Les aventures satiriques d'une famille de classe moyenne dans la ville de Springfield.Les aventures satiriques d'une famille de classe moyenne dans la ville de Springfield.Les aventures satiriques d'une famille de classe moyenne dans la ville de Springfield.
- Récompensé par 37 Primetime Emmys
- 187 victoires et 376 nominations au total
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Résumé
Reviewers say 'The Simpsons' is celebrated for its groundbreaking satire, clever writing, and iconic characters. Early seasons are praised for sharp wit and social commentary. However, later seasons face criticism for repetitive humor and character inconsistencies. Changes in writing staff and creative direction are noted as reasons for the decline. Despite this, the show remains a cultural phenomenon with lasting impact.
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The Simpsons is a show that has sustained ten years of constant humor. The stories have gradually become better and the second fiddle characters were getting more screen time which translates into a much more realized show. The pop culture references abound and delight those who can pick them out. My personal favorite is the Citizen Kane references in the episode called "Rosebud." Plus, anything with C. Montgomery Burns is hysterical. The guest stars aren't there as a "special appearance" touted by the networks. They actually work into the storyline, and that makes it all the more enjoyable. Where else can you see The Moody Blues acting like thugs in a Vegas casino?
Brilliant television series that could probably be best described as "The Flintstones" gone stark-raving mad. "The Simpsons", everyone knows them. Some love the series and some could care less about it. Love it or hate it, it is near impossible to criticize the intelligence and creativity of this series. The titled animated family makes their home in Springfield, USA and gets into situations that are seemingly more outlandish and crazier than the previous adventure. Homer, Marge, Bart, Lisa, and Maggie are still going strong after nearly a dozen years of television life and with each passing moment it seems that the series sets some new precedent. For several years the show seemed to be the only attraction to the then obscure Fox Network. It was the first primetime animated show that was treated like a sitcom since "The Flintstones" quietly left the air in 1966. Many people feared the series when it first premiered in 1989 because they felt that it was hardcore adult material in a candied form that would appeal to younger audiences. Well for the most part this was true. However, "The Simpsons" would prove to be much more for all audiences. The great thing about the series is that it caters to all audiences. True there are usually situations that may not be suitable for all viewers, but then again that is true with everything on television this side of Disney Land and Sesame Street. "The Simpsons" works because of great comedy of course, but also great lessons that can be taken from most of the episodes. The people within the program may be animated, but they are just as complicated and vulnerable as the people watching them. All the regulars have their quirks, but in some episodes you can understand what certain characters are going through because the show is so life-like at times. Former President George Bush (the one from 1988-1992) once made a statement that families should be more like "The Waltons" and less like "The Simpsons". His opinion is somewhat old-fashioned and unrealistic. In other words, many topics dealt with in "The Simpsons" fit life for people in the 1990s and 2000s better than "The Waltons" did in the 1970s. A crowning achievement in television art. 5 stars out of 5.
I was hesitant to give this the rating I did, but from reading other audience reviews, my review actually will come across as far more... lenient. What can I say that hasn't been said already, the golden age of The Simpsons (seasons 3-8) is flawless television. Going through it again, it was awe inspiring to me how they manage to structure joke upon joke upon joke upon joke, something that must've been a complete breath of fresh air considering the boring, lifeless, milk-toast excuses for comedy shows that were coming around at that time. Yeah, those ones using canned laughter which relied completely on actors and people being loud as an excuse to be funny with a roaring laughter every 5 seconds spoon feeding the audience of when to laugh, with an exception of Seinfeld these were just boring shows for boring people, The Simpsons was intelligent, heart felt, structured and most of all... FUNNY.
However, all good things must come to an end. In an ideal scenario, The Simpsons ended on season 10 and season 9 didn't include the infamous 'The Principal and The Pauper', it lives its legacy as one of the greatest TV shows of all time and is passed down from generation to generation. Sure, the season 9 and 10 weren't golden age material, they were still solid entries in The Simpsons canon but then from season 11, things started to drastically change, we were getting episodes which would've been some of the weaker episodes in a golden age era season that were the best episodes of the season they were actually in. Sure, season 13 was pretty good but the show was tanking in quality almost directly after, pretty much season 14 onwards was terrible (not to mention the really bland movie). Now we're on the 31st season, the show is just completely unwatchable, the best episodes are mediocre and boring and the worst episodes are... 'Lisa Goes Gaga' (if you know what I mean). The show, at this point, is almost completely unrecognisable, a mere slight resemblance of what it once was (even the animation sucks nowadays), that's why it's so damn difficult to rate this show, at the same time it's one of my favourite and least favourite shows, the show should've ended 20 years ago, you can't keep lightning in a bottle for that long, it's not a show that is relevant to today's cultural landscape, it would be so much more respected if it had ended on its 10th season. That's why I can't in good conscience rate this show the 9 or 10/10 that I want to... but the only reason I'm giving it a 7 over a 5 is because even though there is more bad than good of The Simpsons (more signals for it to just end), the golden age is some of the best television to have ever been constructed and cannot be ignored.
