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IMDbPro

Main Azaad Hoon

  • 1989
  • Not Rated
  • 2h 40min
NOTE IMDb
7,3/10
829
MA NOTE
Amitabh Bachchan in Main Azaad Hoon (1989)
Drame

Ajouter une intrigue dans votre langueA newspaper reporter exploits an ordinary man for few rupees to pose as a man who is fighting against the corrupt politicians and prints imaginary stories in his name to improve the circulat... Tout lireA newspaper reporter exploits an ordinary man for few rupees to pose as a man who is fighting against the corrupt politicians and prints imaginary stories in his name to improve the circulation of her newspaper. People take him for real and he becomes a powerful leader of poor ma... Tout lireA newspaper reporter exploits an ordinary man for few rupees to pose as a man who is fighting against the corrupt politicians and prints imaginary stories in his name to improve the circulation of her newspaper. People take him for real and he becomes a powerful leader of poor man. One day the paper prints a letter in his name that he is going to end his life fighting... Tout lire

  • Réalisation
    • Tinnu Anand
  • Scénario
    • Javed Akhtar
  • Casting principal
    • Amitabh Bachchan
    • Shabana Azmi
    • B.M. Shah
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    829
    MA NOTE
    • Réalisation
      • Tinnu Anand
    • Scénario
      • Javed Akhtar
    • Casting principal
      • Amitabh Bachchan
      • Shabana Azmi
      • B.M. Shah
    • 13avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Photos11

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    Rôles principaux30

    Modifier
    Amitabh Bachchan
    Amitabh Bachchan
    • Azaad
    Shabana Azmi
    Shabana Azmi
    • Subhashini Saigal
    B.M. Shah
    • Maniklal Trivedi
    Annu Kapoor
    Annu Kapoor
    • Munna
    Ajit Vachani
    Ajit Vachani
    • Editor Sharma
    Mushtaq Khan
    Mushtaq Khan
    • Pandey
    Anjan Srivastav
    Anjan Srivastav
    • Rastogi
    Deepak Qazir
    Deepak Qazir
    • V.K. Dubey
    Mushtaq Merchant
    Mushtaq Merchant
    • Bhiku Photographer
    Avtar Gill
    Avtar Gill
    • IG Nagu
    Atmaram Bhende
    Atmaram Bhende
    • Rattilal
    Rajendra Mehra
    • Jaan Mohammed
    Masood Akhtar
    Masood Akhtar
    • Govinda
    Shakti Singh
    Shakti Singh
    • Rangiya
    Shreechand Makhija
    Shreechand Makhija
    • Mill Worker
    Raja Bundela
    Raja Bundela
    • Anwar
    Sunder Taneja
    Sunder Taneja
    • Morgue Caretaker
    Ram Gopal Bajaj
    Ram Gopal Bajaj
    • Rambhau Kaka (Villege Sarpanch)
    • Réalisation
      • Tinnu Anand
    • Scénario
      • Javed Akhtar
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs13

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    Avis à la une

    8jmathur_swayamprabha

    Big B's most underrated movie

    Main Aazaad Hoon is the most underrated movie of the star of the millennium(!) Amitabh Bachchan who is definitely the living legend of Indian cinema. It got released in 1989 and flopped on the box office. But the notable thing is that it got ignored by both the viewers and the critics. In fact, the movie deserved a better treatment because it is quite different from the masala movies of Amitabh Bachchan and one of his better works.

    Inspired by Hollywood movie - Meet John Doe (1941), It is a movie of a person whose actual name has not been told in the movie. He is nicknamed as Aazaad by an ambitious journalist of a newspaper run by even more ambitious mediaman. A false story is published in the newspaper that the person named Azaad will suicide on the next republic day(26 January) as a protest of the corrupt system prevalent in India. The purpose of this false story is to boost the declining sale of the newspaper. The sale, in fact, gets boosted up but now the readers want to meet the person named Aazaad. The lady journalist, in a very smart move, catches a layman to play the role of Aazaad for money and assures him that he would not have to commit suicide on the given day as he will be released and allowed to flee away anywhere before that. The person who is none other than our Big B, is ready to do it but while performing the role, he comes to realize the pains and problems of the common man coupled with realities of the rotten system. Becoming sympathetic to the people's plight and feeling from within to give a meaning to his otherwise meaningless life, he actually commits suicide on the already declared date. His sacrifice awakens the sleepy and dormant masses and they are made to realize that each one of them is, in fact, an Aazaad in himself.

    Quite astonishingly, this movie has been made and directed by Tinu Anand, the masala moviemaker. It is sans any romantic lead pair and consequentially any romance with songs and dances, any traditional baddies and consequentially any relevant scenes of fight, chase, shootout, explosion or other type of action or thrill for which Amitabh Bachchan was known for about two decades of his career(the so called angry young man tag was attached to him for such kind of roles only). This movie is totally different, realistic, sensitive, thought-provoking and to a large extent, logically made. To my knowledge, Amitabh Bachchan has never acted in any other movie of this category. It is a hard-hitting statement on the corrupt and manipulative system which was and still is prevalent in India.

