Avalon
- 1990
- Tous publics
- 2h 8min
NOTE IMDb
7,2/10
7,2 k
MA NOTE
Ajouter une intrigue dans votre langueA Polish-Jewish family comes to the U.S. at the beginning of the twentieth century. There, the family and their children try to make themselves a better future in the so-called promised land... Tout lireA Polish-Jewish family comes to the U.S. at the beginning of the twentieth century. There, the family and their children try to make themselves a better future in the so-called promised land.A Polish-Jewish family comes to the U.S. at the beginning of the twentieth century. There, the family and their children try to make themselves a better future in the so-called promised land.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 4 Oscars
- 2 victoires et 23 nominations au total
Avis à la une
"Avalon": I don't put a film into my TOP category with ease. I take it very seriously. Each time I see "Avalon" by Barry Levinson, I appreciate it, and him, more. This film has depth, humor, complexity, subtlety, sadness, resignation, joy
It is Family. For better and for worse, Family. The passage of Time, the scars we Inherit, Create, Share. Moments and Memories - precious commodities. A beautiful film that looks at five generations of Family, over a 60+ year span. It's a totally emotional film. The layers are always present. We see this family through the eyes of everyone, which is quite a feat. You get to know everyone. You see their point, then you see someone else's point, then you see what is happening and what may not be repaired. On it goes. And it makes you want to hold your family a little closer, and work a little harder at making it the center of Life, even when it seems impossible.
I have always liked this movie and am sorry it did not do as well as other Levinson films. It's obviously a Jewish family that is depicted although there are no specifically Jewish scenes, like lighting the candles or anything like that.
As the family becomes more Americanized they move away from the family circle center. The suburbs and TV become the two most alienating forces. Armin Mueller-Stahl, Joan Plowright and Elijah Wood were all great.I particularly liked Aiden Quinn as the father although he is obviously not Jewish.
I mention it as one of the Best American Movies about Immigrants on Associated Content.
As the family becomes more Americanized they move away from the family circle center. The suburbs and TV become the two most alienating forces. Armin Mueller-Stahl, Joan Plowright and Elijah Wood were all great.I particularly liked Aiden Quinn as the father although he is obviously not Jewish.
I mention it as one of the Best American Movies about Immigrants on Associated Content.
It was like watching 30 Woody Allens frantically talking at the same time. At some moments a bit overwhelming but, all in all a good movie, also reminds me on Woody Allen's "Radio days". America, when the american dream was still a thing people believed in.
Avalon is really a beautifully written story and Levinson's cast is excellent. This really is one of the better stories of the American experience. Actually I'd have to say it's the BEST story of the American experience ever brought to film. I say that knowing that it really is the urban Jewish-American experience and not one that is necessarily shared by other groups. I dont care for rigid definitions of the American experience because it can be a vastly differing one. Having said that though, I must still say that Avalon is a wonderful chronicling of an American immigrant family originaly from Eastern Europe who put down roots in the Avalon section of Baltimore. It is refreshing in that New York City is generally credited for this kind of narrative. So much so that it's easy to forget that ethnic communities sprang up in Philadelphia, Baltimore, Boston, Chicago, San Francisco etc. Not just NYC. Through the narration of Sam Krichinsky we see his children and grandchildren grow up and he grow old. We are with him when his wife (Joan Plowright)passes away, When his son's business is destroyed by fire, when he argues with his oldest Brother and a great rift divides the Krichinskys forever. we hear his stories of this and that and always he returns to the 4th of July 1914 when he arrived in Baltimore for the first time. Levinson is fantastic as he films what is obviously an idealized representation seen only in Sam Krichinsky's "rose colored" memory of the event. There is so much poignance, sorrow, and love in "Avalon" and small details become deeply profound moments in the life of an elderly man struggling to remember the good times while the world moves on. The closing scene in which Sam's Grandson (now a father himself), with whom he has always had a close relationship, visits him in a nursing home. We know from Sam's state that the end cannot be far. Its a brief scene with little dialogue but it is AWESOME!!!! in the sublime way it conveys it's message. I choke up just thinking about that scene. See "Avalon"!!!
It is heart-warming to read comments from those of you who do not even live in Baltimore and enjoyed the movie as much as we Baltimoreans did. What a stirring tribute to the city and to our immigrant grandparents.
My ancestors came from County Cork to Baltimore in the late 1800's. We too, grew up in rowhouses (retitled "townhomes" by realtors in the 1980's) nearby our cousins. Many scenes brought back wonderful memories: the kids playing in the "back alley," the marble steps of the rowhouses which my mother used to lovingly scrub, the "bee" incident, trips to the lake, Thanksgiving dinner with extended family members and tables to seat all the kids extending into the next room, etc., etc.
This could have been just another sappy movie but the actors were so immersed in their characters, I was swept away. Apparently, so were you.
My ancestors came from County Cork to Baltimore in the late 1800's. We too, grew up in rowhouses (retitled "townhomes" by realtors in the 1980's) nearby our cousins. Many scenes brought back wonderful memories: the kids playing in the "back alley," the marble steps of the rowhouses which my mother used to lovingly scrub, the "bee" incident, trips to the lake, Thanksgiving dinner with extended family members and tables to seat all the kids extending into the next room, etc., etc.
This could have been just another sappy movie but the actors were so immersed in their characters, I was swept away. Apparently, so were you.
Le saviez-vous
- AnecdotesThe home in the suburbs where the Kaye family moves from Avalon is Writer, Producer, and Director Barry Levinson's actual childhood home in Forest Park, west of Baltimore's city center.
- GaffesWhen Baltimore's Bromo-Seltzer clock tower is shown at the movie's opening, that 1914 depiction omits the brightly-lit 51-foot tall blue Bromo-Seltzer bottle that had adorned the top of the tower from 1911 through 1936. Descriptions from the time period report the blue glow could be seen from miles around. The oversight is particularly notable because the film's concurrent narration mentions the city's bright lights.
- Citations
Sam Krichinsky: If I knew things would no longer be, I would have tried to remember better.
- Crédits fousThe credits roll over a photograph of Avalon, which begins as a sharp color photograph, but fades into a worn black-and-white picture at the end.
- Bandes originalesAnniversary Song
Music by Iosif Ivanovici, arranged by Saul Chaplin, lyrics by Al Jolson and Saul Chaplin
Performed by Al Jolson
Courtesy of MCA Records
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- How long is Avalon?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- 適者生存
- Lieux de tournage
- Senator Theatre - 5904 York Road, Baltimore, Maryland, États-Unis(Wood sees movie King of the Rocketmen)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 15 740 796 $US
- Week-end de sortie aux États-Unis et au Canada
- 226 613 $US
- 8 oct. 1990
- Montant brut mondial
- 15 779 578 $US
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