Here's how I'd rate the seasons: Season 1 - 8/10 Season 2 - 8/10 Season 3 - 9/10 Season 4 - 9/10 Season 5 - 10/10 Season 6 - 10/10 (best season) Season 7 - 9/10 Season 8 - 8/10 Season 9 - 8/10 Season 10 - 7/10 Season 11 - 6/10 Season 12 - 6/10 Season 13 - 7/10 Season 14 - 5/10 Season 15 - 4/10 Season 16 - 5/10 Season 17 - 4/10 Season 18 - 4/10 Season 19 - 4/10 Season 20 - 6/10 Season 21 onward - 2/10
However, all good things must come to an end. In an ideal scenario, The Simpsons ended on season 10 and season 9 didn't include the infamous 'The Principal and The Pauper', it lives its legacy as one of the greatest TV shows of all time and is passed down from generation to generation. Sure, the season 9 and 10 weren't golden age material, they were still solid entries in The Simpsons canon but then from season 11, things started to drastically change, we were getting episodes which would've been some of the weaker episodes in a golden age era season that were the best episodes of the season they were actually in. Sure, season 13 was pretty good but the show was tanking in quality almost directly after, pretty much season 14 onwards was terrible (not to mention the really bland movie). Now we're on the 31st season, the show is just completely unwatchable, the best episodes are mediocre and boring and the worst episodes are... 'Lisa Goes Gaga' (if you know what I mean). The show, at this point, is almost completely unrecognisable, a mere slight resemblance of what it once was (even the animation sucks nowadays), that's why it's so damn difficult to rate this show, at the same time it's one of my favourite and least favourite shows, the show should've ended 20 years ago, you can't keep lightning in a bottle for that long, it's not a show that is relevant to today's cultural landscape, it would be so much more respected if it had ended on its 10th season. That's why I can't in good conscience rate this show the 9 or 10/10 that I want to... but the only reason I'm giving it a 7 over a 5 is because even though there is more bad than good of The Simpsons (more signals for it to just end), the golden age is some of the best television to have ever been constructed and cannot be ignored.
Here's how I'd rate the seasons: Season 1 - 8/10 Season 2 - 8/10 Season 3 - 9/10 Season 4 - 9/10 Season 5 - 10/10 Season 6 - 10/10 (best season) Season 7 - 9/10 Season 8 - 8/10 Season 9 - 8/10 Season 10 - 7/10 Season 11 - 6/10 Season 12 - 6/10 Season 13 - 7/10 Season 14 - 5/10 Season 15 - 4/10 Season 16 - 5/10 Season 17 - 4/10 Season 18 - 4/10 Season 19 - 4/10 Season 20 - 6/10 Season 21 onward - 2/10
Out of every cartoon, Movie, play, and T.v show I've ever seen The Simpsons tops it all. the Simpsons is the funniest show Bar None. American Dad, Futurama, and Family guy come in close but in my opinion the Simpsons is better than all of them combined. I have seen every single episode and i own seasons one through five and have Simpsons posters and action figures.i have not found an episode that i did not like., some of my favorites are the valentines episode where Bart puts Homers Beer in the paint shakers, and "Das Bus" season 9 "O' Brother were art Thou?" season 2. and any episode from the sixteenth season. they have made it to over three hundred episodes and I'm betting on three hundred more. THE SIMPSONS WILL NEVER DIE!
What more can I possibly say about a TV show that has already been praised to death? I was 15 when the Simpsons first aired and I'm 25 now. I've seen every single episode, and I'd have to say it's a rare combination of factors that come together to make The Simpsons the best show ever.
It's a very clever and intelligent show - they never dumb anything down - and as creator Matt Groening has remarked, "The Simpsons is a show that rewards paying attention." There are always enough obscure pop-culture references or subtle background gags to ensure that the second, third, or tenth viewing of an episode will find you noticing something you hadn't before.
