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4,7/10
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Dans un futur proche, où la Terre a été dévastée par la pollution humaine et où des vents géants règnent sur la planète, le chasseur de primes Matt kidnappe un meurtrier des mains de deux po... Tout lireDans un futur proche, où la Terre a été dévastée par la pollution humaine et où des vents géants règnent sur la planète, le chasseur de primes Matt kidnappe un meurtrier des mains de deux policiers, prévoyant d'obtenir lui-même la prime.Dans un futur proche, où la Terre a été dévastée par la pollution humaine et où des vents géants règnent sur la planète, le chasseur de primes Matt kidnappe un meurtrier des mains de deux policiers, prévoyant d'obtenir lui-même la prime.
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I've liked this movie for years, and it is actually quite muddled and strange, it is difficult to understand, the performances are sometimes strained and overdone; and still it is charming. A lot of original ideas, some quiet, delicate, odd moments, and Bob Peck's performance make it really lovely in a certain way. Don't miss it if you enjoy movies that are outside the Hollywood box. It has a thing that is more than the sum of its' awkward parts.
I couldn't agree more (previous post re: underrated) this movie was a truly entertaining surprise and I have been trying to find it ever since my husband and i rented it one night after pretty much working our way thru the other rentals at our local video store. Our expectations were not particularly high but we ended up really enjoying this film. The premise is not particularly new - post apocalyptic and all...but the approach and the vision presented of earth at this point is truly refreshing. I think it's a shame that it just didn't get the kind of studio support and exposure that it deserved. I definitely recommend it - you won't be sorry, it's just a very interesting, very well put together movie.
I got this movie as part of a 20 movie collection that cost $20. Therefore, I got it for a dollar. It's worth about that much. Not to say it's BAD, it's just that half of it is 10-minute montages of gliders flying around. However, the performances by Hamill and the guy playing the convict save it from all of the WEIRD choices made by the director and scriptwriter. For example...is this an action movie, or a story of a man's journey of discovery? I don't know, but love scenes in museums with montages (again) of stuffed animals with quick cuts to long focuses on Christmas lights don't give me any better of an idea. Still, it's worth the dollar I paid, just to see Hamill looking cool.
I remember the release of this movie way back in 1989, mainly as it saw the return of Mark Hamill to the big screen after an absence of 6 years (Jedi being his last movie). I also remember the poster proudly highlighting that it was produced by Gary Kurtz, producer of Star Wars episodes 4 and 5. Unfortunately, no one seemed to care about these "selling" points and mediocre reviews ensured that the film was ignored and was not even given a US release. It took almost 10 years before it got its British TV premiere (tucked well into the late night schedule) , but I didn't hesitate to give the film a look. Surprisingly, I actually enjoyed this movie and it's far from being one of the worst films ever, as some of the previous comments have made out.
The main players in the film put in some good performances, especially the late great Bob Peck for whose character I did manage to feel sympathy for and care about thanks to his acting skills. A bearded, peroxide blonde Mark Hamill gives a terrifically sinister bad guy performance as the unrelenting cop, albeit a little OTT. You could sense Hamill clearly loved being on the "dark side" for once. Bill Paxton gets most of the action and does a reasonable job. Cameos, from Ben Kingsley and F.Murray Abraham add some class to the credits. Also look out for Robbie 'Cracker' Coltrane.
Story wise (essentially a chase movie) it is highly unoriginal, borrowing heavily from Blade Runner and Midnight Run, all done in a futuristic Mad Max style. It does tend to meander in places, leaving the viewer a little disorientated. However, my interest was sustained mainly due to the strange character played by Peck. Unfortunately, his character wasn't explored adequately, and I was left wanting to know more about him and his past. Indeed, the story is underdeveloped and incomplete. The movie doesn't hide the fact that it is trying to convey some sort of message about humanity and the future with religious undertones.
Special effects and action scenes left a lot to be desired; the shoot out in the forest was very shoddily done (one of the worst I've seen). The aircraft looked like large Air Fix models and the flying shots looked unrealistic and rushed. I suspect full use of special effects available at the time were not utilised due to budget constraints. It almost feels like a T.V movie despite the cast and experienced crew. However, a mention must go to the kite scene, which is very well done and is quite exciting. It's probably the highlight of the film. The final action scene is good too, rounded off with an optimistic feel good ending and a rousing Elmer Bernstein score as the credits roll. The locations are used effectively and go some way to make up for the poor special effects.
