Police action

Fine follow up to Yes Madam. Not nearly as witty, but heavier on action (most of the scenes are very exciting with extremely tough baddies).

The last baddy is particularly good, with a silly mocking smile and grin. I loved the scene where he shoots the TV set.

The plot is by turns clever and cliched, and the "music" makes the whole thing feel much more cheesy than it otherwise would. Really, in some of these 80's Hong Kong films the DVD's should have an option of removable soundtracks. Alot of the films such as this would come across much stronger now without a synthesizer in the background banging away. Of course this would remove the campy bad guy forte chord which I know many viewers are endeared to.

Those who enjoy hard-edged action over wit might even prefer this to Yes Madam as the best of Michelle Yeoh's early action films.

'Royal Warriors (1986)' is absolutely wild. This exhilarating action movie pushes through high-octane set-piece after high-octane set-piece, rarely letting its foot of the gas as it presents a compelling mix of old-school Hong Kong Kung Fu and exquisitely eighties action excess. It's the kind of movie in which everyone wears either 'The Terminator (1984)'-esque leather, Vietnam-era combat gear or bold business blazers three sizes too big for them. It's filled to the brim with death-defying stunts, metal-crunching car chases, squib-triggering shootouts, bone-crunching brawls and dizzying amounts of collateral damage. It's incredibly exciting. Rather unusually for a film of its kind, it only features four baddies. There are no giant fights between our heroes and hoards of faceless goons, just personal battles between people seeking revenge in a nearly endless loop that threatens to make good on the promise that an eye for an eye makes the whole world blind. It's actually a sequel to 'Yes, Madam! (1985)', and it's superior to that picture because it keeps its focus firmly on Michelle Yeoh and her co-stars, Hiroyuki Sanada and Michael Wong (playing someone called Michael Wong, for some reason), rather than cutting away to secondary characters who mostly engage in screwball comedy. It's a pretty dark and occasionally downright vicious picture, even if it does have moments of levity in the from of Wong's attempts to start a relationship with Yeoh. It's rather tragic overall and isn't afraid to show civilians getting caught in the crossfire that occurs as a result of the villains' vendetta against the heroes (a sequence set in a gloriously neon-soaked nightclub is particularly callous in its chaos). Thanks to its mixture of different types of set-piece, strong central performances (Yeoh is a total star) and consistently well-choreographed action, the well-paced piece remains really entertaining from its first frame to its last. It's one of the more sheerly thrilling examples of its genre, and it's genuinely great. Of course, it has some of the same flaws as many of its counterparts, but they're all fairly minor and aren't really worth mentioning. It's not perfect, but - for what it is - it's fantastic.

Michelle Yip (Michelle Yeoh) of the Hong Kong police is a mild-mannered Kung Fu expert; Michael Wong from air security is happy-go-lucky, stuck on himself, constantly talking, and smitten by her; Yamamoto (Hiroyuki Sanada)is quiet, hard-boiled, leaving the Tokyo police to spend time with his wife and daughter. They form an alliance when they foil a hijacking on a plane flying a mob prisoner from Tokyo to Hong Kong. The mobster and his would-be rescuer die; this sets off two avengers who were their blood brothers. Our three cops become the targets.

Michelle Yeoh and Hiroyuki Sanada star in this hard-hitting cop action film which has non stop action, and of the exhilarating kind. Frantic hand to hand combat, a high-speed chase, a car bomb, the destruction of a nightclub, a spectacular suicide, a fight in a plane, and a tense cliffhanger at the end, all executed with skill. The parts in between the mayhem is much lighter, which is due to Michael Wong who is smitten by Yeoh. It's pleasant, and a break from the mayhem. But ultimately it's the action set pieces and Yeoh's and Sanada's high kicking attitude that makes this a recommended watch for martial arts fans.

Michelle Yeoh is very cool. That could be the review; that's enough to make Royal Warriors worth watching.

It's a bit of an oddity as a film, starting out with a dance number and then becoming surprisingly dark, not to mention jarringly violent. It's that kind of hard-edged martial arts movie where the punches and collisions look genuinely painful, and some of the stunts look remarkably dangerous. There are certain parts that aren't entirely believable (an overuse of sped-up footage at the end, and a mat poorly disguised as pavement early on), but most of the action's done really well.

I think it's a movie that hits the ground running to the point where it runs out of steam a little by the final act. It flounders a bit to get to the final action sequence, but once it gets there, it does work.

Some of the melodramatic elements didn't always work for me either, but the core of what's needed for a Hong Kong action movie to shine is intact here, and so I mostly liked Royal Warriors. Michelle Yeoh is very good, and it's interesting seeing a young Hiroyuki Sanada here too, given both he and Yeoh have seen their popularity reach new heights (at least internationally) during the early 2010s. They're both very good here, too.

This cops vs. terrorists chase flick featured a pretty familiar plot line - Yeoh stops a terrorist on board a plane, and the terrorist chief targets her and two male confederates for a rub-out.

But this is a must-see for Yeoh fans. The former (1983) Miss Malaysia first introduced her unsmiling, no-nonsense cop persona here and comes off as a kick-boxing female Charles Bronson. Yeoh's fabulous fight scenes (which, typically for any Hong Kong action star, she performed herself) and on-screen charisma made her a star in this role and it needs to be seen by her fans. It helps that the movie had a decent budget, with good looking production design and elaborate stunts to go with the martial arts. This is a first rate movie of its type.