NOTE IMDb
6,9/10
60 k
MA NOTE
En émigrant aux États-Unis, une jeune souris russe est séparée de sa famille et doit la reloger tout en essayant de survivre dans un nouveau pays.En émigrant aux États-Unis, une jeune souris russe est séparée de sa famille et doit la reloger tout en essayant de survivre dans un nouveau pays.En émigrant aux États-Unis, une jeune souris russe est séparée de sa famille et doit la reloger tout en essayant de survivre dans un nouveau pays.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 6 victoires et 7 nominations au total
Dom DeLuise
- Tiger
- (voix)
Christopher Plummer
- Henri
- (voix)
Pat Musick
- Tony Toponi
- (voix)
Cathianne Blore
- Bridget
- (voix)
Neil Ross
- Honest John
- (voix)
Betsy Cathcart
- Tanya Mousekewitz
- (voix (chant))
- (non crédité)
Johnny Guarnieri
- Italian Singer Mouse
- (voix)
- (non crédité)
Warren Hays
- Irish Singer Mouse
- (voix)
- (non crédité)
T. Daniel Hofstedt
- No Cats in America Chorus
- (voix)
- (non crédité)
Avis à la une
Ex-Disney animator Don Bluth brings us a tail (sorry, TALE! Well, that's the proper word in the context!) of the Russian Mousekewitz mouse family, who, like all of the other mice in late 1800's Russia, want to escape from the cats. They dream of a land known as America, where there are no cats. Travelling to
Germany, they board a ship bound for America.
However, during a violent storm, little Fievel Mousekewitz (voiced by Phillip Glasser) becomes separated from his parents and sisters. Fortunately for Fievel he was saved from drowning by being ensconced within a bottle, which quite by chance floats to New York, USA. Unfortunately not only is America very big, but it -- well, let's just say that for all mice concerned it's not all it was cracked up to be.
With the help of friends such as Tony Toponi (voiced by Pat Musick) and Tiger (Dom DeLuise), Fievel goes on a mammoth quest to become reunited with his
family.
Although it is a little on the sentimental side, it does have a certain charm, which is further helped by James Horner's musical score, as well as the wonderful
song 'Somewhere Out There' which has since become my favourite duet of all
time (I've even sung the end-credits version, as sung by Linda Ronstadt and
James Ingram, on Karaoke!). Some adults may not like the sentimentality, but stick with it, and you'll be rewarded with a gem, particularly if watching with either the young or the young-at-heart.
Germany, they board a ship bound for America.
However, during a violent storm, little Fievel Mousekewitz (voiced by Phillip Glasser) becomes separated from his parents and sisters. Fortunately for Fievel he was saved from drowning by being ensconced within a bottle, which quite by chance floats to New York, USA. Unfortunately not only is America very big, but it -- well, let's just say that for all mice concerned it's not all it was cracked up to be.
With the help of friends such as Tony Toponi (voiced by Pat Musick) and Tiger (Dom DeLuise), Fievel goes on a mammoth quest to become reunited with his
family.
Although it is a little on the sentimental side, it does have a certain charm, which is further helped by James Horner's musical score, as well as the wonderful
song 'Somewhere Out There' which has since become my favourite duet of all
time (I've even sung the end-credits version, as sung by Linda Ronstadt and
James Ingram, on Karaoke!). Some adults may not like the sentimentality, but stick with it, and you'll be rewarded with a gem, particularly if watching with either the young or the young-at-heart.
Don't take me wrong: although An American Tail is a wonderful film, the old Disney classics are not the ones I'm talking about in the summary. I'm talking about the over-commercialized crap we get these days. Don Bluth's second animated feature is again about mice, like Secret of NIMH. I think NIMH was better, though not by much. The songs are pretty good, although not like some Disney songs. The animation, however, is simply gorgeous. I can't believe people dismiss it as poorly animated just because the colors aren't bright! The colors are dark and moody, as they should be, An American Tail--nor any of Bluth's films--were ever supposed to look like Rayman. If you want to see Bluth with bright colors, glance at some cheery scenes from A Troll in Central Park. I find the way Fievel and his family miss each other by inches frustrating, though. In fact, I was surprised Fievel and Tanya couldn't hear each other as they sang "Somewhere Out There". A simply beautiful film, a must for anyone who looks for variation in the field of animation, but infuriating for anyone who thinks the scope of animation should be restricted to Disney.
We watched this in kindergarten. This is like the best film of all time of the century. There's no way in hell it deserves a 6.8. I don't know what's up with the kids these days they don't seem to understand Jack diddly squat 50 Moskowitz was my hero lol. How dare you write this a 6.8 lol I'm gonna write it at 10 just so it offsets and gets a better review lol coming to America. This is a true story one of the very few Walt Disney movies that I do enjoy and I like and not understood why it got such a bad review from other people. Anyways, not much more I can say about this just go ahead and watch it and you will love it because I do.
