NOTE IMDb
6,5/10
30 k
MA NOTE
Une famille de souris émigrées décide de partir à la conquête de l'Ouest, ignorant qu'elle tombe dans un piège tendu par un chat beau parleur.Une famille de souris émigrées décide de partir à la conquête de l'Ouest, ignorant qu'elle tombe dans un piège tendu par un chat beau parleur.Une famille de souris émigrées décide de partir à la conquête de l'Ouest, ignorant qu'elle tombe dans un piège tendu par un chat beau parleur.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
James Stewart
- Wylie
- (voix)
John Cleese
- Cat R. Waul
- (voix)
Amy Irving
- Miss Kitty
- (voix)
Phillip Glasser
- Fievel
- (voix)
Erica Yohn
- Mama
- (voix)
Cathy Cavadini
- Tanya
- (voix)
Nehemiah Persoff
- Papa
- (voix)
Dom DeLuise
- Tiger
- (voix)
- (as Dom Deluise)
Jon Lovitz
- Chula
- (voix)
Philip L. Clarke
- Additional Voices
- (voix)
- (as Philip Clarke)
Mickie McGowan
- Jolly Lady
- (voix)
- (as Mickie Mc Gowan)
Avis à la une
I enjoyed the original "American Tail" movie because of its appeal towards adults as well as children (it uses mice and cats as a metaphor for the Jews and Germans during WWII, with immigrants fleeing to the US). However the dark edge of the movie was a bit too much for me and I felt as a children's tale it was probably a bit too scary.
Don Bluth returned in '91 to film the sequel to his last hit, this one a satire of the westerns. Fievel the mischievous mouse returns as his parents are shipping off to Green River to escape the cats, led by Cat R. Wall (voiced by John Cleese).
Along the way a spider (voiced by Jon Lovitz) tries to kill Fievel and he falls off the train, into the desert, where he pines for his feline friend from the first film (voiced by Dom DeLuise).
Eventually Fievel finds his way out of the desert and finds a dog-sheriff (voiced by Jimmy Stewart) who decides to help train him so that he can fight off Cat R. Wall, who has moved out west to spread his reign of terror.
I enjoy this movie more than the first one because it's not as dark (something I just have a problem with in a kid's movie). The satire isn't as strong and the whole WWII edge is lost but it still retains the cats vs. mice, which is a nice element.
The animation in my opinion is more classical and the musical sequences are more lively. The voice talents are far more impressive and I love Jimmy Stewart and John Cleese in this movie - talk about great casting! Overall this is better than the original and it surprises me that more people don't actually know about it. As a nice little family adventure film it's pretty entertaining and in terms of animation it represents everything Don Bluth is known for.
Don Bluth returned in '91 to film the sequel to his last hit, this one a satire of the westerns. Fievel the mischievous mouse returns as his parents are shipping off to Green River to escape the cats, led by Cat R. Wall (voiced by John Cleese).
Along the way a spider (voiced by Jon Lovitz) tries to kill Fievel and he falls off the train, into the desert, where he pines for his feline friend from the first film (voiced by Dom DeLuise).
Eventually Fievel finds his way out of the desert and finds a dog-sheriff (voiced by Jimmy Stewart) who decides to help train him so that he can fight off Cat R. Wall, who has moved out west to spread his reign of terror.
I enjoy this movie more than the first one because it's not as dark (something I just have a problem with in a kid's movie). The satire isn't as strong and the whole WWII edge is lost but it still retains the cats vs. mice, which is a nice element.
The animation in my opinion is more classical and the musical sequences are more lively. The voice talents are far more impressive and I love Jimmy Stewart and John Cleese in this movie - talk about great casting! Overall this is better than the original and it surprises me that more people don't actually know about it. As a nice little family adventure film it's pretty entertaining and in terms of animation it represents everything Don Bluth is known for.
This is my absolutely most favorite cartoon movie ever. it has action, romance, adventure, and gun slinging. The music was really good. I loved every minute of this movie. I'm a big fan. I've loved this movie since I was in 1st grade,( thats when it came out into theaters). I recommend this movie to anyone who loves a good cartoon movie. This one is a classic. You wont be disappointed.
Fievel, the cute little mouse from An American Tail, is going west for Fievel Goes West. This is one of very few sequels that really deserve the title of the original classics. Fievel Goes West may not have as many touching moments as the original, but that's because it's more of a fast-paced western comedy rather than a heartwarming, sometimes tragic tale (tail?) as An American Tail was.