In the early days of The Simpsons, they derived a large part of their popularity from the everyday, down-to-earth, unglamorous, average-blue-collar-slob aspect of the Simpson family. Homer is lazy and doesn't like his job, Bart doesn't excel at school, the plastic ketchup bottle they use at the dinner table makes that farting sound, and so on. This aspect of the program contrasts it with popular 80's family sitcoms such as The Cosby Show which always featured impossibly well-functioning families who got along a little too perfectly and usually learned a neat little lesson at the end of each episode. An early tag-line for The Simpsons said that they "put the Fun back in Dysfunctional."
Perhaps this blue-collar-slobness by itself is nothing shockingly original - think of previous TV shows such as Roseanne, Married with Children, All in the Family, The Honeymooners - but the Simpsons doesn't stop there. This show is extremely densely packed with jokes - everything from cerebral witticisms and sly satire to Homer falling down and going "D'oh!" Because it's a cartoon, the writers can get away with surreal gags such as the time Homer tells a joke which falls flat, after which a long silence happens which is punctuated by a single tumbleweed rolling through the Simpson's living room.
There are just too many things to mention about The Simpsons. It can be touching occasionally; more often the viewers are treated to an unequalled cavalcade of obscure references, surreal sight gags, wacky adventures, self-mocking irony... The list goes on and on. Just watch it, else you're missing out on one of the most important elements of 1990's popular culture.
It's a very clever and intelligent show - they never dumb anything down - and as creator Matt Groening has remarked, "The Simpsons is a show that rewards paying attention." There are always enough obscure pop-culture references or subtle background gags to ensure that the second, third, or tenth viewing of an episode will find you noticing something you hadn't before.
In the early days of The Simpsons, they derived a large part of their popularity from the everyday, down-to-earth, unglamorous, average-blue-collar-slob aspect of the Simpson family. Homer is lazy and doesn't like his job, Bart doesn't excel at school, the plastic ketchup bottle they use at the dinner table makes that farting sound, and so on. This aspect of the program contrasts it with popular 80's family sitcoms such as The Cosby Show which always featured impossibly well-functioning families who got along a little too perfectly and usually learned a neat little lesson at the end of each episode. An early tag-line for The Simpsons said that they "put the Fun back in Dysfunctional."
Perhaps this blue-collar-slobness by itself is nothing shockingly original - think of previous TV shows such as Roseanne, Married with Children, All in the Family, The Honeymooners - but the Simpsons doesn't stop there. This show is extremely densely packed with jokes - everything from cerebral witticisms and sly satire to Homer falling down and going "D'oh!" Because it's a cartoon, the writers can get away with surreal gags such as the time Homer tells a joke which falls flat, after which a long silence happens which is punctuated by a single tumbleweed rolling through the Simpson's living room.
There are just too many things to mention about The Simpsons. It can be touching occasionally; more often the viewers are treated to an unequalled cavalcade of obscure references, surreal sight gags, wacky adventures, self-mocking irony... The list goes on and on. Just watch it, else you're missing out on one of the most important elements of 1990's popular culture.
Former "Simpsons" Writers Who Shaped Comedy
Former "Simpsons" Writers Who Shaped Comedy
Through 30+ years of hearing Homer yell, "Do'h," you must have asked,"Who writes this stuff?" Well, Conan O'Brien and Greg Daniels for starters. Who else started in Springfield?
Le saviez-vous
- AnecdotesAfter Phil Hartman was murdered, the various characters he played, such as lawyer Lionel Hutz and actor Troy McClure, were retired, rather than re-cast. However, they continued to appear silently in crowd scenes. Season ten, episode three, "Bart the Mother" (September 27, 1998) was his final voice performance.
- GaffesRalph Wiggum is in Bart's class in some episodes and Lisa's in others. The same can be said about a few other recurring students.
- Crédits fousThere is one episode where Homer complains about how rich all the people listed in the closing credits (save for one) are. When the Gracie film logo comes up, Homer says, "Don't 'SSSHHH' me, you rich bastard!"
- Versions alternativesBeginning with the show's cable syndication run on FXX on August 21, 2014, new syndication masters have been created. Each episode has been restored to its full length, and is now presented in 16X9 high definition. In addition, credits for the Spanish SAP Translation have been added to the end credits of each episode.
- ConnexionsEdited into Springfield's Most Wanted (1995)
- Bandes originalesThe Simpsons Theme
Written by Danny Elfman
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