"An American Tail" was Don Bluth's second animated feature since leaving Disney, and, in my opinion, it is his best. It's got the most heart out of all of his movies. It's got the Oscar-nominated song "Somewhere Out There" and the main character of Fievel. This character just warms my heart and I can easily feel for him. Don Bluth has made only three very good animated features: this movie, "The Secret of NIMH", and "The Land Before Time". But "An American Tail" tops them both. No matter how predictable or sentimental the story is, I always get caught up in it. The sequel was good, but it was more like a fast-paced western comedy with some one-liners and such sight gags. The original is the better film in my opinion. Only complaint: one too many chase scenes with Fievel and other mice running from cats.
I was introduced to An American Tail after perpetually reading the 'book' of the second film, Feivel Goes West. I can't say which one I enjoyed more although at the time, I think I was seven, but this one I understood a lot better.
The sweet-hearted tale of a family of Russian mouse emigrants who travel to America, the 'land of opportunity' but on their way lose their son, really manages to perk up your day. It has all the classic elements of a family flick: great characters, wonderful score and songs, and of course a happy ending (You can't say you didn't expect that).
In some ways it's meant to be almost a satire, a parallel story of many Russian immigrant families who flee to America from the Cossacks: there is actually a scene in the beginning involving the ransacking of a Russian village by Cossacks, aided of course, as most history books conveniently omit, by their vicious slavering cats who destroy the mouse population. This satire is slightly lost once they reach America, but the simple plot of the mouse boy trying to find his family again works very well. It's quite frustrating at times as we see how close they all come to running into each other; a split second here and a well-timed door slamming there, and it could have been all over in thirty minutes of screen time. But where would be the movie in that?
Lastly, the voice cast does a great job. While I personally think the sequel had a better cast, An American Tail boasts some fine names as well - Dom DeLuise and Nehemiah Persoff who also did the sequel, Christopher Plummer, and Madeline Kahn all combine for a great effect. It's not necessary to see this to also see the sequel but it definitely deserves to be watched. Touching, light-hearted and with one of the most beautiful theme songs you will ever hear, it's a winner. ***1/2 / *****
The sweet-hearted tale of a family of Russian mouse emigrants who travel to America, the 'land of opportunity' but on their way lose their son, really manages to perk up your day. It has all the classic elements of a family flick: great characters, wonderful score and songs, and of course a happy ending (You can't say you didn't expect that).
In some ways it's meant to be almost a satire, a parallel story of many Russian immigrant families who flee to America from the Cossacks: there is actually a scene in the beginning involving the ransacking of a Russian village by Cossacks, aided of course, as most history books conveniently omit, by their vicious slavering cats who destroy the mouse population. This satire is slightly lost once they reach America, but the simple plot of the mouse boy trying to find his family again works very well. It's quite frustrating at times as we see how close they all come to running into each other; a split second here and a well-timed door slamming there, and it could have been all over in thirty minutes of screen time. But where would be the movie in that?
Lastly, the voice cast does a great job. While I personally think the sequel had a better cast, An American Tail boasts some fine names as well - Dom DeLuise and Nehemiah Persoff who also did the sequel, Christopher Plummer, and Madeline Kahn all combine for a great effect. It's not necessary to see this to also see the sequel but it definitely deserves to be watched. Touching, light-hearted and with one of the most beautiful theme songs you will ever hear, it's a winner. ***1/2 / *****
Le saviez-vous
- AnecdotesFievel was the name of Steven Spielberg's grandfather.
- GaffesIn the cat's lair Tiger mentions to Fievel that he is a fan of broccoli. The film is set in the 1885-1886 time frame. Both broccoli and cauliflower were unknown in the United States then. In fact, both vegetables were not commercially grown in the United States until Italian immigrants started commercially growing both vegetables in California in the 1920s.
- Citations
Honest John: [At the wake of Mickey O'Hare] Poor lad. So young. He never had a chance to vote. Well, he'll vote from now on. I'll make sure of that.
[Writes Mickey's name on a notebook under "Ghost Votes"]
- Crédits fousThe first half of the end credits feature period engravings of what New York City looked like in the 1880s.
- Versions alternativesThe 2006 DVD release includes a remastered 5.1 soundtrack, both in Dolby Digital and DTS. It also has some dialogue changes compared to the original, most noticeably: Extra dialogue that was recorded but never used, and different voices for the orphans towards the end of the film (adults instead of kids - these are actually the original voices, which were replaced by children after the scene was animated).
- ConnexionsEdited from Brisby et le secret de NIMH (1982)
- Bandes originalesThere Are No Cats in America
Music by James Horner and Barry Mann
Lyrics by Cynthia Weil
Performed by Nehemiah Persoff, Johnny Guarnieri, and Warren Hays
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Un cuento americano
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 47 483 002 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 234 446 $US
- 23 nov. 1986
- Montant brut mondial
- 84 542 002 $US
- Durée1 heure 20 minutes
- Couleur
- Mixage
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Fievel et le Nouveau Monde (1986) officially released in India in Hindi?
Répondre