La Malédiction

The first and best in the series of films about devil-child Damien teamed a great cast (Gregory Peck, Lee Remick, David Warner, Patrick Troughton, Billie Whitelaw) with Harvey Stephens in a chilling performance as the child.

The deaths most of the cast meet are inventive and in some cases, memorable for many years after viewing the film - giving the opportunity for some unusual and striking visuals, while the whole film is soaked in that loud Goldsmith score to great effect.

The sequels, alas, were poor in comparison, but 'The Omen' stands alone of its type of seventies horror schlock.

'The Omen' scared the bejesus out of me as a kid. Watching it again all these years later much of its impact has worn off, and yes, it has dated quite badly, but it's still a wonderfully entertaining movie, probably second only to Polanski's 'Rosemary's Baby' in the Satanic/apocalyptic genre. It definitely wipes the floor with recent pretenders like 'Lost Souls' and 'End Of Days'.

One of the reasons it still works is that the actors take the (sometimes silly) material so seriously. And when you have actors of the calibre of Gregory Peck and David Warner it certainly helps. Peck is utterly convincing as the Ambassador who doesn't want to believe the shocking facts staring him in the face, and Warner, who often found himself in second rate b-grade rubbish, obviously relished his role as the inquisitive reporter who helps convince Peck that things are not as normal as they seem. Along with Peckinpah's 'Cross Of Iron', one of his best roles. Lee Remick is strong as Damien's worried mother, Billie Whitelaw chilling as the mysterious governess, and Patrick Troughton ('Dr Who' #2) is very good as a dying priest who knows the truth about the Thorn's son.

Forget the sequels, 'The Omen' is classic Satanic schlock, and still has more than a few scares left in it. Essential viewing for fans of 70s horror.

This movie was back when you had to be creepy to scare people, vs gross.

And there's nothing creepier than scary movies with religious undertones.

This movie is one of the rare good ones that came out of the 70s, still watchable today.

But you'll have to like older films in general, to be able to enjoy it.

It seems the negative reviews are all people who hate religion - but still put on a movie revolving around religious undertones. Lol It's not the movie's fault they're an idiot.

Historically, this is a great flick - because you can really see what 90s films would eventually be, in it.

Way ahead of its time, as to directing.

This movie plays with the intellect. It is frightening for what is not seen. From the grey overcast that blurs the skies of London and the dead stillness of the great Pereford mansion that houses the ill-fated Thorn family to the deepest recesses of civilization in the hollow underground of an ancient excavation site, the film effectively captures the viewer's interest and draws them into a world that is on the verge of the ultimate disaster - the birth of the anti-Christ.

Born into the world of politics and wealth, little Damien Thorn is the darling of the beautiful and privileged Robert and Katherine Thorn. Mysterious accidents and the overall feeling of death begin to shadow their lives until the horrifying truth of Damien's birth is uncovered millions of miles away in a grave in a decaying pagan cemetery in Italy. Gregory Peck gives a fine performance as ambitious politico Robert Thorn, a man who slowly discovers that his fate is interlinked in ancient biblical prophecy. With escalating horror, he uncovers a grand design that's unfolding under the unsuspecting eyes of the entire world - and he and his perfect family are at the centre of it. His search for the truth is one of the best in films, taking him to the farthest reaches of the globe and climaxing in an exciting and bizarre confrontation between himself and the face of evil.

Lee Remick is ethereal as his beautiful and tragic wife. The rest of the cast - Billie Whitelaw as the creepy Mrs. Baylock, David Warner as the doomed Jennings and Leo McKern as the mysterious archaeologist Bugenhagen - give the movie its singular dark and moody quality. THE OMEN has a few disturbing moments that shock rather than disgust, but the film is loaded with memorable scenes that are ingenious. It's the 'feeling' that the film incites that makes this movie unique. The haunted performances of the actors, the creepy-crawly musical score, the insinuation that doom is slowly creeping into the world with the birth of one lone child, all succeed in making THE OMEN one of the truest horror films.

Sometimes it's the knowing that something is going to happen that is more frightening than actually seeing it happen ...

Rightfully tense and spooky thriller from director Richard Donner that grabs its audience and does not let go until the shocking finale. American Ambassador Gregory Peck has come up with an idea after his new-born son dies at birth: he decides to pass another child off to wife Lee Remick as their own. Life in England seems grand for a few years, but as the child becomes a toddler (in the form of the young Harvey Stephens) strange murders start to occur. The child is really the son of Satan, born of a goat, and his only goal is to grow up and take over the world for his unearthly father. As the truth slowly unfolds, the film twists into disturbing murders and highly unholy situations. Not a film for the faint of heart and certainly not a perfect film, but still one of the stronger films of the usually luke-warm genre. 4 stars out of 5.