NOTE IMDb
6,9/10
19 k
MA NOTE
En 1978, en Pennsylvanie, un père absent reprend contact avec ses fils adolescents qui se passionnent pour sa vie idéalisée de criminel.En 1978, en Pennsylvanie, un père absent reprend contact avec ses fils adolescents qui se passionnent pour sa vie idéalisée de criminel.En 1978, en Pennsylvanie, un père absent reprend contact avec ses fils adolescents qui se passionnent pour sa vie idéalisée de criminel.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 2 nominations au total
Chris Penn
- Tommy
- (as Christopher Penn)
Avis à la une
1986 had so many great movies The Hitcher, Aliens, Top gun, stand by me, platoon, then came at close range a terrific movie that was well made and acted. Sean Penn gave his best performance and this film had alot of heart. Based on a true story this will always remain a classic from the 80's.
This is such a well crafted film in so many ways, I urge you not to watch it alone. The writer has dipped into Greek mythology as well as modern newspaper tabloids, and come up with a frightening collection of kids and adults that you absolutely believe could exist down the street in a 'lesser' part of town.
I won't go into the plot, except to say that it's centered around kids need for love from their parents- and what they'll do to get it.
Chris Walken walks away with the film- every time he's on screen, it lights up and all sense of time stops. I'm not exaggerating! He's stunning.
The Penn brothers, Sean and Chris, do fine work as well. But I was most surprised by Chris Penn, he's open and sad and really quite a terrific actor.
I think this is James Foleys best film, and worth a rent.
I won't go into the plot, except to say that it's centered around kids need for love from their parents- and what they'll do to get it.
Chris Walken walks away with the film- every time he's on screen, it lights up and all sense of time stops. I'm not exaggerating! He's stunning.
The Penn brothers, Sean and Chris, do fine work as well. But I was most surprised by Chris Penn, he's open and sad and really quite a terrific actor.
I think this is James Foleys best film, and worth a rent.
This raw look at small town hoods brutally exposes us to a portion of society rarely depicted in movies. Souped-up cars and small time heists are nothing new, but `At Close Range' is really more The Godfather' than `Bonnie and Clyde'.
Disobedient kids, worthless mom, ineffective stepfather. Every day we hear tell of it on Montel, Jerry Springer, and Sally. Here, we see it, here we live it.
James Foley does his best work here, you might think it funny to call a film with a lot of 4x8 paneling and muscle shirts stylish' but this film has its own distinctive style, in many ways reminding me of Michael Mann's very stylish `Thief'
Christopher Walken is nothing short of spectacular. Both the Penn brothers (Sean and Chris) do very strong turns as sons of this verrry badddd man.
Great story, powerful performances. All too real. Even a bit of a storybook ending doesn't tarnish this one.
Disobedient kids, worthless mom, ineffective stepfather. Every day we hear tell of it on Montel, Jerry Springer, and Sally. Here, we see it, here we live it.
James Foley does his best work here, you might think it funny to call a film with a lot of 4x8 paneling and muscle shirts stylish' but this film has its own distinctive style, in many ways reminding me of Michael Mann's very stylish `Thief'
Christopher Walken is nothing short of spectacular. Both the Penn brothers (Sean and Chris) do very strong turns as sons of this verrry badddd man.
Great story, powerful performances. All too real. Even a bit of a storybook ending doesn't tarnish this one.
Sean Penn plays Brad Jr., an aimless young man in late-1970s rural Pennsylvania who gets into it with his mom's latest boyfriend, so he decides to move in with Dad (Christopher Walken) for awhile. Dad turns out to be the head of a gang of thieves, and will stop at nothing to keep from winding up back in jail, including having potential witnesses murdered.
Brad Jr. Doesn't like seeing people murdered, but doesn't figure out that not engaging in crime might be the solution, so when he and his friends try to carry off a heist and get caught, the prosecutor puts the pressure on him and his friends.
Based on a true story, this one is incredibly brutal, reminding me at times of Animal Kingdom (2010) and Badlands, the latter because Brad Jr. Falls in love with a 16-year-old girl (a young Mary Stuart Masterson) and tries to run away with her at one point. The movie also has small roles from a young Crispin Glover and Kiefer Sutherland among others, and introduced the Madonna (remember, Sean Penn was married to Madonna at the time) song "Live to Tell".
Brad Jr. Doesn't like seeing people murdered, but doesn't figure out that not engaging in crime might be the solution, so when he and his friends try to carry off a heist and get caught, the prosecutor puts the pressure on him and his friends.
Based on a true story, this one is incredibly brutal, reminding me at times of Animal Kingdom (2010) and Badlands, the latter because Brad Jr. Falls in love with a 16-year-old girl (a young Mary Stuart Masterson) and tries to run away with her at one point. The movie also has small roles from a young Crispin Glover and Kiefer Sutherland among others, and introduced the Madonna (remember, Sean Penn was married to Madonna at the time) song "Live to Tell".
The look of the film says rural poverty. There are broken-down cars in the front yards and trash in the streets. People don't say much during supper; they're too involved watching the television. The main story is based on the real life story of killer Bruce Johnson. With the accepting of the character's names being changed, the film features an accurate interpretation of events. It is truly a shame that no one really knows about this film. It features a powerful and emotional tale of an American criminal family.
This is a gritty movie, with great questions about family ties and what to do with your life when you have no real options. Most of the cast was relatively unknown at the time, so check out actors like Kiefer Sutherland, Crispin Glover, and Mary Stuart Masterson at the beginning of their careers. Credit should also go to director James Foley and scriptwriter Nicholas Kazan for not only delivering a powerhouse film but for also getting it right.
Overall rating: 8 out of 10.
This is a gritty movie, with great questions about family ties and what to do with your life when you have no real options. Most of the cast was relatively unknown at the time, so check out actors like Kiefer Sutherland, Crispin Glover, and Mary Stuart Masterson at the beginning of their careers. Credit should also go to director James Foley and scriptwriter Nicholas Kazan for not only delivering a powerhouse film but for also getting it right.
Overall rating: 8 out of 10.
Le saviez-vous
- AnecdotesWhen Christopher Walken works with guns in film, he checks them himself before each scene for safety reasons and his own personal ease. During the scene when Sean Penn sticks a gun in Walken's face, Walken checked the gun before the scene started. Before the director had the chance to say "Action", Penn ran off camera and shouted, "Give me the other gun!" He immediately returned to Walken and started the scene. This is the cut that made it into the movie, and Walken was really terrified.
- GaffesThe shotgun pellet wounds on Sean Penn's face disappear almost immediately and leave no scars.
- Citations
Brad Whitewood Sr.: [to Brad, Jr] Boy ain't got the life expectancy of a housefly.
- Versions alternativesThe UK cinema version was cut by 1 min 1 sec by the BBFC to remove scenes of a cockfight. The 1986 Rank video version was pre-edited by the distributors to remove most of the scene beforehand and subsequently the cuts were reduced to 14 secs. However MGM submitted the original cinema print for the 2003 DVD release and thus 49 secs were cut from the same scene.
- ConnexionsFeatured in Madonna: Live to Tell (1986)
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Détails
Box-office
- Budget
- 6 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 2 347 000 $US
- Week-end de sortie aux États-Unis et au Canada
- 180 286 $US
- 20 avr. 1986
- Montant brut mondial
- 2 347 077 $US
- Durée
- 1h 56min(116 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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