Winter People

Wayland Jackson (Kurt Russell) and his young daughter leave Pennsylvania and movie to rural Appalachia in 1934. Now considering the poverty in this part of the world, particularly during the Depression, this is an odd decision to say the least. On their way, Wayland's truck breaks down and he and the daughter make their way to a local cabin where Collie (Kelly McGillis) and her baby live. She lets them stay a bit, as it's cold outside and soon the pair fall in love. However, the baby's ne'er-do-well and extremely violent father returns for one of his rare visits...and he nearly kills Wayland and attempts to force himself on Collie. What's next? Well, a LOT...including threats from the violent man's very violent and awful clan.

The film has some remarkably good and restrained acting. In addition to Russell and McGillis doing a fine job, the oddly named Jeffrey Meek is exceptional as the evil father of the baby and the rest of the supporting cast (including Lloyd Bridges and Mitchell Ryan) are superb.

As for the story, it's compelling and has many twists and turns. You might not like these...but they do make for a story that is hard to stop watching.

Overall, a very well done film....not always pleasant but exceptional nonetheless...and far better than its current 6.3 rating on IMDB.

Kurt Russell and Kelly McGillis give believable performances in this rural drama. Tremendous North Carolina atmosphere and a fine score add immensely to the film. Some may find it a bit slow, but those willing to watch and listen, will be rewarded. "Winter People" does not follow any typical feuding families formula, but carves new ground, with sacrifice instead of shoot outs. Anyone expecting a "Deliverance" clone would be advised to seek out "Hunter's Blood" and leave "Winter People" to those who appreciate a quieter, more thought provoking movie. Definitely recommended for couples viewing as there is enough depth to maintain interest for everyone. - MERK

Deceptively marketed as a "Deliverance" retread, it has, in fact, more in common with Peter Weir's "Witness" and Richard Pearce's "Heartland". Kurt Russell plays Wayland Jackson, a humble widower who begins a new life with his daughter in North Carolina. When he meets and falls in love with Collie Wright (Kelly McGilis), he must prove his mettle to her father (Lloyd Bridges) and deal with local animosity towards him.

Director Ted Kotcheff, who also made "First Blood", "Uncommon Valor" and the brilliant "Split Image", a scathing look at a religious sect, brings his considerable experience with personal politics to this well made, beautifully acted, snow-bound drama.

The film's last act is where the violence flares and the stage is set for several bloody, taut altercations. The film, however, never loses sight of its personal story and focuses closely on the courage and resilience of good, honest folk.

John Scott's score is hypnotic.

This movie was filmed near my hometown in the Western North Carolina mountains in a little community called Plumtree in Avery County. The severe winter weather depicted in the film is like it really is. The elevation here is about 3500 feet and the area gets enough snow to support a large snow skiing industry.

While I won't go to the hyperbole of this being the best film ever, it is certainly one of the more satisfying. The fact that you can tell a compelling human story without overwhelming the audience with action (and I like action flicks as well as anyone) is noteworthy. It is not your typical story - it's got real conflict, real relationships (both good and bad), and a sense of authenticity that is lacking in many films. The setting is not one that is common, although it would be contemporary with 'To Kill A Mockingbird'. It sheds some light on a part of the country that is not familiar to most of us. It reflects some thought in fleshing out real characters, instead of relying on portraying stereotypical backwoods people. While many of the actors have gone on to other roles, the movie retains the allure of watching real people. It should be considered a high mark in the careers of both Kurt Russell and Kelly McGillis. It is one of those rare movies that I appreciate watching each time.