A by-product of the comedic approach is the look of the movie. Instead of the dark, dull, forbidding color scheme of the first movie, the sequel is supposed to be bright, funny, and altogether welcoming. Thus, you get bright sunshine (sometimes a bit too bright from the characters' point of view) and varied color. The animation hasn't changed all too much, unlike The Land Before Time's sequels for video. The animation retains a bit of Don Bluth's touch, though still a bit different. Altogether, the animation is just about as good as it could be in 1991.
The film as a whole is a gem, but the one thing truly, wonderfully beautiful thing about Fievel Goes West is James Horner's immortal soundtrack. The songs are just as good as An American Tail, which is saying a lot; besides, you have a brutally edited reprise of "Somewhere Out There" from the first film, sung by Tanya. Speaking of Tanya, she's voiced by someone different, presumably to allow for her great singing. For proof, all you need to do is listen to "Dreams To Dream". Great though the aspiring singer is, the end credits rendition of the song by the crazy Lindstradt lady is beautiful.
In Fievel Goes West, our title protagonist is lost on the way to Green River, where he will supposedly find a new lease on life with his family and lots of other hopeful mice. But the dream is shattered when Fievel explores the train, and finds a bunch of cats and a huge spider, led by the smooth talking Cat R. Waul, plotting to befriend the mice before turning them into mouse-burgers by means of a mysterious "better mousetrap"! But Fievel is found out, and the spider knocks him off the train, leaving him hopelessly lost in the desert. I thought they might have made up something different, not the whole mouse-gets-lost-must-return-to-family routine. I couldn't help feeling they'd done that before. However, Dom DeLuise returns for a bigger part alongside the legendary canine sheriff Wylie Burp.
So, overall, what of this sequel? Well, it certainly does the original justice. Yes, it does lack the heart of the original, but having less heart than An American Tail does in no way mean being heartless. Don Bluth might not have had a hand in this, but Fievel Goes West lives up to Bluth's classic story of a little mouse called Fievel.
Animation-9/10; Story-7/10; Plot-7/10; Comedy-8.5/10 = Overall-8/10
A by-product of the comedic approach is the look of the movie. Instead of the dark, dull, forbidding color scheme of the first movie, the sequel is supposed to be bright, funny, and altogether welcoming. Thus, you get bright sunshine (sometimes a bit too bright from the characters' point of view) and varied color. The animation hasn't changed all too much, unlike The Land Before Time's sequels for video. The animation retains a bit of Don Bluth's touch, though still a bit different. Altogether, the animation is just about as good as it could be in 1991.
The film as a whole is a gem, but the one thing truly, wonderfully beautiful thing about Fievel Goes West is James Horner's immortal soundtrack. The songs are just as good as An American Tail, which is saying a lot; besides, you have a brutally edited reprise of "Somewhere Out There" from the first film, sung by Tanya. Speaking of Tanya, she's voiced by someone different, presumably to allow for her great singing. For proof, all you need to do is listen to "Dreams To Dream". Great though the aspiring singer is, the end credits rendition of the song by the crazy Lindstradt lady is beautiful.
In Fievel Goes West, our title protagonist is lost on the way to Green River, where he will supposedly find a new lease on life with his family and lots of other hopeful mice. But the dream is shattered when Fievel explores the train, and finds a bunch of cats and a huge spider, led by the smooth talking Cat R. Waul, plotting to befriend the mice before turning them into mouse-burgers by means of a mysterious "better mousetrap"! But Fievel is found out, and the spider knocks him off the train, leaving him hopelessly lost in the desert. I thought they might have made up something different, not the whole mouse-gets-lost-must-return-to-family routine. I couldn't help feeling they'd done that before. However, Dom DeLuise returns for a bigger part alongside the legendary canine sheriff Wylie Burp.
So, overall, what of this sequel? Well, it certainly does the original justice. Yes, it does lack the heart of the original, but having less heart than An American Tail does in no way mean being heartless. Don Bluth might not have had a hand in this, but Fievel Goes West lives up to Bluth's classic story of a little mouse called Fievel.
Animation-9/10; Story-7/10; Plot-7/10; Comedy-8.5/10 = Overall-8/10
Well, this is one of those films that seems about a step-and-a-half away from being truly great. You have undeniable star power in John Cleese, James Stewart, and Don Bluth regular Dom deLuis. You have a handful of snappy tunes. You have bright colors and technically brilliant animation. Yet I watched it and came away from it thinking, "There was something wrong with this flick. What was it?" After due deliberations, the answer came to me: the writing.