    Despite being a realistic, non-formulaic movie, it is engrossing and able to focus the viewer's attention on the screen throughout. Recently Amitabh Bachchan has acted in RGV's Rann in which the corruption rampant in the media has been exposed. The same thing is here also but when this movie had been made, electronic media was not prominent in India. Hence it has exposed print media which was(and which is) no less corrupt than the electronic media working for vested interests and own commercial growth only. Journalists are toeing the lines of newspaper owners only because they too are joining the media for glittering careers and not for any ideals. The complete portrayal of the reality within the media house is utterly realistic. Powerful mediamen foster political ambitions, is a fact highlighted through the character of Manohar Singh, the newspaper owner.

    Amitabh Bachchan has got national award for best actor twice - first for Agneepath and second for Black. In my view, his performance in Main Aazaad Hoon is far better than both those performances and he should have won the national award for this movie instead. He has entered the skin of the protagonist completely and given a gem of a performance. Shabana Aazmi as the journalist, is natural, as usual. One of the big names of Indian theatre, (late) Manohar Singh has played the role of the owner of the newspaper house with highest degree of efficiency. Other performers like Annu Kapoor, Sudhir Pandey, Raja Bundela, Ajeet Vachchhani etc. are also up to the mark.

    The script as well as the direction are superb except dragging at some places which could have been avoided. The climax is hard-hitting and unforgettable. All the technical departments of the movie are all right. Music has been given in the movie by Amar-Utpal and this offbeat movie contains only one song - KITNE BAAJOO KITNE SAR- written by Shabana Aazmi's father, the legendary Shaayar Kaifi Aazmi and sung by none other than Amitabh Bachchan himself.

    It happens sometimes that useless or weak movies catch undue attention(and box office success too) whereas excellent movies pass by unnoticed. Main Aazaad Hoon belongs to the second category. Even AB's fans are not aware of this movie. It is movie which should be watched by not only the admirers of Amitabh Bachchan but also the people fond of watching sensible, thoughtful and useful cinema.
    6Peter_Young

    Could have been much better. Good story, exaggerated portrayal.

    Well, first, I enjoyed this film - I liked the realistic portrayal of the modern-day urban India of the 1980s, I immensely liked the background score, the cinematography, the dialogues. But I totally HATED the unrealistic concept of an entire nation going crazy about one simple man without a completely justified reason and considering him their God. What I found even more laughable is that when he wants to go, they sing a song for him. It was so clichéd that I lost any interest in the film. I don't get why good stories must go to unnecessary edges. The entire story revolves around this admiration. Anyway, Amitabh in one of his better performances of the 1980s, is great, and Shabana Azmi, who is beautiful and as always natural, provides great support. Go for it if you like - I see why the film is widely appreciated, but I frankly don't find it underrated as many people here say.
    10mohindrarishi

    A revolutionary movie ahead of its time for the People by the people.

    First a big congratulations applaud To the cast and crew to create this magic on screen and making it a masterpiece. It surely deserved the matured and prudent audience which lacked the understanding during its release time. Today it would have been appreciated more. Nevertheless we expect to have sequel or similar movie with Mr. Bacchan recreating such magic. Applauds to Tinu ANAND, have akhtar and rest of the The crew. Great song.... I still remember I watched this movie twice in theatre.
    10souvik_das_pwc

    An excellent adaptation of Meet John Doe

    This is an excellent Indianization of the original Hollywood flick Meet John Doe. The highlight of the movie was the realistic touch brought into a typical masala movie. The towering performance of Amitabh Bachchan and Shabana Azmi were two more feathers in the cap of this movie. The movie was released at a time when the career of this leading superstar of India was struggling for a breath of fresh air after 5 flops in a row. This was the sixth flop but he re-established his prowess as the leading actor from India, very well supported by Shabana, who hails from a different school of acting altogether. This movie played the same role in Bachchan's career in 1989 as Black played in 2005. The rumor goes that the movie had a scene shot by the legendary Satyajit Ray (the scene where several bullock carts are seen against the backdrop of a rising sun). The film also boasts a communist song by the Late Kaifi Azmi (father of Shabana Azmi), very well-sung by Amitabh.
    skdhungel

    One of the best Indian movies ever made in terms of subject matter

    Main azaad Hoon is one of best Indian movies i have ever watched. I do not think any movie with a hypothetical plot could touch the human feelings more than this. It is not an Indian masala movie at all rather it is targeted to the oppressed and suppressed poor class of people to teach the lesson that the common people should become conscious about anything happening in the society and get united to eradicate the bad elements . The film ends with a message of sacrifice along with the motivation for revolt through true consciousness. The acting of Amitabh Bacchan is lively and that of Sabana Azmi too is praiseworthy. Rest of the characters are not that significant. The role played by Annu Kapoor is a short but sweet.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      Jithne Bazu Uthne Sar was inspired from and African song " Idjidja" by Alpha Blondy.Amitabh Bachchan had heard the song in Europe and wanted it for the film.
    • Gaffes
      When Azaad falls from the building, it is clearly visible that a dummy is being dropped, with a grey face and grey trousers being shown (Azaad wore black trousers).
    • Connexions
      Featured in Bigil (2019)

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    Détails

    Modifier
    • Date de sortie
      • 15 décembre 1989 (Inde)
    • Pays d’origine
      • Inde
    • Langue
      • Hindi
    • Aussi connu sous le nom de
      • I Am Azaad
    • Lieux de tournage
      • Rajkot, Gujarat, Inde(location)
    • Société de production
      • Nadiadwala Sons
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      2 heures 40 minutes
    • Couleur
      • Color
    • Mixage
      • Mono

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