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Ajouter une intrigue dans votre langueA Dutch doctor, haunted by grueling childhood memories of World War II, struggles to find peace as he spends his life looking for answers about the tragic night that shaped him.A Dutch doctor, haunted by grueling childhood memories of World War II, struggles to find peace as he spends his life looking for answers about the tragic night that shaped him.A Dutch doctor, haunted by grueling childhood memories of World War II, struggles to find peace as he spends his life looking for answers about the tragic night that shaped him.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 5 victoires au total
John Kraaijkamp Sr.
- Cor Takes
- (as John Kraaykamp)
Akkemay Elderenbos
- Sandra
- (as Akkemay)
Avis à la une
The film and the book, are really very much the same here. I read the book first and then watched the film and I have really not much to say about both. They are both of the same quality, for both book and film feature the same amount of accidental meetings which are after a while quite unbelievable and that is all the criticism I have. The film has of course certain things which are better than the book, for instance it is more exciting, but then again the film also has it's downsides, for sometimes the acting is not that great. But overall the better and worse things level each other out so my verdicts for book and film are the same: pretty good.
If you like Mulisch's books and are interested in World War 2 read De Zaak 40/61.
7 out of 10
If you like Mulisch's books and are interested in World War 2 read De Zaak 40/61.
7 out of 10
10rob-1944
My family is from Haarlem and I feel very close to the places, scenes, characters and the atmosphere that the movie generates. The fact that there are only a view productions regarding the Dutch resistance is very sad to me as the Dutch resistance was on of the best organized during the German occupation. However the man that was shot dead outside Anton Steenwijk's house was an NSB participant. He belonged to the Dutch Nazi Party. As previously stated, by some people in this thread, he was not a German Nazi but a Dutch collaborator. A lot of my family were in the resistance during the Nazi occupation. Some of them were shut by the Germans, in the dunes near Bloemendaal a/Zee, the site of the "Ere Begraaf Plaats" where Anton takes his daughter to find Truus Koster's grave, in the latter end of the movie. When I was young we often spend time there, to visit friends and family that were executed during those troublesome years. I dearly love this movie and would recommend it to anyone.
The Dutch are not great at making movies but when they make a WW II movie it often is a little masterpiece. "De Aanslag" is a movie like this.
"De Aanslag" isn't necessarily about WW II but more about the effects of it on a persons life and why things happen the way they do and how little things can effect a persons life for ever. Most of the movie's story is set in the years after WW II and uses flashbacks of things that happened in WW II to make more things clear and to show things from a different perspective from different individuals that were involved in the incident were the movie is about. It becomes more and more clear what happened at the night that collaborator Ploeg was killed but the Dutch resistance and more importantly why things happened the way it happened. The story also shows a detailed view of the Netherlands and their citizens the years and decades after WW II and how it still affected many.
There are many great returning characters in the story and the acting is for especially Dutch standards pretty high. Derek de Lint who now is better know world wide for his role as Derek Rayne in "Poltergeist: The Legacy" is a great leading man that really carries the movie.
The cinematography from Theo van de Sande who later did the cinematography for the movie hit "Blade" is great and sets a nice mood. The directing by Fons Rademakers is done wonderfully and it never makes the movie hard to follow even though at times it gets a bit complicated.
Great Dutch Oscar winning drama with some memorable moments and a fantastic ending were everything comes together and gets clear.
8/10
http://bobafett1138.blogspot.com/
"De Aanslag" isn't necessarily about WW II but more about the effects of it on a persons life and why things happen the way they do and how little things can effect a persons life for ever. Most of the movie's story is set in the years after WW II and uses flashbacks of things that happened in WW II to make more things clear and to show things from a different perspective from different individuals that were involved in the incident were the movie is about. It becomes more and more clear what happened at the night that collaborator Ploeg was killed but the Dutch resistance and more importantly why things happened the way it happened. The story also shows a detailed view of the Netherlands and their citizens the years and decades after WW II and how it still affected many.