Slipstream, is an all but virtually forgotten British Sci-Fi movie and it appears it will stay that way. Pity really, as it's a decent effort, with an interesting, if unoriginal story and good acting. Refreshingly, the makers have avoided any wanton violence and gore. If you are in the least bit interested in Sci-Fi try and watch this film if you come across this in the video store, or if comes on T.V, if only to see Hamill ham it up and play a bad guy. You could do a lot worse than this.
6 out of 10.
The main players in the film put in some good performances, especially the late great Bob Peck for whose character I did manage to feel sympathy for and care about thanks to his acting skills. A bearded, peroxide blonde Mark Hamill gives a terrifically sinister bad guy performance as the unrelenting cop, albeit a little OTT. You could sense Hamill clearly loved being on the "dark side" for once. Bill Paxton gets most of the action and does a reasonable job. Cameos, from Ben Kingsley and F.Murray Abraham add some class to the credits. Also look out for Robbie 'Cracker' Coltrane.
Story wise (essentially a chase movie) it is highly unoriginal, borrowing heavily from Blade Runner and Midnight Run, all done in a futuristic Mad Max style. It does tend to meander in places, leaving the viewer a little disorientated. However, my interest was sustained mainly due to the strange character played by Peck. Unfortunately, his character wasn't explored adequately, and I was left wanting to know more about him and his past. Indeed, the story is underdeveloped and incomplete. The movie doesn't hide the fact that it is trying to convey some sort of message about humanity and the future with religious undertones.
Special effects and action scenes left a lot to be desired; the shoot out in the forest was very shoddily done (one of the worst I've seen). The aircraft looked like large Air Fix models and the flying shots looked unrealistic and rushed. I suspect full use of special effects available at the time were not utilised due to budget constraints. It almost feels like a T.V movie despite the cast and experienced crew. However, a mention must go to the kite scene, which is very well done and is quite exciting. It's probably the highlight of the film. The final action scene is good too, rounded off with an optimistic feel good ending and a rousing Elmer Bernstein score as the credits roll. The locations are used effectively and go some way to make up for the poor special effects.
Slipstream, is an all but virtually forgotten British Sci-Fi movie and it appears it will stay that way. Pity really, as it's a decent effort, with an interesting, if unoriginal story and good acting. Refreshingly, the makers have avoided any wanton violence and gore. If you are in the least bit interested in Sci-Fi try and watch this film if you come across this in the video store, or if comes on T.V, if only to see Hamill ham it up and play a bad guy. You could do a lot worse than this.
6 out of 10.
To read some comments on this movie you'd think it was a 1989 version of The Avengers (ie, really bad). I saw it at the Odeon Leicester Square in London on the first (and probably only week) of release. With good stereo and in the right surroundings I thought it was a great, highly different vision of the future. Yes, there was a lot of Mad Max in there and okay some of the visual effects were a little ropey, but it did at least boast two of my fave actors - the late, great Bob Peck and a pre-Titanic Bill Paxton. The 10 years since it was made has seen scant screenings on British TV or otherwise. A pity as there are some great moments such as the scene where Paxton attempts to rescue Peck from a kite (I kid you not) and the moody finale which was intriguing. On the whole, well made, erratic entertainment that loses everything on the small screen but features some interesting ideas, even if not all of it works. And compared to The Avengers, it looks like the greatest movie ever made.
Le saviez-vous
- AnecdotesAlso known as the movie that put producer Gary Kurtz in bankruptcy due to its failure and lack of distribution in the U.S.
- Citations
[first lines]
Will Tasker: It's over! It's finished! End of chase!
- Versions alternativesThe Japanese VHS of the film has the complete 103 minute version of the film.
- ConnexionsFeatured in The Schlocky Horror Picture Show: Slipstream (1989) (2009)
- Bandes originalesBig Area
Performed by Then Jerico
Courtesy of London Records/MCA Records
Composed by Then Jerico
Music Published by Dejamus/Then Songs
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- How long is Slipstream?Alimenté par Alexa
Détails
- Durée
- 1h 42min(102 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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