Ajouter une intrigue dans votre langueA couple from college get caught in a dangerous game of cat and mouse with a psychopathic hitchhiker and the police after witnessing a murder and being framed.A couple from college get caught in a dangerous game of cat and mouse with a psychopathic hitchhiker and the police after witnessing a murder and being framed.A couple from college get caught in a dangerous game of cat and mouse with a psychopathic hitchhiker and the police after witnessing a murder and being framed.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 2 nominations au total
- Transport Guard #2
- (as Mike Fisher)
- Transport Guard #1
- (as Joseph Michael Self)
- Ryder's Guard
- (as Richard Hancock)
- Officer #1
- (as Jesse DeLuna)
- Helicopter Co-Pilot
- (as Kurt Soderling)
Avis à la une
Now, Grace by herself? No problem. Grace with Jim against the titular Hitcher? Problem. Big problem. Two main characters means dialogue, which for the typical formula screenwriter means opening up Pandora's box. The thriller's plot slows to a crawl so they can chatter, and really, who the hell wants to listen to two characters hysterically informing each other of things we, the audience, can see ourselves? For example, the couple comes across a car on the side of the road. They know the Hitcher has struck. Jim approaches the car, telling Grace over and over (and over) again to, "Stay there! You don't want to see this!" To which she questions, "What is it? What's there?" "Stay there Grace! You don't want to see this! Oh it's horrible!" For all the time spent discovering the car, the bodies inside, and listening to these two, there's surprisingly little there except for the traditional jump scare.
And if you're going to include another character to run around with Jim, write the scenes to play out for two characters instead of mindlessly regurgitating the original (written quite specifically for one character.) The whole "Say: I want to die" sequence, one of the few things I liked about the original loses all of its potency because the knife is on the wrong damn character. Granted it could theoretically play out that way, but as it stands in the film it wants to mimic the original with half-assed sloppy changes so it can make the shallow claim, "Look! I did something on my own." If you're going to change something, have the balls to follow through.
One beef I have with remakes in general (like, The Fog for example) is the tendency for filmmakers to show more under the false pretense that this brings something worthwhile and original to the remake table. A key to any art form (whether it generates art or not) is the idea of restraint knowing when to show something, knowing when to keep it in shadows, and knowing when to not even bother. The 2007 Hitcher wants to show you everything that happened off screen in the 1986 (the dead family, the equivalent to Nash's death, and how John Ryder escapes from custody) and it forgot to ask, "why did the original choose not to show these things?" and, more importantly, "would it be a better movie if it did?" Another gripe (also in the Fog remake) the "bigger, badder" phenomena where the remake feels obligated to one-up the original. More explosions! Bigger explosions! More blood! More guns! More cars! Faster! Badder! Yay! Funny thing about the ridiculous, like for example Rutger Hauer taking down a helicopter with a revolver outdoing it looks just plain stupid. I mean, someone got paid for this script? Why bother when any idiot could take a bottle of white out and some sticky notes to the original and get the same thing? And at the risk of turning this review into a list of complaints, lastly Grace, herself. Certainly the Hitcher had done enough killing, stalking, and taunting throughout the film to take a normal person to the brink of violence, certainly she had motivation for extracting revenge, strangely enough I did not buy that she'd actually arrived at that point to heartlessly pull the trigger despite everything else in play.
Like many remakes, the Hitcher feels like an imitation. The 2007 version may have its hands on the wheel, but the 1986 original is the one really driving.
The Hitcher 2007 is a needless remake of the 1986 road horror film that adds nothing nor improves upon anything from the original film. This is one of those remakes that just turns the story of a unique original into a generic, uninspired horror flick. This remake simply ignores the eerie psychological elements of the original, not to mention the road action isn't nearly as exciting or impressive as that of the original. It just pales in comparison on every level. The fact that the hero of the film is changed to a girl is hardly a surprise either. It's just more clichés for a mainstream audience there.
The cast is OK, Zachary Knighton being the only real standout among them. Sean Bean tries for a menacing villain, but isn't nearly as threatening as he could have been. He's a far cry from the convincing madman that Rutgar Hauer with in the original film.
Folks, The Hitcher 2007 is nothing new. Anyone that's seen the original film will find no surprises here, well not any pleasant ones. Though there's some gruesome violence, a fast pace, and a so-so cast it still fails to rise to the greatness of its superior source material. Do yourself a favor and rent the 1986 film instead. You'll get a far better pay off.
* 1/2 out of ****
For those of you whom have seen the original 1986 'Hitcher', it is best to leave your experience to that. The characters in this 2007 version barely conjure up a heartbeat, much-less able to hold the viewers attention for more than a few mere minutes at a time!
That is not to say that the lack of dramatic affect is due solely to sub-par actors. It's complacency and sterileness is mostly due to a lack of vision and direction, rather than for a lack of competency on any of the actors behalf. Also, severely lacking is the film's score, which was a haunting staple in the original version, but which is barely of notice in this version.
Did the 'Hitcher' require a reattempting? The answer is clear: No. The producer's of this film also produced the 'Texas Chainsaw Massacre' reduxs and while those films were successful both artistically as well in terms of box office dollars, their attempt here is quite unsuccessful at attempting to recreate the nerve-pounding suspense that only the original appears to be able to offer.
Do not slow down. Drive past this one and don't even bother taking a second glance.
The story has been often used but the immediate source for this telling is a film that starred Rutger Hauer as the title character. Hauer's John Rider managed to walk the fine line between insanity and reason as he upped the ante in everything he did in some twisted game that only he understood. In this remake Sean Bean is the psycho on the loose and its a wonderfully acted portrayal of a man on the edge of sanity. Unfortunately he's not very scary. Bean is somehow much to urbane to be frightening even as he's doing terrible things to people. He's simply to charming.
Whats worse are the people who pick him up. I hated them from the start and wanted some one-anyone-to kill them simply so I didn't have to spend anytime with them. Stupid and vacant they seemed less like people than the victims Bean kills. C Thomas Howell in the original may have been a bit of a twit, but I really felt sorry for him as Hauer turned his life into a living hell, here I felt they had it coming.
Different enough from the original to make comparisons pointless this film isn't very good on any level and really has no reason to be seen except for Sean Bean good, but nonthreatening villain
Don't bother in my opinion
Le saviez-vous
- Gaffes(at around 17 mins) After Grace and Jim push the Hitchhiker out of the car, as soon as he is pushed, and shows him outside, you can see Grace leaning out and shutting the door. But when it shows them back in the car, she is still in the back seat, then moves to the front, and shuts the door, although she already did.
- Citations
John Ryder: [points to Grace] She's a good-looking girl... how long have you been fucking her?
Jim Halsey: What?
John Ryder: It's a simple question.
Jim Halsey: [Jim see's John's wedding ring] How long have you been fucking your wife?
John Ryder: I'm not married.
Jim Halsey: Then what's with the ring?
John Ryder: Makes strangers think I'm trustworthy.
Jim Halsey: Are you?
John Ryder: No...
[John destroys Jim's cell phone]
- Versions alternativesGerman theatrical version was cut by the distributor to secure a 'Not under 16' rating. Uncut version is available on DVD and was rated "Not under 18".
- ConnexionsEdited into Honest Trailers: Lord of the Rings (2012)
- Bandes originalesMove Along
Written by Tyson Ritter and Nick Wheeler
Performed by The All-American Rejects (as The All American Rejects)
Courtesy of Interscope Records
Under license from Universal Music Enterprises
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Asesino de la carretera
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 16 472 961 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 234 000 $US
- 21 janv. 2007
- Montant brut mondial
- 25 399 945 $US
- Durée1 heure 24 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1