There are many great returning characters in the story and the acting is for especially Dutch standards pretty high. Derek de Lint who now is better know world wide for his role as Derek Rayne in "Poltergeist: The Legacy" is a great leading man that really carries the movie.
The cinematography from Theo van de Sande who later did the cinematography for the movie hit "Blade" is great and sets a nice mood. The directing by Fons Rademakers is done wonderfully and it never makes the movie hard to follow even though at times it gets a bit complicated.
Great Dutch Oscar winning drama with some memorable moments and a fantastic ending were everything comes together and gets clear.
8/10
http://bobafett1138.blogspot.com/
In the long run non-violence eventually overcomes violence. It is extremely difficult not to become an extremist. Being the center of the wheel requires great patience and understanding, as one is always tempted to take shortcuts in life via violence. A senseless, ill-planned act of sabotage in the Netherlands gets an entire innocent family killed. This is a prime example of how violence eventually falls down upon itself.
This film deservedly won the best foreign film of the year for 1986. The performances are first-rate, especially that of the child actor and the adult actor of the main character. This film is both a mystery and a tragedy at the same time; not an easy combination to put together for a director. The direction is impeccable. The screenplay is beautifully written, and in the final analysis, all of the events that take place after WW 2 just do not have the same significance and power as that horrible event. Truly a film classic.
This film deservedly won the best foreign film of the year for 1986. The performances are first-rate, especially that of the child actor and the adult actor of the main character. This film is both a mystery and a tragedy at the same time; not an easy combination to put together for a director. The direction is impeccable. The screenplay is beautifully written, and in the final analysis, all of the events that take place after WW 2 just do not have the same significance and power as that horrible event. Truly a film classic.
'De Aanslag' is an epic drama taking place in the final days of German occupation of the Netherlands in 1945.
A Nazi collaborator, Ploeg, was shot dead in Haarlem, and the corpse dragged to the front of a neighbouring house. When the Nazis arrived they assumed that the people in that house were responsible, arrested the occupants and set the house alight. Several other people were also rounded up and all executed. The exception is Anton, the 12 year old son of the family who lived in the house, who was taken to the military HQ and later sent to his uncle in Amsterdam.
These traumatic events had a serious psychological impact on Anton, particularly in his later life. Like a slow puzzle, the pieces began fitting together. As an adult Anton discovered who killed the collaborator, and who dragged the body to the front of their house, events that had such devastating effects.
It is an excellent film, but in my view a little too long. It loses momentum halfway through, but fortunately picks up again towards the end. Acting, cinematography and music score are top-notch. It brings a powerful anti-war message, and also explores the power of public mass protest to change the social order. I still score it a very good 8/10.
A Nazi collaborator, Ploeg, was shot dead in Haarlem, and the corpse dragged to the front of a neighbouring house. When the Nazis arrived they assumed that the people in that house were responsible, arrested the occupants and set the house alight. Several other people were also rounded up and all executed. The exception is Anton, the 12 year old son of the family who lived in the house, who was taken to the military HQ and later sent to his uncle in Amsterdam.
These traumatic events had a serious psychological impact on Anton, particularly in his later life. Like a slow puzzle, the pieces began fitting together. As an adult Anton discovered who killed the collaborator, and who dragged the body to the front of their house, events that had such devastating effects.
It is an excellent film, but in my view a little too long. It loses momentum halfway through, but fortunately picks up again towards the end. Acting, cinematography and music score are top-notch. It brings a powerful anti-war message, and also explores the power of public mass protest to change the social order. I still score it a very good 8/10.
Le saviez-vous
- GaffesToutes les informations contiennent des spoilers
- Citations
Anton Steenwijk: My parents were innocent.
Fake Ploeg: My father was too!
Anton Steenwijk: I only know what I was told.
Fake Ploeg: Exactly.
- ConnexionsFeatured in The 44th Annual Golden Globe Awards (1987)
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 512 403 $US
- Montant brut mondial
- 512 403 $US
- Durée
- 2h 21min(141 min)
- Mixage
- Rapport de forme
- 1.66 : 1
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