Eating Raoul

Paul Bartel's ultra-low budgeted quickie is still one of the best black comedies ever made, even though I found it less funny than when I first saw it, approximately ten years ago now. Then again, it was my very first "politically incorrect" comedy and I've seen many others since… This is a very charming film and the reasons why it works so well especially are the overly eccentric characters and the straight-faced acting performances of the talented B-cast. Writer/director Bartel and his favorite B-movie muse Mary Woronov star as an uptight and exaggeratedly square couple, the Blands, who're social outcasts in the wild L.A. region. Paul and Mary dream of opening their own little restaurant in the countryside but they have trouble financing it, while so many "swingers" waste their money on parties and bizarre sexual fetishes. After a first – and accidental – homicide, Paul and Mary find out that they could make easy money by luring more perverts to their apartment and kill them. The situation gets more complicated when Latino-crook Raoul discovers what the couple is doing. There aren't any special effects or gore and the set pieces aren't at all spectacular…and yet this little gem is entertaining from start to finish! Especially the first half (when you make acquaintance with the bizarre Blands) is terrific, with brilliant dialogues and offensive – yet very clever – black humor. It's obvious that Paul Bartel was an acolyte of the all-mighty Roger Corman, since he manages to deliver a fun movie without a large budget being required. The gags are simple - often not more than the sound of a frying pan hitting a human head – but it works and the atmosphere is so tongue-in-cheek that you can't but love what you see. I do wish that the film had been a little longer, especially since the ending comes so abrupt! "Eating Raoul" also contains many interesting trivia aspects, like for example the name of the co-writer, Richard Blackburn. Especially when you're familiar with Blackburn's other (and only) film "Lemora: a Child's tale of the Supernatural", this screenplay is a giant change in style. The supportive cast is marvelous as well, with the dazzling Susan Staiger as "Doris the Dominatrix" and Ed Begley Jr. as a pot-smoking hippie! Good fun!

One of the greatest comedies ever made (right up there with National Lampoon's Vacation, Caddyshack, Dumb and Dumber, and Clerks) that really makes a strong statement about swingers, s&m, rape, murder, and cannibalism without becoming tasteless. This is Bartel's greatest accomplishment. A major cult hit and deservingly so.

* * * *

Paul and Mary Bland (Paul Bartel and Mary Woronov) are a VERY goody-goody down to earth couple who want to open a restaurant but they can't get the money. One night Paul kills a man who attacks Mary. They find out he has lots of money. So they decide to put up a sexual ad, lure men into their apartment, kill them and take their money. Then hot hunky Raoul (Robert Beltran) finds out and demands a cut.

I caught this back in 1982 at a theatre. Back then it was a VERY dark and funny comedy. A big hit too. Now, 30 years later, it's still funny but not even remotely as outrageous as it used to be. We've gone beyond this movie in terms of black comedy. Also I found it sometimes too low-key. Still it was enjoyable. Bartel and Woronov are both great in their roles. They were friends in real life and their affection for each other comes through. Also they are hysterical in their roles. Beltran is pretty good too. He's not as good as comedy as Bartel and Woronov but he's young, handsome and hunky and that's what the role calls for. Also Susan Saiger is great in her small role as Doris the dominatrix. This movie is not explicit--the murders are all off screen and there's no blood or gore. So it's funny but not that black anymore. I give it a 7.

This movie keeps ending up on my top ten list, no matter how many others come and go with the years. Director Paul Bartel began with a ridiculous premise, and then had everyone play it perfectly straight, which resulted in a comedy that doesn't telegraph its laughs. It's evident that the film was lovingly polished (again) in postproduction, down to the level of tiny incidental sound effects that add immeasurably to the hilarity if you happen to catch them. The story is full of murders, but there's no gore 'n guts here; it's all as discreet as an Agatha Christie novel, where Death is tastefully signaled by a thud from another room. EATING RAOUL is an excellent introduction to the topics of Los Angeles, food, swingers, and real estate loans, and resist as you may, you'll end up cheering for Paul and Mary as they work toward their dream of opening their very own restaurant.

It's the lurid deprived world of Hollywood. Paul Bland (Paul Bartel) is a liquor store clerk in a bad neighborhood but he has gourmet tastes. His wife Mary (Mary Woronov) is a nurse. Their rent is getting raised and they are low on cash. They hate their swinging noisy neighbors. When one of them tries to rape Mary, Paul kills him with a frying pan and steals his money. After another kill, they decide to advertise to lure more swingers. Thief Raoul Mendoza (Robert Beltran) breaks in and discovers a dead body. He proposes to join the Blands with them keeping the money and him keeping the bodies.

It's weird and ridiculous deadpan humor. It's also fun. Bartel and Woronov are a great couple. It has a few big laughs but it is generally a lot of sly silly comedic takes. It is definitely unique.