killer. Beautiful scenes of Louisiana bayou and attention-grabbing chase scenes make this an enjoyable movie for all. And don't forget the love scenes for the women and the fighting and torching of New Orleans for the men. A fun couple of hours.

This is not one of my top 10 films of all times, but it is a solid genre piece with some interesting variations and local color.

After Katrina, a film about New Orleans has a special interest that adds a certain sauce.

If there are any weaknesses, some of Bassinger's line deliveries are a bit weak. Otherwise, superb acting all around. I have always thought Gere was something of a lightweight, but very solid work here.

Unlike many films, they get the weapons handling VERY right.

I am a bit confused as to why this film has been rated so low on average. I have the video, and watch it about once a year.