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7,4/10
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Ajouter une intrigue dans votre langueA Dutch matron establishes and, for several generations, oversees a close-knit, matriarchal community where feminism and liberalism thrive.A Dutch matron establishes and, for several generations, oversees a close-knit, matriarchal community where feminism and liberalism thrive.A Dutch matron establishes and, for several generations, oversees a close-knit, matriarchal community where feminism and liberalism thrive.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 8 victoires et 10 nominations au total
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I think the other viewer got it wrong when they said the movie suggested "who needs men?". This movie contains every kind of relationship combination imaginable-- the message was anybody can find love. People also have children under all sorts of circumstances in this movie. The characters are in a family like relationship to each other because in a lot of cases they don't fit in with their family or the norm. Not to mention it explores the relationship of a woman with her family--- her mother, her daughter and her granddaughter. This movie explores religion and atheism, namely the hypocrisy of religion and the emptiness and search for meaning when one doesn't have religion. This movie explores a lot of themes- love, life, death, good vs. evil, and meaning. If all a person got out of it was that it was anti-family and anti-religion and anti-male, then they have lived a pretty sheltered life and won't get "it" anyway.
This film was like taking a trip to an alternate universe and being given the gift of living a full, rich, and rewarding life there. For the most part, everyone is redeemed &/or fulfilled, although no one escapes tragedy, and some definitely have it worse than most. There was a line from the narrator, something to the effect of how "timed flowed into itself and wanted nothing more than to do so," (I am paraphrasing), and that, to me summed up the lovely slow pace of this film. The characters were real and quite sympathetic. I didn't find it to be agenda-driven like the previous commenter did. I simply thought it was a movie about Antonia, a kind and realistic woman, and those whom she loved.
I found Antonia's Line to be a wonderful expression of what is endearing and enduring in the human spirit. It was a truly lovely story, clever character development, warmly delivered. I can understand how some may not understand or enjoy this film. It flies in the face of convention, but that is its beauty. Some would fear the freedoms this film demonstrates.
Love and acceptance abound, in a timeless manor. I like the way it offered a different definition of family, one where diversity is an asset, guarded by respect.
This is one of the greatest stories to come across the screen.
Love and acceptance abound, in a timeless manor. I like the way it offered a different definition of family, one where diversity is an asset, guarded by respect.
This is one of the greatest stories to come across the screen.
I have to disagree with those who claim that this film is ULTRA feminist. Though Marleen Gorris' feminism is indeed apparent is indisputable. But people who are not necessarily part of the feminist movement will still appreciate this film. It is a more modern view of the independent woman, but I didn't see the political agenda of Gorris overpowering the film. It can be enjoyed as a simple "fairy-tale" (as declared by Gorris herself). The portrayal of women as independent and strong is definitely refreshing, but those who claim this film makes a statement against religion and family aren't necessarily accurate. the film covers these issues, showing women's strength in dealing with religious hypocrites and single motherhood, but I personally didn't feel the film was encouraging all women to leave the church or raise up families independently. It's a marvelous story of women's strengths and vulnerabilities, and the love that the women in one family share. ALL people will enjoy this film.
This film is a beautiful presentation of European feminism, which, unlike its American counterpart, is about exploring and celebrating femininity rather than just kicking men in the balls. It is also a film that, judging by the other user comments, appeals to men just as strongly as to women. Literary, beautifully filmed and emotionally gripping, "Antonia's Line" is (pardon the cliche) a film unlike any other.
Le saviez-vous
- AnecdotesThe film winning the Academy Award for Best Foreign Language Film was somewhat serendipitous. The film's reception in its native Netherlands had been somewhat lukewarm, and most of the attention had gone to Petite Soeur (1995) (which had also beaten Antonia et ses filles (1995) as Best Picture at the Dutch Film Festival that year). However, since Petite Soeur (1995) had not been officially released in theaters at the time, it couldn't qualify as the Dutch submission for the Oscars. Fortunately, Antonia et ses filles (1995) enjoyed much more critical success abroad, and especially the positive reception in the USA was felt to have contributed to the film winning the Oscar.
- Bandes originalesMy Blue Heaven
Written by George Whiting and Walter Donaldson
Performed by Dora van der Groen and Centrum Nieuwe Koormuziek
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- How long is Antonia's Line?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Antonia's Line
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 500 000 £GB (estimé)
- Montant brut aux États-Unis et au Canada
- 4 228 275 $US
- Week-end de sortie aux États-Unis et au Canada
- 45 051 $US
- 4 févr. 1996
- Montant brut mondial
- 4 249 321 $US
- Durée
- 1h 42min(102 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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