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Spontaneous Combustion, le feu de l'au-delà

Titre original : Spontaneous Combustion
  • 1989
  • R
  • 1h 37min
NOTE IMDb
4,9/10
3,3 k
MA NOTE
Spontaneous Combustion, le feu de l'au-delà (1989)
A young man finds out that his parents had been used in an atomic-weapons experiment shortly before he was born, and that the results have had some unexpected effects on him.
Lire trailer2:04
1 Video
68 photos
Body HorrorDark ComedyHorrorSci-FiThriller

Un homme réalise que ses parents ont été l'objet d'expérience atomiques dans le passé, ce qui implique qu'il possède certains pouvoirs destructeurs.Un homme réalise que ses parents ont été l'objet d'expérience atomiques dans le passé, ce qui implique qu'il possède certains pouvoirs destructeurs.Un homme réalise que ses parents ont été l'objet d'expérience atomiques dans le passé, ce qui implique qu'il possède certains pouvoirs destructeurs.

  • Réalisation
    • Tobe Hooper
  • Scénario
    • Tobe Hooper
    • Howard Goldberg
  • Casting principal
    • Brad Dourif
    • Cynthia Bain
    • Jon Cypher
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,9/10
    3,3 k
    MA NOTE
    • Réalisation
      • Tobe Hooper
    • Scénario
      • Tobe Hooper
      • Howard Goldberg
    • Casting principal
      • Brad Dourif
      • Cynthia Bain
      • Jon Cypher
    • 50avis d'utilisateurs
    • 36avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    Trailer
    Trailer 2:04
    Trailer

    Photos68

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Voir l'affiche
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    + 62
    Voir l'affiche

    Rôles principaux35

    Modifier
    Brad Dourif
    Brad Dourif
    • Sam
    Cynthia Bain
    Cynthia Bain
    • Lisa Wilcox
    Jon Cypher
    Jon Cypher
    • Dr. Marsh
    William Prince
    William Prince
    • Lew Orlander
    Melinda Dillon
    Melinda Dillon
    • Nina
    Dey Young
    Dey Young
    • Rachel
    Tegan West
    • Springer
    Michael Keys Hall
    Michael Keys Hall
    • Dr. Cagney
    Dale Dye
    Dale Dye
    • General
    Dick Butkus
    Dick Butkus
    • Lt. General
    Joe Mays
    Joe Mays
    • Dr. Persons
    Stacy Edwards
    Stacy Edwards
    • Peggy Bell
    Brian Bremer
    Brian Bremer
    • Brian Bell
    Frank Whiteman
    • Young Orlander
    Judy Prescott
    Judy Prescott
    • Student Director
    Judy Behr
    • School Nurse
    Betsy Thomas
    • Nurse at Hospital
    John Landis
    John Landis
    • Radio Technician
    • Réalisation
      • Tobe Hooper
    • Scénario
      • Tobe Hooper
      • Howard Goldberg
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs50

    4,93.2K
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    Avis à la une

    tomgillespie2002

    Poor film, but Brad Dourif is always worth a watch

    Nevada desert, 1955. Peggy and Brian Bell, are being experimented on by the US Army to test the effects of exposure to atomic energy whilst testing a nuclear bomb. The test seems to go well, and the Bells are located in a picturesque suburbia. However, after giving birth to their son, the couple suddenly spontaneously combusted, a clear effect of the nuclear fallout. The baby boy survives them, and grows up to be Sam (Brad Dourif).

    So we flash forward to the present day, where Sam's freakish ability to combust becomes increasingly dangerous to both himself and others around him. In one scene (with a cameo from John Landis), Sam has called into a radio psychic DJ - who has now gone off the air - and gets through to the Landis' radio technician who refuses to pass him onto the DJ (Dr Persons - played by Joe Mays). This increases Sam's anger (which as we have seen previously, makes Sam burnier), and he projects fire through the phone (in a pseudo-telekinetic flash), which results in fire streaming from the knee-caps of poor Landis. Sam's main goal is to find out about his parents and to determine why these phenomena keep occurring.

    Tobe Hooper has not had it easy since the release of exceptionally brilliant debut The Texas Chain-Saw Massacre (1974). All of his subsequent films have either fallen foul of studio intervention (Death Trap (1977), The Funhouse (1981)), executive producer Steven Spielberg's ultimate overbearing on-set presence (Poltergeist (1982), or just poorly conceived ideas (Lifeforce (1985), Invaders from Mars (1986) and Texas Chain-Saw Massacre 2 (1986). He seems only in the latter part of the '80's produce Stephen King-like projects, either directly adapting a King novel (Salem's Lot (1979 -TV mini-series), or lifting pseudo-King story devices, much like Spontaneous Combustion. The use of fire as a telekinetic ability had been previously 'explored' in Kings Firestarter.

    This is not a great film. The production values are akin to the TV movies/series' that were being broadcast at the time. this was seen throughout the genre in the early years of the decade. This period is almost a vacuum of popular visual culture, with the exception of one horror, the TV series Twin Peaks (1990-1991). The camera movements and compositions are standard television production. Aside from the lack of visual flare, there is one element that never really fails to please. That is of course Brad Dourif. I find everything that Dourif is in to be thoroughly fun to watch. Even, as in this performance, when he is wildly over-the-top. His eyes intense, and his vociferousness projected directly into you brain, sharp and direct. No one does sweaty anger like Dourif does. So, in conclusion. S**t film, but it is totally be forgiven cause Brad Dourif is in it.

    www.the-wrath-of-blog.blogspot.com
    7nick121235

    Neon

    God i love those transparent, glowing phones and radios that chick has.