The script is little more than a clothesline on which to hang a series of visual gags and opportunities for Cleese to give his character a few Pythonian scenes. It takes a promising premise for an entertaining sequel and burdens it with instantly forgettable songs (snappy though they were) and an insufferably cute protagonist. It's great for kids, don't get me wrong. If you're childless, however, save it for video and watch it for the quality of the animation. While astounding, it can't make up for the lack of story.
The script is little more than a clothesline on which to hang a series of visual gags and opportunities for Cleese to give his character a few Pythonian scenes. It takes a promising premise for an entertaining sequel and burdens it with instantly forgettable songs (snappy though they were) and an insufferably cute protagonist. It's great for kids, don't get me wrong. If you're childless, however, save it for video and watch it for the quality of the animation. While astounding, it can't make up for the lack of story.
I wasn't a huge fan of the original 'An American Tail', but with my curiosity for animated films, I took a look at the sequel, the film I'm reviewing now.
All the voice actors are back, the music, the animation looks pretty damn similar too, but one thing is gone, the director. Don Bluth was replaced by Simon Wells, in his directorial debut. As someone who finds Simon Wells' films to be enjoyable but not top notch (especially in the writing department), this is exactly what we get here.
Many people will complain that there are very few plot similarities to the original, this is true, the film's plot is nothing like the original, which I thought was a good thing in my opinion.
The characters I found to be much more memorable compared to the original, including the villain, played by John Cleese. Dom DeLuise returns as tiger and is much more funny and less annoying than in the original. Feivel the mouse continues to have a lack of a real character but I still thought he was an improvement to the original, possibly because of his maturing voice actor.
The film does not contain nearly the same dark elements as the original, but in my opinion, is more funnier and more fun. The songs are either catchy or not at all, the films signature song 'Dreams to Dream', is as good or possibly better as the original's 'Somewhere out there'. The score by James Horner is a treat, just like the original.
All real complaints come from the writing, there are small plot holes, a pointless subplot revolving around Feival's sister Tanya, and sometimes the plot seems a little too convenient.
Kids will probably like the film, fans of the original may or may not, I personally rate it lower than the original, but by not too much.
All the voice actors are back, the music, the animation looks pretty damn similar too, but one thing is gone, the director. Don Bluth was replaced by Simon Wells, in his directorial debut. As someone who finds Simon Wells' films to be enjoyable but not top notch (especially in the writing department), this is exactly what we get here.
Many people will complain that there are very few plot similarities to the original, this is true, the film's plot is nothing like the original, which I thought was a good thing in my opinion.
The characters I found to be much more memorable compared to the original, including the villain, played by John Cleese. Dom DeLuise returns as tiger and is much more funny and less annoying than in the original. Feivel the mouse continues to have a lack of a real character but I still thought he was an improvement to the original, possibly because of his maturing voice actor.
The film does not contain nearly the same dark elements as the original, but in my opinion, is more funnier and more fun. The songs are either catchy or not at all, the films signature song 'Dreams to Dream', is as good or possibly better as the original's 'Somewhere out there'. The score by James Horner is a treat, just like the original.
All real complaints come from the writing, there are small plot holes, a pointless subplot revolving around Feival's sister Tanya, and sometimes the plot seems a little too convenient.
Kids will probably like the film, fans of the original may or may not, I personally rate it lower than the original, but by not too much.
Le saviez-vous
- AnecdotesJames Stewart's final film.
- GaffesWhen Fievel says "Let's go on that ride again!" after the can goes down the last waterfall, his voice is sped up.
- Citations
Wylie Burp: Just remember, Fievel - one man's sunset is another man's dawn. I don't know what's out there beyond those hills. But if you ride yonder... head up, eyes steady, heart open... I think one day you'll find that you're the hero you've been looking for.
- Crédits fousInstead of showing the traditional Amblin logo (the one of Elliot going on the bicycle and flying up to the moon) the logo says, "Amblimation" and Fievel is pushing it, then he stands next to it and his hat falls down over his eyes.
- Versions alternativesWhen it was released on DVD and Blu-ray in early 2017, the infamous penis doodle is cut from the film completely, as it was finally detected after all these years.
- ConnexionsEdited from Fievel et le Nouveau Monde (1986)
- Bandes originalesSomewhere Out There
Music by James Horner and Barry Mann
Lyrics by Cynthia Weil
Performed by Cathy Cavadini
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- How long is An American Tail: Fievel Goes West?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Un cuento americano: Faivel va al oeste
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 22 166 041 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 435 625 $US
- 24 nov. 1991
- Montant brut mondial
- 40 766 041 $US
- Durée1 heure 15 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
- 1.85 : 1
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