Ajouter une intrigue dans votre langueTwo Los Angeles police detectives, cynical veteran Malloy and cocky rookie Dietz, hunt for a serial killer, an ex-cop named Taylor, who randomly chooses his victims from a phone directory.Two Los Angeles police detectives, cynical veteran Malloy and cocky rookie Dietz, hunt for a serial killer, an ex-cop named Taylor, who randomly chooses his victims from a phone directory.Two Los Angeles police detectives, cynical veteran Malloy and cocky rookie Dietz, hunt for a serial killer, an ex-cop named Taylor, who randomly chooses his victims from a phone directory.
- Réalisation
- Scénario
- Casting principal
Avis à la une
What at first seems like yet another bleak cop drama/vigilante thriller from William ("earth tones and unappealing locations ONLY, please!") Lustig gradually turns into a fine little sleeper. "Relentless" is robotically assembled in certain aspects (killer strikes; cops consult; quality time with wife and kid (repeat), but the sharp script (by Phil Alden Robinson under a pseudonym), excellent performances, and steady pace help redeem the more trite elements. Leo Rossi and Robert Loggia are two cops assigned to a rash of murders committed by Judd Nelson, the son of a deranged 'hero' cop (played in flashback by Beau Starr), who has just been rejected from the Police Academy on--you guessed it--psychological grounds. There is a definite snap to the banter shared between Rossi and Loggia (the rookie and the jaded veteran), and certain touches, like the high-strung police captain, lend much to the film's intentional humor; the scenes with Rossi and his wife and son are well-handled; and the killer's contrast is appropriately oppressive (Nelson's performance is more about body language and facial expressions than dialog). Lustig once again tries to ape William Friedkin's tough-guy, action-oriented style (Rossi even gets a chance to race against traffic in the third act), and the result is quite successful--"Relentless" is seriously worth a look.
7wigz
Judd Nelson rules in this flick. I'm surprised nobody seems to know about this one. If you see in the store, give it a try. I think you'll be entertained. Rossi is pretty good in this too. His banter with Loggia is straight out of a buddy-cop movie encyclopedia, but it works.
There have been a million wackos on the loose with two determined cops on his trial type of movies, but this one at least tries something new with the murders. They are your standard knifed or strangled variety but the killer doesn't just do it. He makes the victim help out somewhat, by putting the knife, piano wire, etc. into their hands and then forcing them to effectively off themselves.
Judd Nelson rules in this flick. I'm surprised nobody seems to know about this one. If you see in the store, give it a try. I think you'll be entertained. Rossi is pretty good in this too. His banter with Loggia is straight out of a buddy-cop movie encyclopedia, but it works.
The first entry in this series is mediocre. Although it's okay to watch if you have nothing else to do or watch, it really isn't more than that. Resembles a made-for-tv movie.
Give this movie a go, its a pretty good one.
8/10
Judd Nelson rules in this flick. I'm surprised nobody seems to know about this one. If you see in the store, give it a try. I think you'll be entertained. Rossi is pretty good in this too. His banter with Loggia is straight out of a buddy-cop movie encyclopedia, but it works.
The first entry in this series is mediocre. Although it's okay to watch if you have nothing else to do or watch, it really isn't more than that. Resembles a made-for-tv movie.
Give this movie a go, its a pretty good one.
8/10
This one's funny because it's your basic procedural potboiler about a hotshot rookie detective and his grizzled old partner tracking a murderer, which, yeah, is pretty standard, except here the grizzled old partner doesn't really do anything. He doesn't help solve the case, he doesn't mentor the rookie in any meaningful way, he doesn't offer any profound insights into life
all he does is sit around and bitch and moan about how work sucks and how the boys at the crime lab can take care of it. It'd be like if Morgan Freeman had spent the whole run-time of 'Seven' playing cards with that crew in the library and let Lab Tech #1 do all the work.
Le saviez-vous
- AnecdotesWilliam Lustig was originally going to direct True Romance (1993) before Tony Scott. During that period, Quentin Tarantino and Lustig discussed Tarantino writing Relentless 2 and Tarantino was excited. The two thought they would be like Scorsese and Schrader writing Taxi Driver (1976) together. However, the relationship soured when Lustig demanded rewrites on True Romance.
- ConnexionsFeatured in Dead On: Relentless II (1992)
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- How long is Relentless?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Le Mutilateur
- Lieux de tournage
- 884 Palm Avenue, Hollywood, Los Angeles, Californie, États-Unis(Ken Lerner's Apartment)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 6 985 999 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 838 177 $US
- 4 sept. 1989
- Montant brut mondial
- 6 985 999 $US
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