L'Exorciste, la suite

A police lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased 'Gemini' serial killer, lead him to question the patients of a psychiatric ward.

Although I actually enjoyed the second "Exorcist" film, most people consider it a stinker and like to pretend it never happened. For those people, this is the right film to watch. A great tale of possession, that follows rather directly (though belatedly) from the original.

George C. Scott adds a certain weight to any film. Just as he did for "The Changeling", he makes what could be a forgettable horror film into something really worthwhile. He is a vastly underrated actor.

William Peter Blatty The Exorcist III's has excellent dialogue, well paced, superb acting, solid character arcs and plot development mark this fine demonic horror/detective story. I feel George C. Scott's performance is as good as he has ever played in any of his previous films. Further back up by Brad Dourif magnetic monologue's . The atmosphere surrounding the film is one of foreboding , anticipation and ultimately the despair of satanism. May not have the visceral impact of the first film, but it gives viewers far more than they had any reason to expect. It would probably be much more highly-regarded were it not for the pedigree it has to live up to. Exorcist III stands alone, one of those rarest of birds: a horror sequel with ideas of its own.

The first 'true' and so far best sequel to the amazing 1974 original sees George C. Scott stepping into the role of Detective Kinderman (played by the late Lee J. Cobb in the original) who is investigating a series of homicides in Georgetown. The homicides, grisly in nature, follow the M.O. of the Gemini killer, a man convicted and sent to death in the electric chair 15 years ago. Several characters return this time around from the original film including Kinderman, Father Dyer (Ed Flanders) and Damian Karras again played by Jason Miller.

First up I'll talk about the acting. The cast did a bloody good job in their roles. Scott gives a tour de force performance where he mixes grandfatherly likability with someone who is clearly struggling with demons of his own. It is clear why this man is one of the best character actors of the silver screen. The few scenes that he shared with Father Dyer were played so well you really thought they had been lifelong friends. The other acting coup was getting Brad Dourif to play the Gemini killer. He proves here that he will always be more than the voice of our favorite pint-sized plastic doll from hell. His character spends the film being shackled in a cell but yet is able to convey a sense of menace few can provide with the help of other actors, props and settings. Jason Miller returns also as the 'body' of Father Karras and swaps back and forth the role with Dourif. The Kinderman / Karras / Gemini scenes are the highlight of the film. The actors go full bore at each other and turn what could have become boring exposition scenes into film highlights.

William Peter Blatty stepped up to the plate and directs this time around. He took a book he wrote, Legion and tweaked it into the screenplay for part 3. I believe, but am not positive, that the exorcism at the end of the film in not in the book. Unfortunately I haven't read it since just before the movie came out and can't remember. The direction here is done very well for his second film. He sets up a chilly atmosphere when needed the most and steps aside to let the actors do their thing. Fairly straight-forward he lets the story role without flashy visuals getting in the way, signs of a true writer. The story is character driven with a few creepy moments but I had wished the atmosphere had been a little denser with scares at the end though. This effort comes closest to the original.

The music score is a bit light with many of the better scenes given over strictly to audio effects. A little bit disappointing but doesn't affect things too badly.

In the end you have a good sequel with a character driven script and a bunch of top notch actors ripping it up. Unfortunately I thought the ending was a bit rushed with the inclusion of the exorcism is just a little out of place. What for most of the film seems like a classic example of the walk-in of an 'old soul' suddenly becomes a possession story. But you got to give the distributors what they want I guess.

William Peter Blatty can really write. Prose and dialogue. No argument. But can he direct a movie? On the strength of 'Exorcist III,' yes he can. This isn't to say that the film doesn't have its problems. On the contrary, its biggest problem, the out-of-character 'crowd-pleasing' SFX climax stops it from being one of the greats. So why do I have a soft spot for this film? If, like me, you appreciate horror films that are both scary and made for grown-ups, 'Exorcist III' is refreshing and memorable for its intelligent, non-ironic journey into darkness and for its refusal (bar that ending) to dumb down for the kids. If 'Scream' is your idea of a great horror movie, this isn't one for you! The cast is not nearly young and attractive enough, there are nowhere near enough gags (though Blatty's dry, sardonic wit is happily in evidence) and the film has no pretensions at being an autopsy of the genre, therefore somehow lifting it above the films it purports to comment on. 'Exorcist III' is literary beyond 'Scream's' self-referential trivia-chasing (I would love to hear Detective Kinderman critiquing that movie!) Read 'Legion' and you'll have an idea of how good the film should have been. Flaws acknowledged and accepted, don't miss out on Brad Dourif's best performance since 'Cuckoo's Nest,' scene-stealing turns by Ed Flanders and Nancy Fish, or the superlative production design, photography and sound. More than anything else, it's the atmosphere of the film that stays with me. I can recall very few films that have a better sense of the power of stillness and silence. So much of the violence is communicated only in dialogue; your mind reluctantly does the rest.

I first noticed this film on YouTube in a series of videos that list "scariest movie moments." One of the scenes selected was from this movie and since it sent a chill down my spine so I decided to give the rest of the film a chance. That's when my blood damn near froze.

Seeing that "Exorcist III" is a third entry in a franchise in which the second film has a very low reputation and the fourth didn't exactly draw much noise probably gets many people to overlook this film. The fact is that it is the Exorcist label that works against it. This is not really an exorcist movie as the original source novel was similar in theme, but not a sequel to Blatty's "The Exorcist." The exorcism scene was added in the middle of production and it feels slightly out of place with the rest of the film.

However, it also provides an eerie element as the re-shot scenes has Jason Miller and the originally shot scenes had Brad Dourif and the final product cuts back between the two. It works in a creepy way, just watch and you'll understand. Though the film's best part is the incredible atmosphere. It is really something. Haunting music, dream sequences, and good mixture of the classic "jump scare" along with some brilliant "quiet scares" for lack of better word. The scene that drew me to this film is an almost update of the infamous "spider-walk" from the first "Exorcist." It is a terrifically designed scene, among many I might add, so you begin to wonder why Blatty didn't direct more films? I am almost itching to see what else he could come up with on screen.

This is a thoroughly enjoyable and smart horror film with above average acting, writing, directing, and design as well as everything else. And it is best thought of as separate from the Exorcist series, just like the book was, even if it does include an exorcism. --- 8/10

Rated R for violent content/terror. Ages 13+