    Anyway, not as bad as many people say it is. I'm actually a fan of Tobe Hooper's later work (well, some of it). I think people expect far too much of him based on the cultural impact of TCM and its just not fair. Tobe Hooper's films have always been rather fun and campy, while simultaneously making (sometimes rather heavy handed) sociocultural critiques. As others have noted, Spontaneous Combustion has underlying themes relating to the way that the 50's atomic bomb influenced and informed the culture of the 80's. A lot of biting references to the 'nuclear family' and its place in society as well as how both the presence and absence can affect us as we grow up and become adults. I honestly have no idea why most people say this started his downward slide cause its actually pretty good- a lot better than his remake of Invaders, that's for sure.
    4lost-in-limbo

    The temperature is boiling… a volcanic firestorm.

    Not as bad, as it's credited to being (Hooper's done far worse)… more so disappointing for me. Such an imaginative concept, which is never really tapped in to by Hooper with his economical direction and even less so in the smoky (excuse the pun) writing. It goes so sinister and over-the-top in a dead serious tone, becoming ridiculous and unfocused letting the whole pessimistic mystery / conspiracy-laced narrative being easily telegraphed to end on something completely abrupt. Because of that, the pacing goes on to be rather sluggish and Brad Dourif (cool to see him in a leading role) seems to struggle with an off-balanced performance, despite etching out a bemusedly quirky intensity to his off-colour character. Even though it's cheaply done, there's a competent technical attitude to it. However it doesn't seem to go anywhere out of the ordinary with its idea and wants to plaster in nasty jolts (which some do work) and strikingly steaming special effects (flames, flames everywhere) instead. Hooper does display some stylishly frenetic imagery (more so towards the latter end), and the camera-work is swiftly manoeuvred and the beaming score is titillating. The performances are bit all over the shop with the appearances of William Prince, Cynthia Bain, Dey Young, Jon Cypher and Melinda Dillon. Also Geroge Buck Flower and John Landis have small, but amusing cameos… especially Landis. Nothing surprises, but it's passably engaging.
    Backlash007

    "Spontaneous Human Combustion?"

    Spontaneous Combustion is a very sad horror effort from legendary director Tobe Hooper. I was hoping this was before Hooper's downward spiral of Night Terrors, The Mangler, and Crocodile, but I think this is the film that started that spiral. I'm still finding it hard to believe it was as bad as it was. Tobe Hooper directing, Brad Dourif starring...that's horror royalty right there. I found Dourif to be disappointing in this one as well. That was hard to type because he's so good in everything else he does (if you want to challenge that statement check out One Flew Over the Cuckoo's Nest). I think he should have just said no to this role. I was expecting a very dark film with a brooding anti-hero. What I got was a comical bore, and you can bet that's not on purpose. You reach a point in the film where you ask yourself "What in the f*ck is going on?" And the ending is pathetic at best. Not even a fiery John Landis cameo nor a radio voice-over by Buck Flower could save this one. Go watch Firestarter instead.
    8Annalee

    While it's slow in the beginning, it's a really, REALLY good flick!

    Righty right. Here's a bit about SPONTANEOUS COMBUSTION: the government is trying to engineer the perfect weapon for war. It fails, and the project is supposedly buried. Years later, however, a young college student by the name of David (Sam), is finding out slowly that he is something more than human. So, he intends to find out just what he is, and a path of destruction and fire is left in his wake. Now, I can see why this has been called Tobe Hooper's only failure at a movie, but it is a gem. But, the only reason why this is a good flick is because of the presence of Brad Dourif. As always, he's excellent. Rent this flick, that is if you can find it. The beginning is slow, but it is very entertaining.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      In a promotional Fangoria interview for Exorcist 3 (1990), Brad Douriff mentioned how disappointed he was with final version of this film, and how a very interesting, promising movie was ruined by studio interference and producers during production. "You see me playing my heart out in scenes that are not working, and the reason they're not working is that movie doesn't make sense. It's almost funny. As a matter of fact, the better my acting was in some of the later scenes, the funnier film was. I found myself at the mercy of people who didn't know what they were doing. I probably shouldn't be saying this, but my feeling is, the producers destroyed it. Tobe could have made three different movies with material he had, and each one would have worked. But by the time he got it, it had changed from a love story to a suspense thriller about my character's paranoid fantasy, to a 'guy goes crazy' film about this insane killer who becomes a destructive force that's going to wipe out mankind. We went back and kind of restructured it as a love story, but it didn't really help. The beginning of the film was great, and a certain portion of my stuff was fine, but then it became stupid when all the flame stuff started happening."
    • Gaffes
      The position of the syringe stuck in Lisa, changes.
    • Citations

      Sam: Burn, God damn you!

    • Connexions
      Featured in Cinemassacre's Monster Madness: Spontaneous Combustion (2009)
    • Bandes originales
      I Don't Want to Set the World on Fire
      Written by Eddie Durham (uncredited), Eddie Seiler (uncredited), Sol Marcus (uncredited) and Bennie Benjamin (uncredited)

      Performed by The Ink Spots

      Courtesy of MCA Records

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    FAQ19

    • How long is Spontaneous Combustion?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 23 février 1990 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Spontaneous Combustion
    • Lieux de tournage
      • Altadena, Californie, États-Unis(Location)
    • Sociétés de production
      • Black Owl Productions
      • Project Samson
      • VOSC
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 5 500 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 50 367 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 50 367 $US
      • 25 févr. 1990
    • Montant brut mondial
      • 50 367 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 37 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby
    • Rapport de forme
      • 1.85 : 1

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