Ajouter une intrigue dans votre langueA drifter stranded in Kansas accepts a job offer from a wheat harvester who, in desperation over his cancer and financial woes, attempts suicide but becomes a father-figure to the young man.A drifter stranded in Kansas accepts a job offer from a wheat harvester who, in desperation over his cancer and financial woes, attempts suicide but becomes a father-figure to the young man.A drifter stranded in Kansas accepts a job offer from a wheat harvester who, in desperation over his cancer and financial woes, attempts suicide but becomes a father-figure to the young man.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Primetime Emmy
- 2 victoires et 7 nominations au total
Rossie Harris
- Dougie Burkhardt
- (as Ross Harris)
Eloy Casados
- Dwight Willits
- (as Eloy Phil Casados)
Michael Talbott
- Tork Torkelson
- (as Michael Talbot)
Robert Weaver
- Russ Hahn
- (as Robby Weaver)
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Amber Waves is a rarely-seen TV movie about wheat harvesters in the American midwest. As an Englishman, I found much of the film interesting purely because it is about a way of life totally unfamiliar to me. The landscapes are very nicely photographed, and the leading performances from Dennis Weaver and Kurt Russell are pretty engaging.
The story is about a grizzled old harvester named Bud Burkhardt (Weaver) who learns that he is dying from lung cancer. His attitudes to life are simple: work hard, be reliable and fight for your corner when you have to. However, he finds himself in a peculiar position, since he needs an operation desperately if he is to have any hope of survival, yet he doesn't have the time to be recuperating on a hospital bed when there's a harvest to be gathered. Should he put his life first, or his responsibility to deliver the crop? He hires an extra harvester in the shape of a young, failed magazine model (Russell) who initially hates hard labour, but soon comes to realise that the responsibility and drive of honest hard work is good for the soul.
There's nothing remarkable about the plot, which has elements of disease-of-the-week cliches and lots of long, loving sequences showing men driving around fields in combine harvesters. However, the engaging performances and the lovely photgraphy keep you interested. The film isn't as moving as I thought it might be (given the potentially tear-jerking storyline). There's one moving scene where Weaver phones his long estranged son and begs him to come home, but other than that the opportunities for powerful emotional scenes are generally missed.
On the whole, Amber Waves is a run-of-the-mill TV movie which has some nice touches and agreeable, interesting moments but doesn't quite hit the emotional level that it seems to be aiming for.
The story is about a grizzled old harvester named Bud Burkhardt (Weaver) who learns that he is dying from lung cancer. His attitudes to life are simple: work hard, be reliable and fight for your corner when you have to. However, he finds himself in a peculiar position, since he needs an operation desperately if he is to have any hope of survival, yet he doesn't have the time to be recuperating on a hospital bed when there's a harvest to be gathered. Should he put his life first, or his responsibility to deliver the crop? He hires an extra harvester in the shape of a young, failed magazine model (Russell) who initially hates hard labour, but soon comes to realise that the responsibility and drive of honest hard work is good for the soul.
There's nothing remarkable about the plot, which has elements of disease-of-the-week cliches and lots of long, loving sequences showing men driving around fields in combine harvesters. However, the engaging performances and the lovely photgraphy keep you interested. The film isn't as moving as I thought it might be (given the potentially tear-jerking storyline). There's one moving scene where Weaver phones his long estranged son and begs him to come home, but other than that the opportunities for powerful emotional scenes are generally missed.
On the whole, Amber Waves is a run-of-the-mill TV movie which has some nice touches and agreeable, interesting moments but doesn't quite hit the emotional level that it seems to be aiming for.
I saw this made-for-TV film when it aired 38 years ago. I recall it being much better than anticipated with cinematography featuring stunning landscapes and competent dramatic performances.
10cjdaniel
Who would have thought that a TV movie about wheat-whackers would be this good? (See other reviews for detailed description.) Dennis Weaver, Kurt Russell, and Mare Winningham are uniformly excellent in their roles in a dramatic (but never melodramatic) script by veteran television series writer Ken Trevey ("Gunsmoke," "The Big Valley," "Lou Grant," et al.). It might sound like a snooze-fest, but you won't regret watching this one.
I agree with all the other reviewers in that this is quite a well made movie, however you don't have watch too closely to see that actually not a lot of wheat gets cut by these custom cutters. In scenes with the combines, they spend most of their time just driving aimlessly around an already cut field in the dark or even worse making it appear like they are cutting wheat by in fact just driving the machine through some scrub grass. Some minimal stock footage was used of combines in wheat but it amounts to seconds of the film.
Its sad that the movie could not have had the chance to get some decent shots of the machines doing the job.
This is the only major factual fault in what really is a well produced, directed and acted TV movie.
Its sad that the movie could not have had the chance to get some decent shots of the machines doing the job.
This is the only major factual fault in what really is a well produced, directed and acted TV movie.
This is a beautiful film, wonderfully acted with subtly and nuance; well written, well directed. I wish I could find it on DVD or streaming...
Kurt Russell shines in a role that could easily have been shallowly depicted. Similarly, Dennis Weaver does a great job and avoids over-playing into melodrama. This is wonderful early work by Mare Winningham. Even if you're not surprised by the ending, it is no less beautiful and quietly, realistically played.
Kurt Russell shines in a role that could easily have been shallowly depicted. Similarly, Dennis Weaver does a great job and avoids over-playing into melodrama. This is wonderful early work by Mare Winningham. Even if you're not surprised by the ending, it is no less beautiful and quietly, realistically played.
Le saviez-vous
- AnecdotesThe movie was developed by Leonard Hill which was by the time he was Vice President of movies at ABC, while Philip Mandelker was producer at Time-Life Television. After the instant ratings success, both Hill and Mandelker left their positions to set up their own production company.
- ConnexionsFeatured in The 32nd Annual Primetime Emmy Awards (1980)
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Détails
- Durée
- 1h 38min(98 min)
- Couleur
- Rapport de forme
- 1.33 : 1
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