Tequila Sunrise

Now after saying that, let me say this. I do not think it is his best movie. I realize he has made much better movies. This movie is flawed but if you look hard enough everything is flawed. The reason this is my favorite Mel Gibson movie is A: Mel's performance, it was very good. Probably not his best but he plays paranoid well. B: Raul Julia he was awesome in this. Same with Michelle Pfeiffer and Kurt Russell. Next is the story. A tale of a drug dealer trying to clean up his life to impress a restaurant owner, but is derailed by everyone else in his life. His brother is trying to set him up, his high school buddy is trying to stop but not bust him, and steal his would be girl. His other old friend who is supposedly the biggest dealer in Mexico is trying to get him back into dealing. His ex-wife wants his money, the DEA wants him in jail, his lawyer isn't really helping and all his kid wants is his attention. This is a character the has every reason to trust no one and still tries although he is usually right and shouldn't. To me this is a fun film with interesting characters doing what should be uninteresting things. True it all ends in true hollywierd fashion but seeing Michelle Pfeiffer looking great in some power woman suits and Kurt Russell looking like a 50's cigarette poster and trying to be slick is fun. Plus the performance by J.T Walsh (one of my favorite character actors) as the seedy DEA agent makes this worth the time.

All in all, I really like this movie. The chemistry is definitely there, and the cinematography is excellent (I love the scene where Mac and Nick are talking while sitting on the swings, in pure silhouette).

Occasionally the dialog does seem stilted, like when Nick's character is telling Joanne how much he wants to see her that night. And you really wonder how Nick has his job, with all of the compromises he makes for relationships (as with Mac and Joanne).

But, Mel Gibson's eyes when he tells Michelle Pfeiffer about his interest in her... swoon! And there's a literally steamy love scene involved that is one of my all-time favorites.

All in all, the whole movie is a very interesting commentary on friendship and the ties that bind. 1) Friendship is the only choice you have in life (you can't choose your family...) vs 2) at some point friendship's obligations can go beyond the real life of the friendship itself.

Raul Julia has a great speech about that in this movie. Seeing this made me miss him all over again!

Robert Towne, best known as the writer of Chinatown, directed this backstabbing corkscrew of a film from his own script after several notable directors didn't meet interpretation. A dark brooding piece, that is as meditative and murky as it is tightly written for suspense and twists, Tequila Sunrise focuses on the expectations that conventional mores place upon our freedom to interct and even love whomever our heart bids us.

Gibson plays a drug dealer with, if not a conscience, at least a code of some sort of ethics. He is raising a son and wants to retire from illegal activities so that he may be a good role model.

Russel plays a narcotics cop bucking for a promotion. In order to get his promotion he needs to bust the area's most notorious dealer... guess who. Problem: he and Gibson and childhood mates.

Pfeiffer is a woman caught between them, each one wanting her for different reasons. Raul Julia and J.T. Walsh complete the central players in a fine ensemble on people with agendas that may be worth sacrificing the alliances they have made along the way.

As the various subplots tie themselves into impossible-to-unravel knots, every character will be forced to question what it is he or she holds sacred. Tough and even regretted decisions are made. Friendships are made and dissolved, hearts are broken, revenges plotted...

Gibson is at his best here, Pfeiffer brings great depth to what could easily have been little more than a trophy role. Walsh and Julia are so poker-faced that an audience member who succeeds in reading all the angles should account himself no more than a lucky guesser as they leave you very few clues to work with.

Ironically, despite the desires of Gibson and Towne, the ending had to be altered to please test audiences. Later critics would harp severely on the final shot, the reviews keeping away significant audience. While the ending may be unsatisfying to the typically cynical noir fan, it does not change the fact that this a far-above-average genre flick with an excellent cast and a superb script.

Worth a watch, worth several.

I remember this movie for one real thing, the soundtrack. I bought it on vinyl and played a few songs until they were scratched, the fabulous "Do you believe in shame" by Duran Duran was one of my favourites and remains so to this day.

I like this film, I really do. Okay so it now looks dated, but the rest of the film is extremely good. Mel Gibson plays a big time Drug Dealer now trying to go straight but seemingly lined up for one final big deal, or so the Police think, and his old school friend who is now the Chief of Police in the same city, Kurt Russell. Russell rocks, he really does, and they play off each other so perfectly. Michelle Pfieffer is the female caught between them who falls for one, and then the other, each playing the reverse of what you think their character may be and each, in their own way, using her to gain information on the other. That plot device alone makes the movie work for me and I love watching the dynamics between all three characters.

Although a couple of plot turns need a little twist of the imagination, it's still very well written and carried through to the screen with these actors giving good performances to take it there. I still have a soft spot for this movie.

A story that meanders and sort of goes nowhere despite the best of intentions. Nice cinematography and great cast though, Mel Gibson and Kurt Russell bounce well off each other as two old friends on opposite sides of the law. Michelle Pfeiffer is a perfect addition as the woman they both fall for.

I remember liking this movie when I originally saw it, way back when but this time around not so much. Hideously dated sax music throughout -as all the movies from this time 80s tended to have- was partially to blame but the whole story just felt a bit dry.

On the plus side the cast is superb Raul Julia steals every scene he's in as Carlos the charismatic dealer, Kurt is sleazy with his cocky cop attitude, cigarettes and slicked back hair, determined to get the girl and bring down his old friend. He actually reminded me of Dano from Hawaii five-0. Michelle Pfieiffer is beautiful and lovely as per, a sweet romance there. Yeah poor Mel, nobody will believe he's gone straight.