NOTE IMDb
6,3/10
2,9 k
MA NOTE
Ajouter une intrigue dans votre langueWhen a little boy witnesses a mob hit, he is kidnapped by two professional assassins who are not what they seem.When a little boy witnesses a mob hit, he is kidnapped by two professional assassins who are not what they seem.When a little boy witnesses a mob hit, he is kidnapped by two professional assassins who are not what they seem.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
Anyone who doesn't like this movie is immature and relies on cheap thrills for entertainment. This is a perfect example of making a good movie with a low budget and no extremely well-known actors. On a scale of 1 to 10, this movie is an easy 8 1/2.
This is a rare film nowadays, and something of a hidden gem. Yes, it is that Eric Red who wrote and directed this picture. Many of his trademarks are here - an innocent boy who gets abducted by a bunch of brutal yet somehow attractive murderous outsiders; a dark, noirish feel throughout the film; and of course, it's a road movie. The film opens with a devastating scene that still has the power to disturb and becomes a roller coaster ride into the nightmarish world of two hit men who kidnap a child witness to a mob murder. Roy Schieder is excellent as the the ice-cold Cohen. But what really elevates this film into myth is the war of wills between Cohen, Tate and the little boy who does his best to drive a wedge between them. If you ever get a chance to watch this undiscovered masterpiece, don't miss it!
The nine year-old boy Travis Knight (Harley Cross) witnesses the murder of a Houston mobster. His parents and he go to a safe house in Oklahoma protected by three FBI agents under the witness protection program. However one agent betrays the group and the hitmen Cohen (Roy Scheider) and Tate (Adam Baldwin) kill the agents and Travis' parents. They kidnap Travis since a Mafia boss wants to know who killed the other mobster. Along their travel to Houston, Travis finds that Tate is a hotheaded psychopath that enjoys to kill while the veteran Cohen is a calmer professional killer. Travis try to put Cohen against Tate while tries to flee. What will happen to the trio?
The first thing that calls the attention in "Cohen and Tate" is the totally underrated IMDb User Rating. This excellent thriller by Eric Red is supported by a tense storyline well-supported by a magnificent screenplay and top-notch performances of Roy Scheider, Adam Baldwin and the boy Harley Cross. The character Travis Knight is extremely clever and his attitude is probably one of the greatest attraction of this little gem. My vote is eight.
Title (Brazil): "Uma Criança por Testemunha" ("A Child as Witness")
The first thing that calls the attention in "Cohen and Tate" is the totally underrated IMDb User Rating. This excellent thriller by Eric Red is supported by a tense storyline well-supported by a magnificent screenplay and top-notch performances of Roy Scheider, Adam Baldwin and the boy Harley Cross. The character Travis Knight is extremely clever and his attitude is probably one of the greatest attraction of this little gem. My vote is eight.
Title (Brazil): "Uma Criança por Testemunha" ("A Child as Witness")
Harley Cross does fine work here as Travis Knight. Travis and his family were living out in the middle of nowhere in the witness protection program until their temporary hideout is infiltrated by gangsters. Travis is not only the sole survivor of the massacre, but also the only one who can identify the perpetrators. Two hit men known only as Cohen (Roy Scheider) and Tate (Adam Baldwin) are hired to kidnap the boy and drive him to their boss.
But, they're not dealing with just some kid. Travis actually turns out to be rather clever in what may seem like a helpless situation, figuring out Cohen and Tate's psychological weaknesses (Cohen is a by-the-book-no-questions-asked hit men while Tate takes pride in tormenting the smart-mouthed kid) and using it against them to protect himself.
It is a very simple film done quite well because it entirely character-driven. Surprisingly, it is quite a good thriller, despite the usual story of the hired hand and the mafia witnesses with great performances all around.
But, they're not dealing with just some kid. Travis actually turns out to be rather clever in what may seem like a helpless situation, figuring out Cohen and Tate's psychological weaknesses (Cohen is a by-the-book-no-questions-asked hit men while Tate takes pride in tormenting the smart-mouthed kid) and using it against them to protect himself.
It is a very simple film done quite well because it entirely character-driven. Surprisingly, it is quite a good thriller, despite the usual story of the hired hand and the mafia witnesses with great performances all around.
I don't know what it is I liked about this movie but I found it to be one of the movies that I laugh at for unknown reasons, I thought it was great and have seen it at least 10 times, probably more, it is most certainly worth watching at least once.
Le saviez-vous
- AnecdotesThe police cruisers seen during the finale were real Houston Police squad cars. Ford LTD Crown Victorias were used by HPD from 1983 - 1987; the last use of these squads was in 1993.
- GaffesDuring the nighttime driving scenes, many round white glares from freeway lights are visible through the side windows of Cohen and Tate's car. However, even though the vehicle is traveling at freeway speeds, these lights barely move.
- Versions alternativesSome versions of the film feature an opening crawl after the opening credits that offers some exposition before the first scene begins. It reads: "On November 1st, 1988, Travis Knight witnessed the murder of a Texas mobster. The FBI has his family in protective custody. The mob wants to talk to Travis and find out for themselves who did the shooting. They want to talk to him right now. Travis Knight is 9 years old." This crawl is missing from some television airings, as well as the recent on-demand DVD released by MGM. In its place are several (somewhat awkward) seconds of black screen where it would usually be before the first scene begins.
- ConnexionsFeatured in A Look Back at 'Cohen & Tate' (2013)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 64 227 $US
- Week-end de sortie aux États-Unis et au Canada
- 45 586 $US
- 29 janv. 1989
- Montant brut mondial
- 64 227 $US
- Durée
- 1h 26min(86 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant