Hitcher

Murder Spree Road Flick. Contains many fairly stupid moments ("plot holes") and yet remains gripping throughout its length. Graphic, stunning violence; be warned.

Howell is slightly vapid yet pretty and his relations with Rutger Hauer verge on the homo-erotic. Hauer is a near-perfect villain, demonstrating the steely resolve and psychological impenetrability that have made him a favorite "bad guy" in other films.

A great movie for the paranoid who wish to feed their fantasies. Owes something to Spielberg's "Duel" but remains its own film. Relatively spare visual style well-suited to the theme. Recommended, but not for the faint of heart.

One wonders if the filmmakers knew what kind of a film they wanted to make. This movie starts out promising, with C. Thomas Howell as a kid driving across the great dusty southwest (beautifully and desolately photographed and eerie in a Stephen King-esque sort of way) on his way to California, only to be inexplicably pursued by a homicidal maniac, played with cold glee by the chilly-eyed Rutger Hauer. There is a promise here of a psychological thriller a la Hitchcock, with Hauer seeming to have a near-supernatural and truly menacing presence. There is something inhuman and demonic about him, though it's hard to put your finger on precisely what. The relationship (yes, one can call it that) that develops between Hauer and Howell is interesting and deeply disturbing. Behind the enmity, they seem to have some truly dysfunctional need for each other, which makes the cat-and-mouse game all the more suspenseful. Unfortunately, somewhere around the middle of the movie, it degenerates into just another shoot-em-up action flick and Hauer's character seems silly rather than demonic, while Howell is just annoying. After about a half hour of this, I just wanted both of them to die. I didn't care anymore. Had the filmmakers known how to write (and direct) a satisfying, appropriate conclusion to the very suspenseful first half, this could have been a great movie. Instead, it falls on its face--and is all the more disappointing because we expected something better.

Yes, this movie would be remade years later with Sean Bean cast as the hitchhiker that likes to play some rather brutal games and one has to wonder why. Rutger Hauer was perfectly cast here as the psycho and his performance could not have been topped. Maybe they felt the need for a female lead rather than the male one because you know how females never get the chance to be the main character who survives in a horror movie (heavy sarcasm here). This is basically a story of a young man driving in the middle of nowhere who looks to have been very bored and in the need of some company. He finds some in the form of a hitchhiker and suffice to say he should have listened to all the warnings he got of hitchhikers, but on the plus side his travels in the middle of nowhere are about to be a lot less dull. You get a great scene as the two opponents as it were square off for the first time with the young man seemingly getting the better of the hitcher in round one. Unfortunately, everyone in this desert seems to be to kind for their own good as the guy sees the psycho in a car with a family. So other face-offs with this hitcher are coming up and some will be very violent indeed. A rather good thriller/horror type movie with my main complaint coming towards the end as how was he not handled better than that? Other than that you get a very good and chilling game of cat and mouse and you get a performance by Hauer that could not have possibly been beat.

Rutger Hauer owns The Hitcher. He hitches a ride with C Thomas Howell and he soon regrets his goodwill. People are killed along the way and the good Samaritan finds himself in deep doo doo. JJ Leigh appears as a waitress who gets tied up with the events. Howell spirals into Dante's Inferno with cops on the chase. Although farfetched I was entertained by the movie.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Jim Halsey (C Thomas Howell) is a young man driving his car down a freeway one night who suddenly decides to stop for a man who is hitching a ride. That man is John Ryder (Rutger Hauer.) From the off-set, he doesn't make himself out to be a nice guy and he doesn't let up from there- threatening to kill Jim for no reason and making him sweat for his life. Jim manages to get rid of his twisted assailant- only to be thrown headlong into a maze of murderous mayhem as 'The Hitcher' goes on a killing spree (involving a lot of cops) with Jim getting taken as the scape-goat.

The film opens with a masterful bolt of suspense- in a thunderous rain-shower, The Hitcher holds out his thumb as a crack of thunder erupts over-head, setting the scene for the suspenseful, scary ride that's about to follow.

Hauer lives and breathes the role. In a career that sadly (because I really like the guy) declined into an endless sludge of direct to video hell shortly afterwards, this is quite possibly the role he'll best be remembered for (after all, he was only the co-star in Blade Runner.) Ryder is a cold, mean psycho whose only motivation seems to be to cause as much terror as he can. In his opening scene, he masterfully transforms very quickly from a bit of an arsehole into a threatening madman, as he explains to his charge why the last guy who gave him a ride won't get out to call for help. No clear explanation is ever discovered as to why he does what he does, the closest we get to this being a chat across a table in a diner, in which he offers "you're a smart boy...figure it out."

In the main supporting role Howell also shines (though nowhere near as much as Hauer), as the beleaguered, petrified young man whose endurance and sanity is pushed to breaking point. In an early role, Jennifer Jason Leigh makes a bit of an impression as the cafe owner's daughter love interest.

Spielberg's Duel first dealt with a man being hounded on an American highway for no reason...you are only left to guess 'The Hitcher' is meant to be the mad truck driver's brother. ****